DEDICATED TO THE PRESERVATION AND APPRECIATION OF BRITISH JAZZ
FROM ANY ERA AND STYLE BUT WITH THE EMPHASIS ON MODERN JAZZ

Sunday, December 25, 2011

0214 Various Artists [London Jazz Scene The 40's] FLAC 14(37.55)

















Contributed by Azule Serape, who writes:-
This is not wholly representative of the London Jazz scene in the 1940s but it's what Decca had in the vaults so it's quite limited and traditional in scope.
The big record companies were not interested in recording the emerging 'new' jazz in the late 1940s so it was left to the small independent labels like Melodisc, Esquire, Paxton and a few others to bring this music to a wider public.
One for the nostalgia buffs.
FLAC with lp cover scans.

Jimmy Miller - leader, vocal
Tommy McQuater - trumpet
Archie Craig - trumpet
Clifton Ffrench - trumpet
Kenny Baker - trumpet
Jimmy Watson - trumpet
Alan Franks - trumpet
Freddy Randall - trumpet
George Chisholm - trombone
Eric Breeze - trombone
Geoff Love - trombone
Jimmy Durrant - soprano, tenor, clarinet, bass clarinet
Tommy Bradbury - alto, clarinet
Monty Levy - alto, clarinet
Harry Lewis - alto, clarinet
Derek Hawkins - alto, clarinet
Freddy Gardner - alto, baritone
Cliff Townsend - alto, baritone, clarinet
Frank Ballerini - tenor
Laurie Gold - tenor
Walter Crombie - tenor, baritone
Andy McDevitt - tenor, clarinet
Bruce Turner - clarinet
Reg Conroy - vibes
Ronnie Aldrich - piano
George Shearing - piano
Dill Jones - piano
Harry Chapman - harp
Bert Weedon - guitar
Jack Llewellyn - guitar
Vic Lewis - guitar
Sid Colin - guitar, vocal
Arthur Madden - bass
Jack Fallon - bass
Joe Nussbaum - bass
Hank Hobson - bass
George Gibbs - bass
Jock Cummings - drums
Norman Burns - drums
Al Philcock - drums
Dave Fullerton - drums
Max Abrams - drums
Stephane Grappelli - violin
Stan Andrews - violin
Lynn Shaw - vocal

01 South Rampart Street Parade (Haggart, Baudue, Crosby) (2:47)
02 These Foolish Things (Strachey, Marvell, Link) (3:01)
03 Barefoot Blues (White) (2:20)
04 Body and Soul (Green, Sour, Eyton, Heyman) (3:16)
05 That's A-Plenty (Pollack, Gilbert) (2:27)
06 Beat Me Daddy, Eight to the Bar (Ray, Prince, Sheehy) (2:38)
07 High Society (Piron, Williams) (3:10)
08 Anchors Away (Zimmerman, Savino) (2:42)
09 Black and Blue (Razaf, Brooks, Waller) (2:37)
10 Henderson Stomp (Henderson) (2:14)
11 After You've Gone (Creamer, Layton) (3:06)
12 Clarinet Blues (2:19)
13 I Only Have Eyes for You (Warren, Dubin) (2:33)
14 Ring Dem Bells (Ellington, Mills) (2:47)

Label: Ace Of Clubs ACL 1121
Recorded: July 30 1940 April 09 23 June 10 August 01 1941 May 21 1942 January 07 1943 May 28 1945 May 21 November 27 1947 November 26 1948 February 24 1949
Lineage: LP>FLAC

Sunday, December 18, 2011

0213 Various Artists [Bluebird's Christmas Pudding] MP3 320 18(52.19)

This is not a serious musical contribution and it’s not very Christmassy either.

But it’s party time, so let your hair down but if you have no hair and your party days are over, then a glass of Sanatogen and a Ginger Nut might fill the bill just as well.

Looking out of my window on a rainy August afternoon (yes, like all good programmers we do plan well ahead) I have decided to suspend my critical judgement for one day only to bring you some jazz, some near jazz and some nowhere near jazz for your seasonal enjoyment. It will help fill that torpid hour after Christmas lunch.

The programme includes bizarre, unusual, amusing and sometimes quite beautiful music and I have taken liberties with dates and the nationality of musicians in a few cases but I’m sure those lovely people at BritJazz will indulge me just this once. (Where’s your Christmas Spirit BritJazz?)

In most cases I have not given information about titles, musicians etc so it’s up to you.

And when you’ve finished, you can colour the Christmas Pudding picture.

Answers on a postcard please but don’t bother sending them. Now go and print this out before listening.

TRACK 1

This is by a pair of brothers (do I mean that? How many brothers are there in a pair? Four? No, just two) and they play a tune I always associate with Spike Jones and His City Slickers. I wonder why? Who are the brothers?

TRACK 2

Think Michael Caine. Think Minis. Peter King gets a credit for the tenor solo but it’s not him. Who is it and what’s the film in which the tune features?

TRACK 3

Big, blonde and busty. Not Marilyn M. but I spy something beginning with D. Who is she? The Wally Stott Orchestra provides the backing.

TRACK 4

This is the girlfriend of Roger’s psychiatrist. Buddy Featherstonehaugh is on baritone and there is a terrible tenor solo. Could it be a very young Bobby Wellins? No other musicians apart from the leader are identified on this BBC broadcast. What’s the tune?

TRACK 5

‘Blues for 8’ by Harry Parry. Tommy Pollard is named as on piano but then he seems to play his solo on another instrument altogether. What is it? A celeste or harpsichord? I think it’s a tinky-tonk.

TRACK 6

This almost unknown American singer came to the UK in the mid 1950s, made a couple of pop records and then 4 jazz sides with a Harry Klein small group including Dill Jones on piano. No other musicians are identified.

Here is one of those sides by her. She then disappeared from view, at least in this country.

Anybody heard of Cynthia Lanagan? No, I thought not.

