DEDICATED TO THE PRESERVATION AND APPRECIATION OF BRITISH JAZZ
FROM ANY ERA AND STYLE BUT WITH THE EMPHASIS ON MODERN JAZZ

Monday, December 30, 2013

0339 Dill Jones [Little Dragon] FLAC 10(25.46)

Contributed by jazzandylan

Dill Jones - piano
Cedric West - guitar
Freddie Logan - bass
Don Wilson - drums
Humphrey Lyttelton - announcer

01 Introduction (0:11)
02 Just Squeeze Me (Ellington) (4:20)
03 Interview (1:37)
04 Chelsea Bridge (Strayhorn) (4:29)
05 Announcement (0:25)
06 Little Dragon (Jones) (5:44)
07 Announcement (0:12)
08 It's A Wonderful World (Rox) (4:06)
09 Angel Eyes (Brent, Dennis) (3:36)
10 Interview (1:07)

Label: BBC Jazz Club
Broadcasted: September 06 1965

Tuesday, December 24, 2013

0338 Tubby Hayes [Session Man] FLAC and VBR 26(1.13.26)

Contributed by bluebird, who writes:-
Our Christmas contribution this year features the ever popular Tubby Hayes but in slightly unusual settings – as a session musician.
In days gone by there was always a ‘gun for hire’ and there probably still is today if you know the right people. Living on this remote Scottish Island I wouldn’t know.
Anyway, you hired the professional, he came in, did the job cleanly and efficiently, got paid his money and went his way. It was a job. He wasn’t interested in the background or the circumstances.
Very similar to the session musician. Highly professional, could read anything, play with anybody, didn’t much care about the music. It was his job and he got paid for it and then moved on to the next job like the ‘gun for hire’.
So here is Tubby Hayes with his ‘sax (or flute or vibes) for hire’. Some of the music is fragmentary, a lot of it went unacknowledged and unrecognised but it is these little oddities in the discography of a musician that makes life that little bit more interesting. Hayes was not the only musician who worked in this way. They have all done it at one time or another. It was just another job and it paid the mortgage.  The music is taken from many sources and the sound does vary between tracks.  I do have more but there might be much more out there which remains anonymous.
This is what you will hear, so print out the hymn sheet, grab a glass of something and just relax. There’s nothing too demanding.
Bluebird.

