From 'The BritJazz Team'
BritJazz has now closed but it would be fitting to give a sincere and heartfelt 'send-off' to our leader, Rodney Pledge, and say thank you for all the hard work he has put in over the years to make this blog the success that it has been.
And who better to do the musical honours than Rodney's hero, Ronnie Ross.
The BritJazz contributors have scoured the five corners of the earth (yes, we found another one), listened to hours of radio tapes, delved into the dusty archives in the cellars and searched through those boxes of James Last lps in Charity Shops throughout the land and come up with this musical Rossfest.
This is the 'seldom heard' Ronnie Ross, the session man supreme playing in some surprising company at times. Some Rodney will know of, some he might even have heard before but we hope that there is just something that comes as a surprise. He is present on all tracks but it might only be just a chorus amongst the dross and maybe right at the end of the song but he is there and he does solo, I guarantee.
So thank you Rodney for your immense contribution to BritJazz from all of us here, good luck and Lang May Yer Lum Reek.
FLAC from lps and cds with a 'cover picture' and some basic track detail.
From Rodney:-
After a momentary flash of puzzlement (not a post I had passed for publication!), I cottoned on and felt only immense gratitude for the kind gesture and words above. So I've been the "leader" for the past six years, have I? There was me thinking I was at best a helmsman but more likely a deckhand. The folks to really take credit are those in the engine room, who supplied all the music and artwork (occasionally including me, I admit).
It has been a great source of enjoyment for me, I must say, to travel on the BritJazz voyage. Sad I feel that it has to come to the final mooring but maybe for the best on the "quit while you're ahead" principle? They'll be plenty of new ideas for jazz blogs coming along I'm sure - as well as those currently running, some of which I hope to remain moderately active on.
Some of the Ronnie Ross material here I am familiar with of course but most of it I rarely hear, and some not at all, ever. I do remember the announcement about him playing the tenor with John Miller whereas it's clearly an alto - but I shouldn't be quibbling. Many really nice bits to surprise so a fine compilation which I will treasure and intend to listen to many more times. Thank you, fellows, for the admirable hard work.
"Lum reek" sounds as if it might be quite rude but I won't try to find out what it really means in case it's even worse than I suspect.
All the best to everybody here, on both BritJazz blogs, and thank you all for the magnificent support, of all kinds.
Thursday, December 24, 2015
0631 BRITJAZZ CHRISTMAS 2015 – SOME FESTIVE THOUGHTS
Contributed by bluebird, who writes:-
For our final Christmas contribution I thought I would look back to those old 45s which revolutionised the music industry back in the 1950s. They were cheap and cheerful, easily portable to carry to parties and the like and much loved by those newly invented teenagers. The sound was generally pretty good too
We probably all had some and some of you might still do. I certainly have but delving into those it was quite difficult to find enough material to fill one lp. Modern jazz was not popular enough to be allocated very many 45s in the UK although the USA with a greater tradition of music outlets such as jukeboxes issued considerably more. But modern British jazz on 45s is quite hard to find and most of the ones that do exist tend to veer towards the more popular end of jazz like Dankworth’s ‘African Waltz’. But I haven’t selected that one.
Just a word about the cover picture. A certain member of the backroom staff at BritJazz has a penchant for pictures of pretty girls in hot pants so I thought I would let him have an early Christmas present, but to spare his embarrassment I will not name him.
Now to the music. There are label scans for all the sides used and it’s not Christmassy at all unless somebody lets George in.
1. Northwest Ten by the boastingly named ‘The Greatest Swing Band In The World.’ It’s very Basie-like and as smooth as cream. The soloists are not identified. Don Lusher on trombone maybe?
2. Love For Sale by Alan Clare. There are two very different musical lines going here. The strings play the tune we know in the background whilst Alan weaves a completely different melody line against this background. Intriguing.
3. Banco by Vic Ash and The Men Of Action. No idea who they are but the tune sounds a bit like a theme tune for something.
4. Abandonado by The Johnny Dankworth Orchestra. Only ever issued as a single. A cool Bossa Nova.
5. Body And Soul by Cynthia Lanagan accompanied by the Harry Klein Quintet. I never did find out what happened to Cynthia.
6. Flying Hickory by Tony Crombie und sein Orchester which is played by his Orchestra at the same time as well. You didn’t know he was ambidextrous did you? The hickory is a reference to his drum solo but it’s not all drums. There’s even an aeroplane solo.
7. Sally by The Tubby Hayes Quintet. Look out Gracie Fields you have competition. I wonder who thought this was a good idea?
8. Cabin In The Sky by The Tommy Whittle Quartet. This is a bit soporific so go and put the kettle on whilst it’s playing. You’ve got just 2 minutes and 55 seconds.