TRACK 7

This is a track by a Chris Barber Band. Chris has been in the music business for so long that he has played with every known musician living or dead. Here’s two of them (live at the time but dead now), playing trumpet and tenor sax, who you would not normally associate with him. The trumpet is only heard in ensemble. Any ideas, at least about the tenor player?

TRACK 8

This is where the knicker elastic (underpants for our American cousins) of BritJazz gets stretched to breaking point. The musicians are American but there is a British connection so that’s alright isn’t it?

The tune was composed by Royalty for Royalty after a concert by the Royal Orchestra in Leeds, where I was born (in the Town not at the concert) and only a single record of the music from which this tune was taken was pressed at the time for the special recipient. It was only released commercially after the composer’s death. Simply gorgeous. Tune title, composer and the Suite from which it was taken?

TRACK 9

No living creatures were harmed during the making of this record but the piano player’s reputation must have taken a bit of a battering. It’s one I guess he would not like to be reminded about. No wonder he is on the label as Sam Tacit.

If Simon Spillett reads this then ask Clark to remind his Dad about it just to wind him up. The tune is ‘Happy Little Caterpillar’. The B-side or should that be the Z side has the tune ‘Skippy’ on it. Name and shame the pianist.

Actually, having played it a few times during the preparation for this, it’s beginning to grow on me. Help!

TRACK 10

This tune features Art Ellefson on alto sax, Art Ellefson on tenor sax, Art Ellefson on baritone sax with special guest Art Ellefson on bass clarinet – well it saves on session fees.

I hope he didn’t play them all at once otherwise he would have had a very sore mouth.

Art was an honorary Brit having stayed here for so long but what is his true nationality?

TRACK 11

Firstly, a little geography lesson and a bit of social history.

Yorkshire (The White Rose County) is the biggest and best County in England, and probably in the World. It’s known by everyone as ‘God’s Own Country’ and it includes the Peoples Republic Of South Yorkshire, a semi-autonomous State. For American readers it’s comparable to Texas.

Now to the music. This is the Yorkshire National Anthem played by a group of expatriates living in America. I went to school in the Town named in the title, which is of no relevance whatsoever. The tune title is actually in the Yorkshire language so you need to identify the tune and then translate it into English.

The pianist is very well known to ‘jazzman’ and although British by birth is now resident in the USA.

If you get tune title, translation and pianist right then BritJazz has agreed to issue a limited number of Yorkshire passports to the winners.

TRACK 12

I mentioned the word bizarre somewhere in the introduction and here it is. This British born singer’s first recording although one might be hard pressed to describe it as singing. Recorded in Paris with a Jacques Dieval group. If there was a tune title ‘Forgettable’ then this would qualify admirably. It’s actually called ‘Le Vent Vert’. Was it some kind of musical joke?

Who’s the ‘singer’? A big pal of Dave Lambert.

TRACK 13

What can be more British than this?

If you don’t know the title then you must have been locked up somewhere for many years. John Barry plays it and originally claimed composer rights. After a long legal battle the true composer emerged as Monty Norman who probably lived well on the royalties for the rest of his life.

Do you really not know the tune title? It’s got a ‘B’ for BritJazz in it.

TRACK 14

This tune’s not quite in the ‘Caterpillar’ class but it appeared on an old Ember album called ‘Teenage Dance Party’ with the tenor player seeking anonymity. Recently rescued from the skip (dumpster) and polished up for the jazz market with his name now in lights.

It’s the Little John Anthony Band with Little John himself on drums (Tony Crombie), Ashley Kozak on bass and a rather nice pianist and guitarist who are not identified.

Who is the tenor player?

TRACK 15

Composer and pianist Harry South wrote this for a very well known and long running TV series in the UK. The opening theme is better known but this is the closing version.

Title?

TRACK 16

It’s all talk but who is he? He had a very nasty friend called ‘Old Evil’.

TRACK 17

Here are two entries for the shortest ‘tunes’ ever written.

The first is by bassist Johnny Hawkesworth, and not many people know that. It consists of just eight notes or chords. It really was so well known on UK TV at the time but I bet you’ve forgotten it now.

The second is a vocal announced as ‘ XX XX Sings George Gershwin’. If yewsta reads this he might recognize the voice.

So, title for the first and singer for the second. They run on together for all of 14 seconds.

TRACK 18

Well, we had to have a nod towards Christmas in this compilation and the BritJazz knicker elastic is stretched to the limits once more.

Not a Brit in sight but Bing takes the Bird to Berlin. See – all Bs. And the pianist Al Haig visited the UK many times and we had a few chats (name-dropper).

Who’s the alto player? Bonus points if you get the announcer too.

If you don’t know the alto player then go and stand in the corner with the dunce’s cap on.


All will be revealed in a future post.

MERRY CHRISTMAS

Note: The first few comments which look as if made by Britjazz are actually bluebird's.


BLUEBIRD’S CHRISTMAS PUDDING

ALL IS REVEALED

1. The Christie Brothers, Ian and Keith. The add-on is by Spike Jones who really has to be seen rather than heard.

2. The tenor solo is by Tubby Hayes and the film is ‘The Italian Job’.

3. The singer is Diana Dors who did a fine job on what was her only lp.

4. The tune is ‘The Sweetheart Of Sigmund Freud’ one of the greatest song titles ever.

5. You decide.

6. As Eric Morecambe used to say ‘There’s no answer to that’.

7. Jimmy Deuchar on trumpet is heard in the ensemble and Ronnie Scott takes the tenor solo.

8. Duke Ellington composed and plays the tune ‘Single Petal Of A Rose’ from the Queen’s Suite written in honour of Queen Elizabeth after the Duke played in her presence at the 1958 Leeds Music Festival. Duke recorded the six-part Suite in 1959 and had a single copy pressed for the Queen. It was not commercially released until 1976 after his death.

9. Stan Tracey.

10. Canadian.

11. The tune is ‘Ilkley Moor Baht ‘At’ which translates as ‘Ilkley Moor Without A Hat’. The pianist is Derek Smith.

12. Annie Ross.

13. James Bond Theme.

14. Tubby Hayes.

15. The Sweeney.

16. Phil Seamen. Phil, a long term heroin addict, referred to his habit as ‘Old Evil’

17. ‘Salute to Thames’ which was the Station ID for Thames Television. The singer is Peter Sellars.