01 Time Check (3:30)
This is by a group led by Dave Lee and recorded for the Music Production Company KPM. It is sometimes known as Library Music. The film director would choose music for his film/TV production from a music library and it was listed by style. This is listed as ‘Bright Swinging 60s Jazz’. That’s all he needed to know. Tubby is on tenor.
02 Black, Brown and Gold (2:46)
From a Peter and Gordon vocal album. On tenor again.  MP3 format.
03 Theme from ‘Crescendo’ Soundtrack (1:07)
Tubby plays tenor over the opening and closing 1969 film titles/credits. A creepy thriller. Worth watching.
04 Feed Me (2:13)
A Georgie Fame vocal backed by the Harry South big band. Tenor sax solo again.
05 I Believe In You (2:46)
Tubby’s regular 1963 group produced just this one single, which has never been re-issued. It’s an uncomfortable sort of tune on which to improvise (tenor and vibes here) and the other side is an even worse choice, ‘Sally’, which I always associate with Gracie Fields.
06 Night And Day (2:31)
Tubby plays with the Beatles – well, one of them, Ringo Starr with his first solo vocal album after leaving the Fab Four. He sounds like my old Dad in his shed at the bottom of the garden. Nice arrangement by Chico O’Farrell, of all people and a lusty tenor solo from our man.
07 The Lamp Is Low (4:57)
Or Hayes plays Ravel. Slinky Gary McFarland arrangements from his 1966 Verve easy listening ‘Soft Samba Strings’ album recorded in London. Super Hayes flute solo.  McFarland plays vibes here.
08 That Old Devil Moon (3:17)
From the 1963 Susan Maughan album, ‘Swingin’ Susan’ backed by the Wally Stott Orchestra and TH with a tenor solo.
09 Hindustan (1:42)
Tubby’s only recording with Ted Heath when he appears here as a guest in 1962. He shares the very brief tenor solos with Bob Efford. Tubby is in your right speaker but he gets a bit swamped by the band. It was one of those novelty stereo records with Heath at his worst.
10 Theme from ‘Hysteria’ Soundtrack (2:06)
Tubby solos on tenor over the opening and closing titles of this 1964 British thriller. Typical B film of the period.
11 April Fool (2:39)
Matt Monroe, our greatest male singer, is featured here. Watch out for the flute solo.
12 Art’s Theme (2:53)
This is by the wonderfully named ‘Art Baxter and His Rock ‘n’ Roll Sinners’. Art, the vocalist, sits this one out and lets two of the other Sinners loose. Ronnie Scott and Mr Hayes have it all their own way. Sounds a bit like an old Jazz Couriers tear-up.
13 Boysie’s Bossa (2:26)
 Flute solo from the 1965 James Bond spoof film, ‘The Liquidator’. John Gardner wrote the book from which the film was made and he also went on to write the Bond books after Ian Fleming’s death. Saxophonist and writer Simon Spillett describes this as ‘bachelor pad bossa nova music’ although it was written by Lalo Schiffrin.  BJ educates you as well as entertaining you.  An eminently missable film but it does have a stunning Shirley Bassey title track vocal.
14 Cherokee (2:11)
What a pair of lungs Miss Caterina Valente has - but Tubby is not to be outdone in his tenor solo.
15 Time After Time (2:18)
A beautifully played ballad on vibes backed by Gordon Beck, Jeff Clyne and Johnny Butts. This was part of 3 BBC transcription discs made for Spanish Radio play in 1965.
16 Voodoo (3:03)
From the 1965 film ‘Dr. Terror’s House Of Horrors’ a strong contender for the worst film ever made and redeemed only by the appearance of the Hayes Quintet. This was one of the tunes they played. Roy Castle appears in the film playing trumpet with the group but Shake Keane actually provided his sound. Just listen to Tubby’s strange count in, ‘One, two, three, splonge’ and his growling entry on his Roland Kirk style flute solo.
17 Who Needs Forever (2:10)
From the soundtrack of the 1966 Cold War spy film ‘ The Deadly Affair’ sung by the Ice Maiden, Astrud Gilberto. In the film she sings this in Portuguese, which sounds so much sexier. The tenor solo is pretty sexy too. Quincy Jones wrote the music and John Le Carre wrote the original book (Call For The Dead). Great film, still available on DVD for £3.50 including postage but this is taken from the soundtrack cd.
18 The Chase (3:10)
From the soundtrack of the 1972 film ‘Fear Is The Key’ – an Alistair Maclean book of the same name. This has been edited down from a long car chase track just to give the solo contributions of Hayes and Ronnie Scott. There may be some background car type noises too. Roy Budd wrote the music. Worth watching too with surprise plot twist.
19 Carol’s Theme (2:46)
From the soundtrack of the 1967 Hammer House Of Rubbish film ‘The Vengeance Of She’. TH plays the moody tenor sax solo. See it if you must. Utter tosh.
20 Dumplin’s  (2:46)
By Tony Crombie and His Rockets. Tubby and Ronnie (Scott) again getting down and dirty. Still got your blue suede shoes? And the drainpipes?  Slim Jim tie?  OK you can come in.
21 Crosstrap  (2:09)
The Steve Race Group playing the title song from this obscure and long lost 1962 film which is on the British Film Institute’s ‘75 Most Wanted List’. Hayes is double tracked on tenor and the music is on a hard to find Parlophone single.
22 Funny How Time Slips Away (4:13)
Vocal by Ernestine Anderson backed by the Johnny Scott Orchestra and recorded in London in 1967.  No solos as such but Kenny Wheeler and Tubby Hayes are both heard behind the singer.  A big hit for Georgie Fame.
23 M 1 (2:59)
This is the motorway. Laurie Johnson wrote something called ‘The Two Cities Suite’ in 1966 with titles associated with London and New York and this tune is played by his Orchestra with Hayes taking the tenor sax solo.
24 The Late, Late Show (2:37)
The jazzy vocal group ‘The Polka Dots’ sing this backed by the Wally Stott Orchestra and our man solos on tenor. Watch out for the LP from which this single track was taken, as BJ will be posting this later.
25 Storm Warning (4:38)
The Harry South Big Band performs this, which was taken from a 1968 BBC Jazz Club broadcast. Alan Branscombe on alto and Hayes on tenor share the exchanges. The sax section consists of Alan Branscombe, Tony Coe, Tubby Hayes, Ronnie Scott, Dick Morrissey and Harry Klein. Not too shabby.
26 When The Saints Go Marching In (3:44)
We finish this session in time-honoured fashion with a rousing version of the ‘Saints’ but you ain’t heard nothing like this before. It’s the Johnny Keating Orchestra reviving the oldies. Just listen to it go, complete with the ‘Salt Peanuts’ riff. TH on tenor, Jimmy Deuchar on trumpet and Keith Christie on trombone take the solos.  Audience courtesy of Rent-A-Mob.