9. Clark Kent Blues by The Chevalier Brothers. Clark Kent is the bass player in the group who stays out late at night. Ray Ice Cream sings and plays tenor. Roger Red Wine takes the vibes solo.
10. Birth Of The Budd by Roy Budd. A raunchy piano solo against a raunchy rock background.
11. Theme From Charlie by The Harry South Sextet. It was the theme music from a 1980s TV thriller ‘Charlie’. Dick Morrissey and Chris Pyne solo. Do you remember the TV series? I don’t.
12. And I’ll Find You by Joy Marshall. Not really a jazz 45 but it has a strong jazz connection. Joy was a black American singer who came to the UK in the early 60s to further her career. To get residence status and a work permit she married Peter King the alto player in 1962 and then left him after a year or so to become the live-in girlfriend of Tubby Hayes. Her career never took off and went into decline although she wasn’t really a bad singer. Too much competition at the time and she was a fiery individual to deal with. This was her last recording for the small and obscure label ‘Toast’ and she died by ‘misadventure’ on 21 November 1968 from ‘barbiturate poisoning combined with alcohol’ according to the Coroner. She was only 32. What a waste of a life.
13. Stop-Look-Listen by The Steve Race Group. Tubby Hayes double tracks on tenor sax. Two for the price of one. It’s the theme from the TV series says the label. I thought it was something to do with Road Safety.
14. Ballad–(Extract) by The National Youth Jazz Orchestra. This is just a part of a section from Paul Hart’s ‘Concierto For Guitar And Jazz Orchestra’, which he wrote for NYJO and guitarist John Williams. It really deserves to be heard in full so go and buy the cd
15. Song For Hilary by The London Jazz Four. It was thought for a long time that the vibes player heard was Tubby Hayes be cause he did record with a similarly named group. But it isn’t. The four concerned are not very well known at all and in addition to this 45, they made two rather strange lps. One was ‘Take A New Look At The Beatles’ and the other was ‘An Elizabethan Song Book’. Both are on cd and worth investigating.
16. Bouncing At Midnight by The Wally Stott Orchestra. Solos are by Eddie Blair and Bob Burns. We bounce out in style but who let George in?
So, there we are at the end of the road. The long and winding road of British Modern Jazz, which we have travelled for the last 5 years. In that time we have covered almost all styles of Modern Jazz, some mainstream and a small amount of traditional jazz. Some good, some bad, some familiar and some you might never have heard about.
Remember, all the music came from the collections of the various contributors and BritJazz has tried to post music that is either out of copyright or out of print/deleted so that we can be seen to be fair to the musicians involved. Earning a living from playing jazz is hard work and musicians deserve every penny they can get from their music be it recorded or otherwise. So remember that when you download the latest cd from some blog. Go and buy it instead.
And, finally, did you like the hot pants picture, Rodney?
I did and do, thank you. My immediate thought was some strings to be plucked. Rodney
**MERRY CHRISTMAS TO ALL THE LOYAL SUPPORTERS OF BRITJAZZ**
For our final Christmas contribution I thought I would look back to those old 45s which revolutionised the music industry back in the 1950s. They were cheap and cheerful, easily portable to carry to parties and the like and much loved by those newly invented teenagers. The sound was generally pretty good too
We probably all had some and some of you might still do. I certainly have but delving into those it was quite difficult to find enough material to fill one lp. Modern jazz was not popular enough to be allocated very many 45s in the UK although the USA with a greater tradition of music outlets such as jukeboxes issued considerably more. But modern British jazz on 45s is quite hard to find and most of the ones that do exist tend to veer towards the more popular end of jazz like Dankworth’s ‘African Waltz’. But I haven’t selected that one.
Just a word about the cover picture. A certain member of the backroom staff at BritJazz has a penchant for pictures of pretty girls in hot pants so I thought I would let him have an early Christmas present, but to spare his embarrassment I will not name him.
Now to the music. There are label scans for all the sides used and it’s not Christmassy at all unless somebody lets George in.
1. Northwest Ten by the boastingly named ‘The Greatest Swing Band In The World.’ It’s very Basie-like and as smooth as cream. The soloists are not identified. Don Lusher on trombone maybe?
2. Love For Sale by Alan Clare. There are two very different musical lines going here. The strings play the tune we know in the background whilst Alan weaves a completely different melody line against this background. Intriguing.
3. Banco by Vic Ash and The Men Of Action. No idea who they are but the tune sounds a bit like a theme tune for something.
4. Abandonado by The Johnny Dankworth Orchestra. Only ever issued as a single. A cool Bossa Nova.
5. Body And Soul by Cynthia Lanagan accompanied by the Harry Klein Quintet. I never did find out what happened to Cynthia.
6. Flying Hickory by Tony Crombie und sein Orchester which is played by his Orchestra at the same time as well. You didn’t know he was ambidextrous did you? The hickory is a reference to his drum solo but it’s not all drums. There’s even an aeroplane solo.