18. Charlie Parker is the alto player. ‘Symphony Sid’ Torin is the MC


So how did you do? Not very well? Never mind , just sit back and enjoy the music. BritJazz has assured me that I won't get a return engagement.

Anyway, the judges have been up all night to count the votes and BritJazz is able to announce the winners in true Miss World reverse order.

3rd Prize goes to 'the jazzman'. He gave one correct answer (he only answered one - no stamina these Americans) and his prize is a luxury tented weekend in Afghanistan kindly donated by the 116th Infantry Brigade. BritJazz will not be offended if he decides to give this prize to someone else.

2nd Prize goes to 'yewsta' who staggered along the whole way and got a few right. His prize is a set of tuned belles played by the legendary Edith Rhodes and Her Hot Trio at the Hollywood Bowl in 1946. Edward Seagoon played maracas.

And the Winner is, unsurprisingly, 'bluebird' who got all the correct answers. He wins a red plastic replica of Buddy Bolden's saxophone mouthpiece (you didn't know he also played saxophone did you?) and a ten minute rummage in the jazzman's famed garage with all he can carry away.

Thanks to all who might have read all this nonsense. I hope it raised perhaps just a small smile in these hard times.

bluebird




Sunday, December 11, 2011

0212 Geoff Taylor [Sextet] FLAC 4(11.18)

















Contributed by bellawoods, who writes:-
Here's another from the little known altoist Geoff Taylor. 
If you like Earl Bostic then you'll love this. If you don't, then forget it.
FLAC with ep cover scans (scans kindly provided by David Taylor from the British Modern Jazz website - well worth a visit.)

Geoff Taylor - alto
Kenny Thorne - vibes
Al Mead - piano
Barry Fox - guitar
Bill Thorne - bass
Len Livesy - drums

01 All of Me (Marks, Simons) (2:55)
02 Easy Going (Deloof) (3:11)
03 Solitude (Ellington) (2:41)
04 The One I Love (Belongs to Somebody Else) (Kahn, Jones) (2:32)

Label: Esquire ep 55
Recorded: June 23 1954
Lineage: EP>FLAC

Sunday, December 04, 2011

0211 [Ronnie Scott Orchestra Esquire EP 61] FLAC 4(14.59)

















Contributed by bellawoods, who writes:-
Another scarce ep from the Ronnie Scott Orchestra of 1955.
FLAC with cover and pdf file.

Hank Shaw - trumpet
Ken Wray - trombone
Derek Humble - alto
Ronnie Scott - tenor
Pete King - tenor
Benny Green - baritone
Victor Feldman - vibes, piano
Lennie Bush - bass
Phil Seamen - drums

01 Parisian Thoroughfare (Powell) (4:19)
02 Time After Time (Styne, Cahn) (2:42)
03 Don't Worry 'Bout Me (Bloom, Koehler) (4:07)
04 Quicksilver (Silver) (3:50)

Label: Esquire EP 61
Recorded: February 23 1955
Lineage: EP>FLAC

Sunday, November 27, 2011

0210 Dennis Wilson [Piano Romance] FLAC 10(23.01)

















Contributed by bluebird, who writes:-
More from this jazz fringe pianist from the mid/late 1950s. The other musicians in the trio are not identified.
FLAC with lp cover scans

Dennis Wilson - piano
unknown - bass
unknown - drums

01 It Might as Well be Spring (Rodgers, Hammerstein) (2:38)
02 Where or When (Rodgers, Hart) (2:10)
03 'S Wonderful (Gershwin, Gershwin) (2:14)
04 How About You? (Van Heusen, Lane Freed) (2:03)
05 I Get a Kick Out of You (Porter) (2:40)
06 The Nearness of You (Carmichael, Washington) (1:48)
07 It's Easy to Remember (Rodgers, Hart) (3:00)
08 Mountain Greenery (Rodgers, Hart) (1:47)
09 Heat Wave (Berlin) (2:29)
10 Poor Little Rich Girl (Coward) (2:12)

Label: HMV DLP 1130
Recorded: 1950s
Lineage: LP>FLAC

Sunday, November 20, 2011

0209 Victor Feldman [Modern Jazz Quintet-Septet] FLAC 2(14.14)

















Contributed by bellawoods, who writes:-
One track on each side recorded on 3rd March 1955.
Charlie Parker died in New York just after this session so one track - 'Bird's Last Flight' was dedicated by the group to him.
FLAC with ep cover scans.

Jimmy Deuchar - trumpet (01)
Dizzy Reece - trumpet (01)
Derek Humble - alto
Victor Feldman - vibes
Tommy Pollard - piano
Lennie Bush - bass
Phil Seamen - drums

01 Umf (Reece) (7:41)
02 Bird's Last Flight (Gray) (6:33)

Label: Esquire 64
Recorded: March 03 1955
Lineage: EP>FLAC

Sunday, November 13, 2011

0208 Various Artists [Mainstream At Nixa] FLAC 4(23.12)

















Contributed by Azule Serape, who writes:-
Volume 2 of 'Mainstream at Nixa' has already been posted so this is volume 1 although it is not named as such.
Four longish tracks give plenty of solo space for all concerned and there is another fine view of the river Thames showing the former Battersea Power Station now re-born as The Tate Modern Art Gallery.
FLAC with lp cover scans.
(01-03)
Kenny Baker - trumpet
Keith Christie - trombone (01 02), valve trombone (03)
Bruce Turner - alto
Jimmy Skidmore - tenor
Fred Hartz - baritone
Martin Slavin - vibes (02), xylophone (03)
Dill Jones - piano
Ike Isaacs - guitar
Jack Fallon - bass
Phil Seamen - drums
(04)
Kenny Baker - trumpet
Bruce Turner - alto
Derek Smith - piano
Frank Clarke - bass
Phil Seamen - drums

01 Time's A-Wastin' (Ellington) (6:09)
02 Three Little Words (Ruby) (4:33)
03 Blues For John (Graham) (9:15)
04 Sidewalks Of Cuba (Oakland) (3:15)

Label: Nixa NJT 501
Recorded: January 16 (04) 18 (01-03) 1956
Lineage: 10" LP>FLAC

Sunday, November 06, 2011

0207 [The Betty Smith Quintet] FLAC 4(10.30)

















Contributed by bellawoods, who writes:-
There are not many lady jazz musicians but here is one who, as far as I know, is still around but perhaps not playing.
Betty was married to the bass player, Jack Peberdy, at the time of these recordings in 1957 and was known as much for her singing as her tenor playing.
Three vocals here and just one feature for her tenor which is a pity.
FLAC with scans of ep sleeve.