Sunday, December 22, 2013

0337 John Dankworth [The Vintage Years] FLAC 11(44.06)


Contributed by Gonzo from the late Barton Bill's collection.
Images from the CD reissue however as we do not have complete scans of the LP cover. There is a paragraph missing from the notes unfortunately.

John Dankworth - leader, alto, clarinet
Derrick Abbott - trumpet
Stan Palmer - trumpet
Colin Wright - trumpet
Bob Carson - trumpet
Dickie Hawdon - trumpet, french horn
Laurie Monk - trombone
Tony Russell - trombone
Danny Elwood - trombone
Jack Botterell - trombone
Garry Brown - trombone
Jim Powell - tuba (04)
Danny Moss - tenor, bass clarinet
Alex Leslie - baritone
Johnny Scott - piccolo, flute (04)
Bill Le Sage - vibes, glockenspiel
Dave Lee - piano
Eric Dawson - bass
Kenny Clare - drums

01 Crazy Rhythm (Meyer, Kahn, Caesar) (2:41)
02 The Breeze And I (Lecuona) (3:18)
03 Swinging The Blues (Basie, Durham) (5:12)
04 Don't Get Around Much Any More (Russell, Ellington) (3:38)
05 I Can't Get Started With You (Duke, Gershwin) (3:54)
06 How Deep Is The Ocean? (Berlin) (3:51)
07 How High The Moon? (Hamilton, Lewis) (6:00)
08 Moonglow (DeLange, Hudson, Mills) (3:45)
09 Jive At Five (Edison, Basie) (3:56)
10 Stardust (Carmichael) (4:12)
11 Idaho (Stone) (3:40)

Label: Parlophone PMC1076
Recorded March 10 (02 07 10) 13 (03 05 06) 20 (01 08 09) April 01 (11) June 20 (04) 1958
Lineage: LP>FLAC

Saturday, December 21, 2013

0336 Various Artists [BBC Jazz Club Guitar Workshop] FLAC 12(45.56)

Contributed by azule serape, who writes:-
A Jazz Club session with 3 very different groups featuring the guitar.
Dave Goldberg never commercially recorded anything under his own name so it's good to have this, albeit brief, set from him.
Cedric West, another guitarist not too well known, was greatly admired by fellow musicians and had a long and active life in music, mainly as a session or backing musician. He does feature on some early British jazz recordings and made a handful of lps under his own name. Here he is with his Guitar Sextet. The personnel is a 'best guess' based on other Sextet recordings by him.
Ray Russell has a much more modern or free approach to his music and the 3 tunes played here were to feature a few months later on his album 'Turn Circle', recently re-issued on cd. This was a regular working group and it has been assumed that the personnel are as on the later 'Turn Circle'.
Overall, the sound is not good - just listenable - and there 'fade-ins' on tracks 1, 5 and 9 with a 'fade-out' on track 12.
The scarcity of recordings by these musicians warrants posting however.
FLAC from CDR with a 'cover picture' and track/personnel details. The music was recorded from the radio broadcast to a home reel-to-reel tape recorder and later digitised and transferred to CDR. It was donated by a follower who wishes to remain anonymous.

(01-04)
Dave Goldberg - guitar
Lennie Bush - bass
Ronnie Stephenson - drums
(05-09)
Cedric West - guitar
Dick Abel - guitar
Len Argent - guitar
Laurie Wise - guitar
Ken O'Donnel - bass
Ronnie Lord - drums
(10-12)
Ray Russell - guitar
Roy Fry - piano
Ron Mathewson - bass
Alan Rushton - drums

01 As Long As I Live (Arlen, Koehler) (2:56)
02 Eastern Etude (4:08)
03 Little Blues (Goldberg) (3:09)
04 Yesterdays (Kern) (3:34)
05 Airegin (Rollins) (2:57)
06 Daryl's Dance (4:35)
07 Blues Espagnol (4:39)
08 Ruby's Tune (4:34)
09 Four Brothers (Giuffre) (3:13)
10 Peruvian Triangle (Russell) (4:50)
11 Bonita (Russell) (4:07)
12 The Fry And I (Russell) (3:16)

Label: Private recording
Recorded: November 22 1967
Lineage: AM>reel-toreel tape>CDR>FLAC

Sunday, December 15, 2013

0335 Ian and Keith Christie [Christie Brothers Stompers] FLAC 23(1.08.13)

Contributed by azule serape, who writes:-
A comprehensive selection of the recordings made by Ian and Keith Christie playing as the Christie Brothers Stompers in 1951/52 and taken from 78s, acetate discs and one ep.
FLAC with OOP cd digipak and leaflet scans.