7. Sally by The Tubby Hayes Quintet. Look out Gracie Fields you have competition. I wonder who thought this was a good idea?
8. Cabin In The Sky by The Tommy Whittle Quartet. This is a bit soporific so go and put the kettle on whilst it’s playing. You’ve got just 2 minutes and 55 seconds.
9. Clark Kent Blues by The Chevalier Brothers. Clark Kent is the bass player in the group who stays out late at night. Ray Ice Cream sings and plays tenor. Roger Red Wine takes the vibes solo.
10. Birth Of The Budd by Roy Budd. A raunchy piano solo against a raunchy rock background.
11. Theme From Charlie by The Harry South Sextet. It was the theme music from a 1980s TV thriller ‘Charlie’. Dick Morrissey and Chris Pyne solo. Do you remember the TV series? I don’t.
12. And I’ll Find You by Joy Marshall. Not really a jazz 45 but it has a strong jazz connection. Joy was a black American singer who came to the UK in the early 60s to further her career. To get residence status and a work permit she married Peter King the alto player in 1962 and then left him after a year or so to become the live-in girlfriend of Tubby Hayes. Her career never took off and went into decline although she wasn’t really a bad singer. Too much competition at the time and she was a fiery individual to deal with. This was her last recording for the small and obscure label ‘Toast’ and she died by ‘misadventure’ on 21 November 1968 from ‘barbiturate poisoning combined with alcohol’ according to the Coroner. She was only 32. What a waste of a life.
13. Stop-Look-Listen by The Steve Race Group. Tubby Hayes double tracks on tenor sax. Two for the price of one. It’s the theme from the TV series says the label. I thought it was something to do with Road Safety.
14. Ballad–(Extract) by The National Youth Jazz Orchestra. This is just a part of a section from Paul Hart’s ‘Concierto For Guitar And Jazz Orchestra’, which he wrote for NYJO and guitarist John Williams. It really deserves to be heard in full so go and buy the cd
15. Song For Hilary by The London Jazz Four. It was thought for a long time that the vibes player heard was Tubby Hayes be cause he did record with a similarly named group. But it isn’t. The four concerned are not very well known at all and in addition to this 45, they made two rather strange lps. One was ‘Take A New Look At The Beatles’ and the other was ‘An Elizabethan Song Book’. Both are on cd and worth investigating.
16. Bouncing At Midnight by The Wally Stott Orchestra. Solos are by Eddie Blair and Bob Burns. We bounce out in style but who let George in?
So, there we are at the end of the road. The long and winding road of British Modern Jazz, which we have travelled for the last 5 years. In that time we have covered almost all styles of Modern Jazz, some mainstream and a small amount of traditional jazz. Some good, some bad, some familiar and some you might never have heard about.
Remember, all the music came from the collections of the various contributors and BritJazz has tried to post music that is either out of copyright or out of print/deleted so that we can be seen to be fair to the musicians involved. Earning a living from playing jazz is hard work and musicians deserve every penny they can get from their music be it recorded or otherwise. So remember that when you download the latest cd from some blog. Go and buy it instead.
And, finally, did you like the hot pants picture, Rodney?
I did and do, thank you. My immediate thought was some strings to be plucked. Rodney
**MERRY CHRISTMAS TO ALL THE LOYAL SUPPORTERS OF BRITJAZZ**
Wednesday, December 23, 2015
0630 David Snell [The Subtle Sound Of David Snell] FLAC 14(41.31)
Contributed by delmonico, who writes:-
There have been few jazz harpists and David Snell is one of them. I think he must be the only British one too.
Here he plays a set of jazz standards in various small group formats.
(01)
Eddie Blair - trumpet, flugelhorn
Duncan Lamont - tenor
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
(02 03 08 09)
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
(04 06 13)
Duncan Lamont - tenor, flute (13)
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
(05)
David Snell - harp
(07)
Eddie Blair - trumpet, flugelhorn
Duncan Lamont - tenor
David Snell - harp
Ike Isaacs - guitar
Arthur Watts - bass
Allan Ganley - drums
(10-12 14)
Eddie Blair - trumpet, flugelhorn
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
01 My Favourite Things
02 I'll Remember April
03 They Can't Take That Away From Me
04 Take Five
05 How Are Things In Gloccamorra
06 Baubles, Bangles And Beads
07 The Girl From Ipanema
08 Surrey With The Fringe On Top
09 Tenderly
10 Wives And Lovers
11 Laura
12 Fascinating Rhythm
13 Waltz Song
14 Get Happy
Label: Vocalion CDLF 8110
Recorded: 1965 London
Lineage: CD>FLAC
Scans: Full
There have been few jazz harpists and David Snell is one of them. I think he must be the only British one too.