(01)
Betty Smith - vocal
Terry Walsh - guitar
Barry Phillips - guitar
Jack Peberdy - bass
Stan Bourke - drums
(02)
Betty Smith - tenor
Brian Lemon - piano
Terry Walsh - guitar
Jack Peberdy - bass
Stan Bourke - drums
(03 04)
Betty Smith - vocal
Terry Walsh - guitar
Ray Dempsey - guitar
Jack Peberdy - bass
Stan Bourke - drums

01 There's A Blue Ridge Round My Heart Virginia (Bryan, Phillips, Schuster)
02 Who's Sorry Now (Snyder, Kalmar, Ruby)
03 Everything Is Peaches Down In Georgia (Ager, Meyer, Clarke)
04 Because My Baby Don't Mean Maybe Now (Donaldson)

Label: Decca DFE 6446
Recorded: July 02 (01) November 11 (02-04) 1957
Lineage: EP>FLAC

Sunday, October 30, 2011

0206 Michael Garrick and James Grant Kellas [Kronos] FLAC 11(47.30)

















Contributed by bluebird, who writes:-
Two very different sessions with each group occupying one side of the lp.
The first side by a Michael Garrick Quartet, sounding very much like an English version of the MJQ, was Michael's first recording and dates from 1959.
Nothing too exciting happens and Michael moved on to far greater things and more interesting work in later years.
Nice vibes playing from the little known Peter Shade and all the tunes were composed/arranged by Garrick.
The second side is a saxophones plus rhythm session led by pianist James Grant Kellas  and the overall feel is very West Coastish with some excellent writing for the saxophones by pianist Kellas.
He did not pursue a career in music, unlike Garrick, and after his Ph.D. studies in London he ended his academic career as Professor of Politics at Glasgow University.
FLAC with lp cover scans.

Tony Sions - alto
Rac Ramchandani - alto
Derek Horsfield - tenor
Alan King - tenor
Alan Bromley - baritone
Peter Shade  vibes
Michael Garrick - piano
James Grant Kellas - piano
Paul Hemmings - bass
David Iggulden - bass
Brian Barnes - drums
Derek Wimpress - drums
Derek West - drums

01 Henry VIII's Favourite Laye (Garrick) (5:18)
02 Vishnu (Garrick) (3:12)
03 Kronos (Garrick) (6:02)
04 Barbara Allen (Garrick) (3:24)
05 White Moon (Garrick) (4:41)
06 Jazzism 1960 (Kellas) (4:48)
07 Sax Appeal (Kellas) (3:17)
08 Northern Lights (Kellas) (4:46)
09 Jazz Study No 2 (Kellas) (5:30)
10 Jazz Study in A Minor (Kellas) (2:21)
11 Ode to Saxes (Kellas) (5:45)

Label: Hep 2013
Recorded: January (01 02 04 05) February (03) 1959 February 07 (07-09) March 13 (06  10 11) 1960
Lineage: LP>FLAC

Sunday, October 23, 2011

0205 [Jimmy Deuchar Quartet] FLAC 4(13.20)
















Contributed by Azule Serape, who writes:-
Alternate takes of those tunes heard on an earlier lp post - 'Jimmy Deuchar - Thou Swell'. Alan Clare is the pianist.
FLAC with ep cover scans.

Jimmy Deuchar - trumpet
Alan Clare - piano
Pete Blannin - bass
Tony Kinsey - drums

01 Why Do I Love You (Kern) (2:52)
02 This Can't Be Love (Rodgers) (3:15)
03 The Things We Did Last Summer (Styne, Cahn) (4:01)
04 Just One of Those Things (Porter) (3:11)

Label: Esquire ep 93
Recorded: November 12 1954

Sunday, October 16, 2011

0204 Vic Lewis [In Concert Featuring Tubby Hayes] FLAC 15(46.59)















Contributed by bluebird, who writes:
Recorded in concert at the City Hall, Sheffield in 1954 and with a very young Tubby Hayes (almost 19) in the sax section.
Lewis allows him generous solo space and his feature with just the rhythm section on 'Too Marvellous For Words' is a 'tour de force'.
The original recording could have been better but it is quite acceptable.  Does it sound slightly speeded up or is this just my imagination?  Lewis' announcements sound like he has been sniffing the helium.
FLAC with lp cover scans.

Vic Lewis - leader, percussion
Dave Loban - trumpet
Colin Wright - trumpet
Ronnie Baker - trumpet
Dave Power - trumpet
Johnny Watson - trombone
Jack Botterill - trombone
Laurie Franklin - trombone
Ronnie Chamberlain - alto
Bernard Allen - alto
Tubby Hayes - tenor
Les Wigfield - tenor
Brian Rogerson - baritone
Don Riddell - piano
Dave Willis - bass
Ken Hollick - drums
Roy Garnett - percussion

01 Jolly Rogers (Rogers) (2:26)
02 Harlem Nocturne (Hagen) (2:30)
03 Moonlight in Vermont (Suessdorf) (2:12)
04 Too Marvellous for Words (Whiting) (6:02)
05 Bweebida Bobbida (Mulligan) (3:27)
06 Peanut Vendor  (Simons, Sunshine, Gilbert) (6:23)
07 Fearless Fosdick (Holman) (3:06)
08 Bill's Blues (Russo) (2:06)
09 Sextet (Mulligan) (2:34)
10 Jump for Joe (Rolan) (2:16)
11 Bark for Barksdale (Mulligan) (2:55)
12 The Creep (2:59)
13 Walkin' Shoes (Mulligan) (2:24)
14 Limelight (Mulligan) (2:58)
15 Intermission Riff (Wetzl) (2:41)

Label: Hep 20
Recorded: January 29 1954

Wednesday, October 12, 2011

0203 Derek Smith [Jazz At The Flamingo Volume 2] FLAC 4(13.19)
















Contributed by bluebird, who writes:
Another volume in this series - there is a 3rd ep to come later.
FLAC with ep cover scans and pdf file.