Ken Colyer - cornet
Dickie Hawdon - trumpet
Keith Christie - trombone
Ian Christie - clarinet
Pat Hawes - piano
Charlie Smith - piano
Ben Marshall - banjo
Nevil Skrimshire - guitar
Micky Ashman - bass
Denny Coffee - bass
George Hopkinson - drums
Bernard Saward - drums
Pete Appleby - drums
Bill Colyer - washboard
Neva Rapheaello - vocals

01 Creole Song (Ory) (3:10)
02 Heebie Jeebies (Atkins) (2:42)
03 Put on Your Old Grey Bonnet (Weinrich, Murphy) (3:26)
04 Heebie Jeebies (Atkins) (3:04)
05 Creole Song (Ory) (2:39)
06 Black Cat (Colyer) (2:59)
07 Salutation March (Colyer) (3:06)
08 Hiawatha Rag (Moret) (3:02)
09 Bogalusa Moan (Colyer) (2:25)
10 Willie the Weeper (Colyer) (2:08)
11 Creole Love Call (Ellington, Strayhorn) (3:14)
12 Young Woman Blues (Smith) (2:33)
13 Hiawatha Rag (Moret) (3:27)
14 Down in the Jungle (Morse, Madden) (3:01)
15 You Always Hurt the One You Love (Fisher, Roberts) (2:50)
16 I'm So Glad (3:12)
17 Farewell to Storyville (Williams) (2:50)
18 Old Fashioned Love (Johnson. Mack) (3:23)
19 Fly Cat Boogie (Hawes) (3:07)
20 All of Me (Simons. Marks) (2:38)
21 East End Blues (2:52)
22 Them There Eyes (Pinkard. Tauber, Tracey) (3:18)
23 'S Wonderful (Gershwin) (3:08)

Label: Cadillac SGC/MEL CD 20/1
Recorded: 1951 1952
Lineage: CD>FLAC

Saturday, December 14, 2013

0334 Ike Isaacs [I Like Ike] FLAC 10(35.48)

Contributed by Azule Serape, who writes:-
Here is a rare treat from guitarist Ike Isaacs recorded for the obscure UK Morgan label in 1968.  All the tunes were composed by him.
Morgan Records was originally set up in 1968 by record producer Monty Babson and percussionist Barry Morgan. The pair had in fact been working together for a while constructing the now legendary Morgan Sound Recording Studios based at 169, High Road, Willesden in London.
The Morgan studio was to become the place to record during the late sixties and seventies with bands/artists like Led Zeppelin, The Who, The Kinks, Bowie, Pink Floyd and The Rolling Stones passing through the doors to the various studios.
Early 1968 saw the birth of the Morgan Records label which featured London pop music as well as middle of the road vocal and instrumental music but following an initial batch of releases Monty Babson felt the label needed to feature more of the music that was taking hold on the ever changing music scene in London.
Unfortunately, Morgan Records was to last only approximately another year due to two major factors. Firstly most of the acts were studio based bands who would find it hard to promote the records and play live shows due to job commitments and secondly, the label did not attract enough attention to warrant it's continuance.
Ike Isaacs (born in Burma in 1919)  recorded little under his own name and of those recordings few could be classed as jazz. This is one of those few.
Ike recorded extensively during his long career. He was with Ted Heath for many years, appearing on most of their records, and also recorded with Kenny Baker, Stephane Grappelli, George Chisholm amongst the many. He was very highly regarded by musicians and was the ultimate 'Session Man'.
He moved to Australia in the 1980s - playing and recording there until his death in 1996.
FLAC from lp with cover scans.

