DEDICATED TO THE PRESERVATION AND APPRECIATION OF BRITISH JAZZ
FROM ANY ERA AND STYLE BUT WITH THE EMPHASIS ON MODERN JAZZ

Wednesday, January 06, 2010

0007 Dizzy Reece [Nowhere To Go] FLAC 4(11.23)




















Contributed by grumpy

Dizzy Reece - trumpet
Tubby Hayes - tenor, baritone
Lloyd Thompson - bass
Phil Seamen - drums

01 Main Title (Nowhere to Go) (Reece) (3:32)
02 The Escape and Chase (Reece) (2:52)
03 The Search (Reece) (3:30)
04 The Sunset Scene (Reece) (1:29)

Label: Tempa EXA 86
Recorded: October 02 1958

A contemporary review:
Only limited use has been made of jazz as incidental music for British films, but Dizzy Reece’s ambitious scores for the recent Balcon production "Nowhere To Go" are a step in the right direction and compare favourably with some of the colourful themes played by the West Coasters for Hollywood movies. Moody and expressive, these tracks rank among Dizzy's most noteworthy compositions, and are outstanding examples of descriptive writing.
Both Dizzy and his front-line partner Tubby Hayes blow short, virile solos on "Main Title" and skate nimbly around the chords of the fast blues, "Escape And Chase". This title opens with some insistent cowbell work by Phil Seamen, while the up-tempo sequences are highlighted by Lloyd Thompson's powerful bass-work. "The Search" (sub-titled ''On The Scene") is a down-to-earth blues with crisp, crackling trumpet, a generous helping of robust tenor, and excellent "walking" bass. "Sunset Scene" is a reiteration of "Main Title"—a mournful melody that you'll find spinning round in your head long after the record has finished.
Keith Goodwin ~ Jazz Journal Vol12 No4, April 1959

13 comments:

  1. An excellent Blog Sir!

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  2. The book of the same title is worth reading but the film, sadly, uses little of the music on the ep but again it is worth watching if you can track down a copy.

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  3. Many thanks for this little Dizzy/Tubbs gem

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  4. More Tubby! Great stuff...

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  5. I'm enjoying all of the Dizzy Reece recordings you’ve made available, but it’s interesting how the context of composing for the film seems to have offered him and colleagues a kind of freedom to explore that seems to point ahead to future developments in the music. Or am I reading too much into this?!

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  6. Thanks. I'll look for a copy of the book.
    Cheers
    Boogieman
    http://theboogiemanwillgetya.blogspot.com/

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  7. Thanks BritJazz.
    I am happy to be able to use your site as a resource to put together a couple of CDs for the listening pleasure of ageing bassist Lloyd Thompson here in Vancouver before he takes the coda - I'm sure it will be a surprise and he'll love it.
    Thanks again

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  8. Thanks. Tubby and dizzy together. What a treat!

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  9. ...gasping (a bit...) - Thanks - will need some time to digest all those music though. But is there a better way spending one's time.

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  10. Just realised I only had this as mp3 so gratefully picked up this rip.

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  11. https://cjoint.net/?4i72lokfcm

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