Harry Klein - baritone
Derek Smith - piano
Freddie Logan - bass
Allan Ganley - drums

01 Sweet Georgia Brown (3:33)
02 Play Fiddle, Play (3:24)
03 They Can't Take That Away from Me (2:54)
04 Our Love is Here to Stay (3:28)

Label: Decca DFE 6266
Recorded: Winter 1954 or perhaps March 15 1955
Lineage: EP>FLAC

Sunday, October 09, 2011

0202 Kenny Baker [Operation Jam Session] FLAC 2(22.17)

















Contributed by Azule Serape, who writes:-
Two long tracks in the jam session style originally on a 10" lp and including that old time favourite - The Ballad Medley.
The guitar player, Cedric West, never sought the limelight but he was much admired by his fellow musicians and it is a pity that there is so little of his work on record. What there is usually consists of short solos, so anything by him of more than eight bars is welcome.
Here's a link to YouTube showing the great Joe Pass visiting Cedric at his home in Essex, sitting on the sofa in his living room and duetting on 'Indian Summer'.
http://www.youtube.com/watch?v=4mCspmwjJ-I&feature=player_detailpage
As the young people say today - 'How cool is that?'
FLAC with cover picture and sleeve notes. Also pdf file.

Kenny Baker - trumpet
Keith Christie - trombone
Joe Harriott - alto
Bertie King - alto
Bruce Turner - alto
Jimmy Skidmore - tenor
Harry Klein - baritone
Dill Jones - piano
Cedric West - guitar
Frank Clarke - bass
Eric Delaney - drums

01 Balad Medley (11:47) - What's New/Making Whoopee/How Long Hass This Been Going On?/Sweet and Lovely/I'm Beginning To See The Light
02 Blues In Threes (10:30)

Label: Polygon 10" lp - JTL 1
Recorded: February 21 (02) March 16 (01) 1955

Wednesday, October 05, 2011

0201 Ian Armit [Jazz Club Piano] FLAC 4(13.45)

















Contributed by Azule Serape, who writes:-
Ian played on a part time basis with most of the 'traddies' during the 1950s before joining Humphrey Lyttelton in 1957. He made his home in Switzerland in the late 1970s working with local groups and his own Quartet. He died in Zurich in 1992.
FLAC with ep cover scans.

Ian Armit - piano

01 Rose Room (Williams, Hickman) (3:05)
02 Yancey Blues (Armit) (4:07)
03 Exactly Like You (McHugh, Fields) (3:01)
04 Black and White Blues (Armit) (3:31)

Label: Decca ep DFE 6436
Recorded: July 12 1957 - live in between sets of a BBC Jazz Club Session
Lineage: EP>FLAC

Sunday, October 02, 2011

0200 Joe Harriott [Free Form] FLAC 8(46.13)

















Contributed by bluebird, who writes:-
This is a landmark post for BritJazz in that this is the first time a toe is being dipped into the sometimes murky waters of 'Free Form' jazz.
Having said that, one wonders what all the fuss was about when this was released in 1960 when today's standards are applied. The music was compared, usually favourably, with the recordings of Ornette Coleman from the same period although Coleman's music was more aggressive and angry.
The British public was ambivalent about the music back in 1960 when it was felt in some quarters that it was too revolutionary and that it wasn't 'proper' jazz. Joe used to alternate a free piece with a more conventional piece at his concerts/club dates in order to satisfy the public but the music critics were very supportive.
Hearing the music now it cannot really be described as totally 'free'.  Whilst the front line instruments enjoy a great deal of musical freedom, the rhythm section (which surprisingly has Phil Seamen on drums) maintains a steady beat but overall the music is fresh, original and very enjoyable."

Shake Keane - trumpet, flugelhorn
Joe Harriott - alto
Pat Smythe - piano
Coleridge Goode - bass
Phil Seamen - drums

01 Formation (Harriott) (6:14)
02 Coda (Harriott) (8:00)
03 Abstract (Harriott) (3:40)
04 Impression (Harriott) (5:33)
05 Parallel (Harriott) (5:42)
06 Straight Lines (Harriott) (5:58)
07 Calypso (Harriott) (4:44)
08 Tempo (Harriott) (6:23)

Label: Jazzland JLP 49
Recorded: November 1960

Wednesday, September 28, 2011

0199 Johnny Dankworth [London To Newport] FLAC 8(47.57)

















Contributed by delmonico, who writes:-
This was the Band's first visit to the USA and the invitation to play at the prestigious 1959 Newport Jazz Festival was a great honour for the Band and for UK jazz.
Originally recorded live at Newport by Top Rank, it had lp issues in both the USA and the UK (albeit under different album titles) and was well received in both countries.
This was a great Dankworth Band - one of the best - but there is, understandably, a sign of nervousness in places.  Dankworth admitted that some of the solos 'didn't come right up to form'.  But overall the appearance was a great success and was followed by further US dates (including one at Birdland) and a promise of a return Birdland booking at a later date.
FLAC with original sleeve notes and a small original US front cover.

