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Showing posts with label Duncan Lamont. Show all posts
Showing posts with label Duncan Lamont. Show all posts

Monday, November 30, 2015

0609 Duncan Lamont [Summer Sambas] FLAC 12(41.36)

Contributed by Dave_Bruce and bluebird, who writes:-
A follow up to the earlier Duncan Lamont 'easy listening' post. It's really more of the same.

Duncan Lamont - tenor
Roger Webb - piano
Alan Branscombe - electric piano, tuned percussion
Ike Isaacs - guitar
George Kish - electric guitar
Kenny Baldock - bass
Art Morgan - drums
Dennis lopez - latin percussion

01 Summer Samba (So Nice)
02 Our Day Will Come
03 The Look Of Love
04 We've Only Just Begun
05 Gentle One
06 Alone Again (Naturally)
07 Felicidade/Samba De Orfeo
08 Destination Love
09 Wave
10 My Cherie Amour
11 Mas Que Nada
12 The Fool On The Hill

Label: MFP 50080
Recorded: February 1973
Lineage: LP>FLAC
Scans: Front rear LP cover

Friday, March 13, 2015

0496 Duncan Lamont [Sherlock Holmes Suite] FLAC 9(49.02)

Contributed by Derek Martin. Thanks to ritzbird for bringing this one to light.

Duncan Lamont - leader, composer
Henry Lowther - trumpet
Steve Waterman - trumpet
Andy Bush - trumpet
Noel Langley - trumpet
Stuart Brooks - trumpet
Mark Nightingale - trombone
Mark d'Silva - trombone
Jack Thirwell - trombone
Richard Edwards - trombone
Jimmy Hastings - saxophones, woodwinds
Andy Panayi - saxophones, woodwinds
Stan Sulzmann - saxophones, woodwinds
Duncan Lamont Jr - saxophones, woodwinds
Ronnie Ross - saxophones, woodwinds
Peter Shade - xylophone
Michael Garrick - piano
Mario Castronari - bass
Art Morgan - drums
Robin Williams - violin

01 Dr Watson (Lamont)
02 Sherlock Holmes (Lamont)
03 Inspector Lestrade (Lamont)
04 Mycroft Holmes (Lamont)
05 Baker Street Irregulars (Lamont)
06 Scandal In Bohemia (Lamont)
07 Professor Moriarty (Lamont)
08 His Last Bow (Lamont)
09 Holmes Hoe Down (Lamont)

Label: BBC radio broadcast Sounds Of Jazz
Recorded: January 01 1989
Lineage: Unknown>CDR>FLAC
Scans: Front and rear covers by jazzandylan

Tuesday, March 10, 2015

0495 Johnny Scott [Communication] FLAC 13(39.39)

Contributed by bluebird

Jazzandylan requested this so here it is

Johnny Scott - flute
Duncan Lamont - tenor
David Snell - harp
Arthur Watts - bass
Barry Morgan - drums

01 Communication (Scott) (2:37)
02 Mode Moderne (Snell) (3:58)
03 Measure For Measure (Lamont) (2:39)
04 Eleanor (Heatley-Cameron) (3:11)
05 It's For You (Lennon-McCartney) (3:01)
06 Carnival (Bonfa) (2:50)
07 Donna Lee (Parker) (2:01)
08 Something's Coming (Bernstein) (3:03)
09 Morning Theories (Scott) (3:39)
10 I Didn't Know What Time It Was (Rodgers-Hart) (2:14)
11 M.V.4 (Lamont) (2:37)
12 Girls Were Made To Love And Kiss (Lehar) (4:46)
13 Caravan (Tizol-Ellington) (3:03)

Label: Columbia SCX 6149
Recorded: 1967
Lineage: LP>FLAC
Scans: Front and rear LP cover

Tuesday, March 03, 2015

0493 Duncan Lamont [Best Of The Bossa Novas] FLAC 12(30.55)

Contributed by Dave_Bruce, who writes:-
A light but nonetheless accomplished album by a talented musician who perhaps deserves as much recognition from the public at large as he has earned over the years from his peers. This charity-shop find features a Jazzman/Lair regular, guitarist Ike Isaccs.
I'm reliably informed that the model on the front cover, Shakira Baksh, married some bloke called Michael Caine in 1973 and that they are still together 43 years on.

Duncan Lamont - tenor
Ike Isaacs - guitar
George Kish - guitar
Roger Webb - piano
Kenny Baldock - bass
Ron Mathewson - bass
Art Morgan - bass, drums
Barry Morgan - percussion

01 Desafinado
02 A Man And A Woman
03 Sunny
04 Meditation
05 Manha De Carnaval
06 How Insensitive
07 The Girl From Ipanema
08 Quiet Nights Of Quiet Stars
09 One-Note Samba
10 The Shadow Of Your Smile
11 Call Me
12 Fly Me To The Moon

Label: MFP 1357 MFP 5093 Pathe 5088
Recorded: 1970
Lineage: LP>FLAC
File size: 537MB
Scans: Front and rear LP covers

Duncan Lamont's AllMusic biography
b. 4 July 1931, Greenock, Scotland. Lamont started out as a trumpet player leading his own band in Scotland which won recognition in Melody Maker in 1951. He spent some time in London playing with Kenny Graham’s Afro-Cubists but during the early 50s continued to be active in Scotland. It was during this period that he switched to tenor saxophone and became a jazz studio player on this instrument. He worked with numerous popular British dance bands and jazz groups including those led by Basil and Ivor Kirchin, Ken Mackintosh, Jack Parnell, Geraldo, Eric Delaney and Vic Lewis, with whom he toured America in 1958. In the 60s he played with Pat Smythe, Kenny Baker and others, freelanced extensively and was in a band formed for Benny Goodman to lead on a European tour. Over the years Lamont was often to be heard leading his own small bands but he also played in numerous big bands and studio orchestras including those led by Kenny Wheeler, Gil Evans, who was a great admirer of Lamont’s talent as a composer, Bobby Lamb and Raymond Premru, Nelson Riddle, Henry Mancini, Benny Carter and Bill Holman.
Among singers Lamont has accompanied either on tour or as a member of studio orchestras are Frank Sinatra, Rosemary Clooney and Paul McCartney. In addition to his activities as a performer, Lamont has also composed many songs including the award winning ‘I Told You So’ (recorded by Trudy Kerr among others), ‘Carousel’ (Nancy Marano), ‘Not You Again’ (Cleo Laine) and ‘Manhattan In The Rain’ (Joyce Breach and Norma Winstone). Lamont has also composed several longer works including ‘The Young Person’s Guide To The Jazz Orchestra’, ‘Soho Suite’ and ‘Sherlock Holmes Suite’, the latter a collaboration with Spike Milligan.
He has also written music for children’s television, that for Spot being Grammy nominated, and for several Walt Disney videos. For more than a decade, Lamont led a big band in order to raise money for cancer research. In 1999, he won the John Dankworth Jazz Award for long-standing talent. Lamont is a fluent performer with considerable technical skills and a searching intelligence to his playing. His activities as a composer have long been greatly respected by his professional peers and, at the start of the new century, are starting to receive the wider recognition they so richly deserve.