Leon Calvert - trumpet (09), flugelhorn (01 02 04 06 08 10)
Ray Swinfield - flute (01 02 04 06 08 09 10)
Bill LeSage - vibes (01 02 04 06 08 09 10)
Ike Isaacs - guitar
Spike Heatley - bass
Art Morgan - drums
Barry Morgan - drums

01 After Hours (Isaacs) (4:34)
02 Paris Fashion (Isaacs) (3:41)
03 Reflections At Dusk (Isaacs) (1:57)
04 Blushing Bride (Isaacs) (2:47)
05 Just Funky (Isaacs) (3:43)
06 Blues Espagnnol (Isaacs) (3:35)
07 Dream Sequence (Isaacs) (4:26)
08 Two Way Favourite (Isaacs) (4:03)
09 The Second Of April (Isaacs) (4:00)
10 Sad September (Isaacs) (3:02)

Label: Morgan MR116P
Recorded: 1968
Lineage: LP>FLAC

Sunday, December 08, 2013

0333 Stéphane Grappelli[A Froggy Plays In London Town] FLAC 24(1.15.17)

Contributed by azule serape, who writes:-
Stephane came to the UK from France as World War 2 broke out and remained there for the duration of the war.
These recordings were made in London between 1939 and 1946 and feature Stephane with British musicians from the dance band age. Django himself appears on the first and last tracks.
Sound is variable as the recordings were taken from 78 rpm records and this version comes from a re-issue cd with one of the worst titles ever. I can't remember where it came from so thanks to some unknown uploader.
Said to be FLAC with a cover picture and track/personnel details.

(01)
Django Reinhardt  - guitar
Joseph Reinhardt  - guitar
Eugene Vees - guitar
Emmanuel Soudieux - bass
Stéphane Grappelli- violin
(02-07)
Arthur Young - piano, novachord
Stanley Andrews - trumpet, clarinet, violin (02-04)
Bill Shakespeare - trumpet (05-07)
Dennis Moonan - tenor, clarinet
Frank Baron - piano (02-06)
George Shearking - piano (07)
Chappie d'Amato - guitar
Jack Llewellyn - guitar
George Senior - bass
Tony Spurgin - drums
Stéphane Grappelli- violin
Beryl Davis - vocal (02 03)
(08-10)
Reg Conroy - vibes
George Shearing - piano
Jack Llewellyn - guitar
Harry Chapman - harp
Hank Hobson - bass
Al Philcock - drums
Stéphane Grappelli- violin
Stanley Andrews - violin
(11-13)
George Shearing - piano
Sid Jacobson - guitar
Harry Chapman - harp
George Gibbs - bass
Jock Jacobson - drums
Stéphane Grappelli- violin
Stan Andrews - violin
Eugene Pini - violin
Dennis Moonan - alto violin
unknown - cello
(14-16)
George Shearing - piano
Jack Llewellyn - guitar
George Gibbs - bass
Dave Fullerton - drums
Stéphane Grappelli- violin
(17-18)
Dennis Moonan - leader, tenor, vocal
Bruce Campbell - trumpet, trombone
Stan Andrews - trumpet, violin
Carl Barriteau - alto, clarinet
Roy Marsh - vibes
George Shearing - piano
Charlie Pude - novachord
Chappie d'Amato - guitar
Alf Leah - bass
Len Hunt - drums
Stéphane Grappelli- violin
Dave Fullerton - vocal (18)
(19 20)
unknown - baritone
George Shearing - piano
unknown - guitar
unknown - bass
Dave Fullerton - drums, vocal
Stéphane Grappelli- violin
(21 22)
George Shearing - piano
unknown - guitar
unknown - guitar
unknown - bass
Dave Fullerton - drums
Stéphane Grappelli- violin
Beryl Davis - vocal
(23)
unknown - other instruments
George Shearing - piano
unknown - guitar
unknown - bass
Stéphane Grappelli- violin
unknown - strings
Doreen Henry - vocal
(24)
Django Reinhardt - guitar (solo)
Jack Llewellyn - guitar
Alan Hodgkins - guitar
Stéphane Grappelli- violin
Coleridge Goode - drums