Derrick Abbott - trumpet
Stan Palmer - trumpet
Bob Carson - trumpet
Kenny Wheeler - trumpet
Dickie Hawdon - trumpet, tenor horn
Tony Russell - trombone
Danny Elwood - trombone
Garry Brown - trombone
Laurie Monk - trombone
Ron Snyer - tuba
Johnny Dankworth - alto, clarinet
Danny Moss - tenor, clarinet, bass clarinet
Alex Leslie - baritone, flute, clarinet
Dave Lee - piano
Eric Dawson - bass
Kenny Clare - drums

01 Introduction by Willis Conover (2:24)
02 Firth of Fourths (7:03)
03 Caribe (6:01)
04 Royal Ascot (5:39)
05 Don't Get Around Much Anymore (4:16)
06 Doggin' Around (4:40)
07 Jones (8:57)
08 Take the `A` Train (8:57)

Label: Top Rank 30/019
Recorded: July 03 1959
Lineage: LP>FLAC

Sunday, September 25, 2011

0198 [Kenny Graham's Afro-Cubists] FLAC 2(13.44)

















Contributed by bluebird, who writes:-
One long track on each side of this ep.
'Kings Cross Climax' written by Graham for the Heath Band is a feature for the two percussionists. Phil Seamen and Victor Feldman.

Leo Wright - trumpet
Kenny Graham - tenor
Eddie Mordue - tenor
Pete King - tenor
Alan Rowe - tenor
Bill Andrews - baritone
Victor Feldman - vibes, conga drum
Lennie Metcalfe - piano
Sammy Stokes - bass
Phil Seamen - drums

01 Kings Cross Climax (Graham) (6:52)
02 Caravan (Tizol) (6:52)

Label: Esquire EP 83
Recorded: May 06 1955
Lineage: EP>FLAC

Wednesday, September 21, 2011

0197 Ted Heath [Kenny Graham's Australian Suite] FLAC 4(8.55)

















Contributed by bluebird, who writes:-
Kenny Graham wrote this suite for Ted Heath in readiness for the Band's Australian Tour in 1955. There were six movements but only four are recorded here. The other two movements did not prove popular. One was 'Kangeroo' and the other 'Lovers On Bondi Beach'.  'Kangeroo' has disappeared without trace and was never recorded.
Kenny used the theme from 'Lovers...'  in another song he wrote for Heath and it was re-titled as 'Beaulieu Abbey' - sometimes just called ' The Abbey'.  Heath recorded this in 1959 on his album 'In Concert- Beaulieu Jazz Festival'  (although it was a studio recording and not recorded at the Festival. It might have been played there though).
We shall hear this Beaulieu album in a later post but here are the 4 surviving titles from the 'Australian Suite'.
'Kings Cross Climax' stayed in the Heath book and there is a further recording of it from Carnegie Hall in New York but the other titles fell into obscurity. Kenny Graham also recorded this title with his Afro-Cubists and this again we shall hear in another post. 
The sleeve note writer thought it was a piece of train music and went into raptures about steam, pistons and wheezing into a small station but he  got it completely wrong. It has nothing at all to do with trains or the mainline railway station of Kings Cross in North London, as the song is named after the bohemian entertainment district of Sydney in Australia.
How wrong can you be?

Ted Heath - leader
Bobby Pratt - trumpet
Bert Ezzard - trumpet
Duncan Campbell - trumpet
Eddie Blair - trumpet
Don Lusher - trombone
Wally Smith - trombone
Ric Kennedy - trombone
Jimmy Coombes - trombone
Roy Willox - soprano, alto
Les Gilbert - alto
Danny moss - tenor
Henry Mackenzie - tenor, clarinet
Ken kiddier - baritone
Frank horrox - piano
Johnny Hawksworth - bass
Ronnie Verrell - drums

01 Kings Cross Climax (2:18)
02 Boomerang (2:13)
03 When a Bodgie Meets a Widgie (2:52)
04 Dance of the Dingos (1:32)

Label: Decca DFE 6300
Recorded February 14 (01) May 31 (02 04) June 08 (03) 1955
Lineage: EP>FLAC

Sunday, September 18, 2011

0196 Jimmy Deuchar [Swingin' In Studio Two and Opus De Funk] FLAC 4(27.05)

















Contributed by bluebird, who writes:-
A pair of eps issued originally on Tempo and dating from a session held on 29 March 1957. There is an opportunity to hear the great Derek Humble at some length but the other saxophonist present is no slouch either.
One other title from this session,  'How Long Has This Been Going On', appeared on a Tempo compilation lp which has been published earlier on this blog.
The music is a mixture of old and new standards.

Jimmy Deuchar - trumpet
Derek Humble - alto
Tubby Hayes - tenor
Eddie Harvey - piano
Kenny Napper - bass
Phil Seamen - drums

01 Between The Devil And The Deep Blue Sea (Arlen, Koehler) (6:22)
02 Opus De Funk (Silver) (7:06)
03 Lullaby In Rhythm (Hirsch, Sampson, Profit, Goodman) (7:12)
04 Milestones (Davis) (6:26)

Label: Tempo eps EXA 79 and 81
Recorded: March 29 1957
Lineage: EPs>FLAC

0195 Victor Feldman [Modern Jazz Quartet] FLAC 2(12.54)

















Contributed by azule serape, who writes:-
Feldman recorded prolifically before he left the UK for the USA and this fine session from 1954 features him on vibes with his regular quartet.
Phil Seamen, who was regarded as unreliable (in the not turning up for the session sense but sometimes in the musical sense) by most of his contemporaries has the drum chair.

Victor Feldman - vibes, conga drum
Tommy Pollard - piano
Lennie Bush - bass
Phil Seamen - drums

01 What Goes? (6:21)
02 Monsoon (6:33)

Label: Esquire EP 35
Recorded: December 14 1954
Lineage: EP>FLAC

Sunday, September 11, 2011

0194 Sandy Brown [Sandy's Sidemen] FLAC 8(41.37)















Contributed by Azule Serape, who writes:-
All the tunes are compositions by trumpeter Al Fairweather and, as the title implies, feature the sidemen. Apart from the first track, which features the regular sidemen, invited guests then each have a solo spot on the remaining tracks.

(01-03)
Al Fairweather - trumpet
Spike Mackintosh - trumpet (03)
John R T Davies - trombone
Sandy Brown - clarinet
Alan Thomas - piano (01 03)
Dave Stevens - piano (02)
Mo Umansky - banjo
Brian Parker - bass
Graham Burbidge - drums
(04-08)
Al Fairweather - trumpet
John R T Davies - trombone (04-06 08)
John Picard - trombone (07)
Dick Heckstall-Smith - soprano (08)
Sandy Brown - clarinet
Alan Thomas - piano (01 03)
Dave Stevens - piano (02)
Diz Disley - guitar (05)
Mo Umansky - banjo (04 06-08)
Brian Parker - bass
Graham Burbidge - drums (05-08)
Stan Greig - drums (04)
Bob Clarke - violin (06)

01 Nobody Met The Train (Fairweather) (4:37)
02 Candy Stripes (Fairweather) (5:20)
03 High Time (Fairweather) (5:14)
04 Swiss Kriss (Fairweather) (5:09)
05 Stay (Fairweather) (6:20)
06 Mouseparty (Fairweather) (4:42)
07 Look The Other Way (Fairweather) (4:31)
08 My Neck Of The Woods (Fairweather) (5:45)

Label: Tempo TAP 3
Recorded: May 27 (01-03) June 21 (04-08) 1956

Wednesday, September 07, 2011

0193 Joe Harriott [No Strings] FLAC 4(12.40)

















Contributed by bluebird, who writes:
A reference to his ep 'With Strings' recorded a few months earlier but this is Joe just with his working Quartet playing two standards and two of his originals. Fine stuff indeed.

Joe Harriott - alto
Max Harris - piano
Sammy Stokes - bass
Phil Seamen - drums

01 Just Goofin' (2:02)
02 Everything Happens to Me (4:44)
03 Just Friends (2:42)
04 Joe's Blues (3:13)

Label: Nixa NJE 1003
Recorded: August 24 1955
Lineage: EP>FLAC

Sunday, September 04, 2011

0192 Don Rendell [Presents the Jazz Six] FLAC 9(42.13)

















Contributed by delmonico and Rodney who write:-
Tuneful outings by the groups here, swinging nicely and displaying to great advantage the attractive arrangements. "The Jazz Six" was a name suggested by Alun Morgan, the prominent jazz writer and critic.
The Jazz Six lasted for about four years.

Kenny Wheeler - trumpet (01-03 08 09)
Bert Courtley - trumpet (04-07)
Ronnie Ross - alto, baritone
Don Rendell - tenor
Ken Moule - piano
Pete Blannin - bass (01-03 08)
Arthur Watts - bass (04-07 09)
Don Lawson - drums

01 I Saw Stars (Sigler, Goodhart, Hoffman) (4:07)
02 Jack O' Lantern (Rendell) (4:34)
03 Will O' The Wisp (Rendell) (5:55)
04 Ignis Fatuus (Rendell) (6:47)
05 Star Eyes (Raye, DePaul) (4:21)
06 I Know Why (Warren, Gorden) (5:09)
07 Taking A Chance On Love (Duke, Latouche, Fetter) (4:17)
08 Limehouse Blues (Braham, Furber) (3:48)
09 Out Of Nowhere (Green, Hayman) (3:14)

Lavel: Nixa NJL7
Recorded: January 15 (01-03 08) 18 (09) 31 (04-07) 1957
Lineage: CD>FLAC

Wednesday, August 31, 2011

0191 Kenny Baker [The Kenny Baker Quartet] FLAC 4(11.05)
















Contributed by delmonico, who writes:-
Kenny heard here with a quartet including Stan Tracey on piano in 1953.

Kenny Baker - trumpet
Stan Tracey - piano
Cliff Ball - bass
Don Lawson - drums

01 Hayfoot, Strawfoot (2:46)
02 The Continental (2:43)
03 That's My Desire (3:02)
04 Stompin' At The Savoy (2:33)

Label: Parlophone GEP 8658
Recorded: October 15 1953
Lineage: EP>FLAC

Sunday, August 28, 2011

0190 Reg Owen [Swing Me High] FLAC 12(30.28)

















Contributed by bluebird, who writes:-
Reg Owen is perhaps better known as a composer/arranger although he worked as a saxophonist with the Ted Heath Orchestra between 1945 and 1950 and was later a staff arranger with that band.
He also wrote and arranged for many of the band leaders during the 1950s and later and his recording of 'Manhattan Spiritual' (not on this record) enjoyed some commercial success when released as a single.
His excursions into jazz were few, so this big band containing some well known jazz names and swung along by Phil Seamen is a real treat. The recording date is not given but it is thought to be from the 1957/1958 period.
He died in Spain in 1978 aged 62.

Stan Roderick - trumpet
Jimmy Watson - trumpet
Tommy McQuater - trumpet
Moe Miller - trumpet
Laddie Busby - trombone
Jackie Armstrong - trombone
George Chisholm - trombone
Ken Goldie - trombone
Bob Burns - alto
Bill Povey - alto
Keith Bird - tenor
Frank Reidy - tenor
Al Baum - baritone
Max Harris - piano
Bert Weedon - guitar
Joe Muddel - bass
Phil Seamen - drums
Bobby Midgley - percussion

01 Swing Me High (2:25)
02 Soho Blues (3:12)
03 Slow Train Blues (2:33)
04 Pushin' (2:19)
05 Sweepin' The Floor (2:06)
06 Scotch On The Rocks (2:16)
07 Sinbad (2:20)
08 Babylone Blues (2:50)
09 Madwalk (2:30)
10 Sunset Strip (2:34)
11 Easy Now (2:43)
12 Harlem Swing (2:40)

Label: Bally BAL-12006
Recorded: 1957/1958
Lineage: LP>FLAC

Wednesday, August 24, 2011

0189 Victor Feldman Kenny Graham [Experiment In Time] FLAC 4(21.32)

















Contributed by bluebird, who writes:-
Esquire claimed that this music broke new ground and it certainly provides some interesting variations on 'time'. There is even a little of what sounds like free blowing in places by Kenny Graham.
Dizzy Reece has a very minor role here playing conga drums and Phil Seamen, who seems to appear on most of BritJazz posts, not only plays drums but vibes too and that must be a first.
Not wholly successful - S.O.S. is tedious and repetitive but Esquire must be congratulated for recording this session back in 1955 which would perhaps not have had the same commercial appeal as other recordings by this label.  Is this maybe why it has never been re-issued in any format?