01 H.C.Q. Strut (Reinhardt, Grappelli) (2:56)
02 Blue Skies (Berlin) (3:09)
03 I Got Rhythm (Gershwin) (3:03)
04 In The Mood (Garland, Razaf) (2:44)
05 Mind, The Handel's Hot (Grappelli) (3:20)
06 How Am I To Know? (King, Parker) (2:56)
07 The Sheik Of Araby (Snyder, Smith, Wheeler, Mills) (3:11)
08 I Never Knew (Egan, Marsh, Pitts) (2:42)
09 After You've Gone (Creamer, Layton) (3:13)
10 Stephane's Tune (Grappelli) (3:02)
11 Sweet Sue, Just You (Harris, Young) (2:38)   
12 Tiger Rag (DaCosta, Edwards, LaRocca, Ragas, Sbarbaro, Shields) (2:33)
13 Stephane's Blues (Grappelli) (3:23)
14 Dinah (Akst, Lewis, Young) (3:23)
15 Body And Soul (Green, Eyton) (3:29)
16 Jive Bomber (Grappelli) (3:31)
17 Liza  (Gershwin) (3:09)   
18 The Folks Who Live On The Hill (Kern, Hammerstein) (3:29)
19 Stardust (Carmichael) (3:30)
20 J'attendrai [Au Revoir] (Reinhardt, Grappelli) (3:27)
21 I'm Confessin' (Daugherty, Neiburg, Reynolds) (3:17)
22 Someday Sweetheart (Spikes) (2:50)
23 Sugar (Alexander, Mitchell, Pinkard) (2:59)
24 Nuages (Reinhardt) (3:21)

Label: Saga Jazz 18
Recorded: 1939-1946
August 25 1939 (01)
February 24 1040 (02)
March 19 1940 (03 04)
April 19 1940 (05 06)
July 08 1940 (07)
July 30 1940 ((08-10)
February 28 1941 (11-13)
April 09 1941 (14-16)
August 20 1942 (17 18)
January 28 1943 (19 20)
June 10 1944 (21 22)
October 25 1945 (23)
February 01 1946 (24)

Saturday, December 07, 2013

0332 Monica Zetterlund [Make Mine Swedish Style] FLAC 10(34.29)

Contributed by delmonico, who writes:-
Here's a Swedish singer with the Bill McGuffie Quartet (musicians not identified) recorded in London in 1964.
Trumpeter Jimmy Deuchar guests on 4 tracks and Goran Pettersson plays the sandpiper on the first track. I've no idea what that is.
Monica is perhaps better known in her own country, where she recorded extensively, but she sings in an engaging style in a seductive Swedish accented English. She looks good on the photographs too.
The scans provided here exclude the lyrics to the songs, which were printed in the booklet, on the assumption that the followers of BritJazz don't go in for that sort of thing, but if you want to sing along then feel free to do so. If you don't know the words, then just hum or whistle.

Jimmy Deuchar - trumpet (02 03 06 10)
Bill McGuffie - piano
Unknown - guitar
Unknown - bass
Unknown - drums
Barry Morgan - bongo (02 03 10)
Goran Pettersson - sandpiper (01)
Monica Zetterlund - vocal

01 Speak Low (Weill) (3:07)
02 The Thrill Is Gone (Brown, Henderson) (3:23)
03 The More I See You (Gordon, Warren) (2:43)
04 He's My Guy (Raye, de Paul) (2:47)
05 Detour Ahead (Carter, Ellis, Frigo) (4:31)
06 What's New? (Haggart, Burke) (3:24)
07 Left Alone (Holiday, Dolphy, Waldron) (3:02)
08 Blue Prelude (Jenkins, Bishop) (3:01)
09 The Second Time Around (Johnson, Bernie, Unger) (4:25)
10 You've Changed (Carey, Fischer) (4:07)

Label: Universal 014 13-2
Recorded: September 14 15 1964

Sunday, December 01, 2013

0331 Ronnie Scott [The Night Is Scott And You're So Swingable] FLAC 10(42.54)



Contributed by danair

(01 02 04 05 10)
Ronnie Scott - tenor
Stan Tracey - piano
Rick Laird - bass
Bill Eyden - drums
(03 06-09)
Ronnie Scott - tenor
Ernest Ranglin - guitar
Lennie Bush - bass
Tony Crombie - drums
string section (06-09)

01 Baubles, Bangles And Beads (Wright, Forrest) (4:10)
02 For Heaven's Sake (Meyer, Britton, Edwards) (5:06)
03 Sweet Lotus Blossom (Johnston, Coslow) (3:57)
04 The Night Is Young (And You're So Beautiful) (Suesse, Rose, Kahal) (4:45)
05 The Night Has A Thousand Eyes (Brainin, Bernier) (5:21)
06 What's New (Haggart, Burke) (4:39)
07 They Can't Convince Me (Roberts, Fisher) (3:47)
08 All About Ronnie (Holman) (3:44)
09 Once Upon A Summertime (LeGrand, Marnay, Mercer, Barclay) (3:47)
10 Treat It Lightly (Scott, Tracey) (3:38)

Label: Fontana TL5332
Recorded: July 03 1964