Kenny Graham - tenor
Victor Feldman - vibes, piano, drums, conga
Phil Seamen - vibes, drums, timbales
Ray Dempsey - guitar
Eric Peter - bass
Dizzy Reece - conga
Barry Morgan - marracas, timbales

01 Mogambo (Graham) (5:00)
02 Keep Happy (Squire) (6:03)
03 Algo Bueno (Gillespie) (5:32)
04 S.O.S. (Graham) (4:57)

Label: Esquire 10" lp - 20-064
Recorded: May 08 1955
Lineage: LP>FLAC

Saturday, August 20, 2011

0188 Martial Solal [Jazz International] FLAC 7(38.01)



















Contributed by bluebird, who writes:-
An usual grouping of Jimmy Deuchar, Allen Eager and Billy Byers with a French based rhythm section and recorded in Paris in 1956.
Deuchar was playing a short engagement with a Tommy Whittle group in Paris, Eager was resident in the city temporarily, Byers and Kenny Clarke were permanent residents there whilst the bassist was Belgian and the pianist French. International indeed.
All the front line musicians play well and overall the session is a great treat. It surely deserves a cd release so that it can become better known.

Jimmy Deuchar - trumpet
Billy Byers - trombone
Allen Eager - tenor
Martial Solal - piano
Benoit Quersin - bass
Kenny Clarke - drums

01 Trianon (Solal) (4:01)
02 Kenny Special (Solal) (5:21)
03 Illusion (Solal) (3:18)
04 Love Me or Leave Me (Donaldson, Kahn) (7:29)
05 Cinerama (Solal) (4:21)
06 Vogue (Solal) (6:42)
07 Buyer's Guide (Byers) (6:53)

Label: Vogue LAE 12029
Recorded: September 24 1956
Lineage: LP>FLAC

Wednesday, August 17, 2011

0187 Tony Crombie [And His Orchestra] FLAC 4(10.33)

















Contributed by Azule Serape, who writes:-
Tony Crombie was a man of many parts, early bebopper and Club 11 Founder member, big band leader, rock and roll star and writer of film and TV music.
Here he leads a fine big band from 1954 with vocalists Annie Ross and Bobby Breen having a song apiece. Bobby had a long career in music and sang with all the best musicians. Unusually for a singer he had a rather endearing pronounced lisp but it didn't prevent him from tackling those songs which, in theory, should have been a nightmare for him. The following extract from 'Dave Corsby-Jazz Notes' illustrates this well:
'TV South had an evening local news programme and every month or so the producer used to feature a jazz spot. Their small studio in Dover only had two cameras so one was used for close ups and the other moved around taking long shots from different angles. West Indian singer Bobby Breen was the guest. Bobby who had a lisp chose to sing "Route Thixty Thix" and "Like Thomeone in Luth". After a talk through in the pub which lasted from eleven to three we returned to record the two songs and interview in one continuous take ready for unedited transmission at six. The first take was too long. The second take was fine but unusable because in the interview Bobby was asked to what he owed his success and answered "draft Guinneth". The next take was great. Everyone played well and in my four bar solo break everything came off better than intended. Unfortunately the distance cameraman slipped on a cable and came up with a shot of Bobby Breen's boots. By this time we were running short of film and time. The final take was relatively tame as everybody played safe. But an enduring memory is Bobby singing "Lately I find mythelth gathing at thtarth, hearing guitarth like thomone in luth". '

Dizzy Reece - trumpet
Les Condon - trumpet
Joe Temperley - tenor
Sammy Walker - tenor
Lennie Dawes - baritone
Harry South - piano
Ashley Kozac - bass
Tony Crombie - drums
Annie Ross - vocals (04)
Bobby Breen - vocals (02)

01 Stop It
02 All of Me
03 Perdido
04 Love You Madly

Label: Decca ep DFE 6247
Recorded: November 18 1954
Lineage: EP>FLAC

Sunday, August 14, 2011

0186 Johnny Dankworth and Ronnie Scott [Bop at Club 11] FLAC 13(55.41)















Contributed by Blue Prince, who writes:-
A concert featuring these two groups on 9 April 1949 at St. George Hall, London and recorded live by Carlo Krahmer for his Esquire label.  
Krahmer's disc recording equipment was primitive and the results reflect this but it was an historic occasion for British jazz - one of the earliest live Bop recordings.

(01-03 06 07 10 11 13)
Dennis Rose - trumpet
Johnny Rogers - alto
Ronnie Scott - tenor
Tommy Pollard - piano
Lennie Bush - bass
Tony Crombie - drums
Ginger Johnson - bongos
(04 05 08 09)
John Dankworth - alto
Norman Stenfalt - piano
Joe Muddel - bass
Laurie Morgan - drums
(12)
John Dankworth - alto
Tommy Pollard - piano
Joe Muddel - bass
Laurie Morgan - drums

01 Wee Dot (2:55)
02 Coquette (2:33)
03 52nd Street Theme (4:40)
04 Bremavin (3:36)
05 Lover Man (3:39)
06 Ow! (4:59)
07 Don't Blame Me (5:17)
08 Second Eleven (4:43)
09 Body And Soul (3:53)
10 Stoned (4:00)
11 Scrapple From The Apple (6:49)
12 A Night In Tunisia (3:59)
13 Donna Lee (4:06)

Label: Esquire 315
Recorded: April 09 1949
Lineage: LP>FLAC