Here he plays a set of jazz standards in various small group formats.
(01)
Eddie Blair - trumpet, flugelhorn
Duncan Lamont - tenor
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
(02 03 08 09)
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
(04 06 13)
Duncan Lamont - tenor, flute (13)
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
(05)
David Snell - harp
(07)
Eddie Blair - trumpet, flugelhorn
Duncan Lamont - tenor
David Snell - harp
Ike Isaacs - guitar
Arthur Watts - bass
Allan Ganley - drums
(10-12 14)
Eddie Blair - trumpet, flugelhorn
David Snell - harp
Arthur Watts - bass
Allan Ganley - drums
01 My Favourite Things
02 I'll Remember April
03 They Can't Take That Away From Me
04 Take Five
05 How Are Things In Gloccamorra
06 Baubles, Bangles And Beads
07 The Girl From Ipanema
08 Surrey With The Fringe On Top
09 Tenderly
10 Wives And Lovers
11 Laura
12 Fascinating Rhythm
13 Waltz Song
14 Get Happy
Label: Vocalion CDLF 8110
Recorded: 1965 London
Lineage: CD>FLAC
Scans: Full
Tuesday, December 22, 2015
0629 Dave Shepherd Buddy Featherstonhaugh [At Sundown] FLAC 5(14.44)
Contributed by bluebird, who writes:-
This is the other side of the 10" BBC transcription disc with sessions by Buddy Featherstonhaugh and Dave Shepherd.
(01 02 04)
Dave Shepherd - clarinet
Unknown - piano
Unknown - vibes
Unknown - bass
Unknown - drums
(03)
Unknown - trumpet
Buddy Featherstonhaugh - baritone
Unknown - bass
Unknown - drums
(05)
All of the above
01 Nagasaki
02 At Sundown
03 Sweetheart Of Sigmund Freud
04 Running Wild
05 Theme - Things Ain't What They Used To Be
Label: BBC Transcription Service - 55
Recorded: c. 1956
Lineage: LP>FLAC
Scans: Front rear covers by jazzandylan
This is the other side of the 10" BBC transcription disc with sessions by Buddy Featherstonhaugh and Dave Shepherd.
(01 02 04)
Dave Shepherd - clarinet
Unknown - piano
Unknown - vibes
Unknown - bass
Unknown - drums
(03)
Unknown - trumpet
Buddy Featherstonhaugh - baritone
Unknown - bass
Unknown - drums
(05)
All of the above
01 Nagasaki
02 At Sundown
03 Sweetheart Of Sigmund Freud
04 Running Wild
05 Theme - Things Ain't What They Used To Be
Label: BBC Transcription Service - 55
Recorded: c. 1956
Lineage: LP>FLAC
Scans: Front rear covers by jazzandylan
Monday, December 21, 2015
0628 Chevalier Brothers [Live And Jumping] FLAC 9(32.22)
Contributed by bluebird, who writes:-
Many of you in the UK, particularly in the London area, will remember that lively jump band The Chevalier Brothers playing in the local pubs and clubs (and busking in the streets at the start) during the 1980s.
Here they are with their first lp, and I think their best, which consists of various live recordings from March 1985.
It's rough and ready jump and jive music (with a strong Louis Jordan influence) but great fun and very well received by the crowds as you can hear. They only made a handful of records and the personnel did change over their short life. They took their group name from their French guitarist and leader, Maurice Chevalier, but this was a pseudonym as were most of the names of the other musicians.
Raymondo (later shortened to Ray) Gelato was the more mundanely named Ray Irwin. Roger Beaujolais was Roger Downham. Chevalier was born Patrice Serapiglia. Clark Kent was Superman in a previous life and John Piper was a well known painter (pictures not houses).
The main soloists Ray Gelato and Roger Beaujolais, are still very active in music. Ray is actually a very good tenor saxophonist and still leads a more sophisticated version of the Chevaliers. Roger has gone all respectable and plays straight ahead jazz these days.
FLAC from lp with cover scans.
Raymondo Gelato - tenor, vocals
Roger Beaujolais - vibes, vocals
Maurice Chevalier - guitar, vocals
Clark Kent - bass, vocals
John Piper - drums
01 Five Guys Named Moe
02 Reet Petite And Gone
03 Fat Sam From Birmingham
04 Air Mail Special
05 Self-Inflicted
06 The Joint Is Jumpin'
07 The Jam Man
08 One more Drink Bartender
09 Wake Up Baby
Label: Disques Cheval GG1
Recorded: March 02 03 1985
Lineage: LP>FLAC
Scans: Front rear LP cover
Many of you in the UK, particularly in the London area, will remember that lively jump band The Chevalier Brothers playing in the local pubs and clubs (and busking in the streets at the start) during the 1980s.
Here they are with their first lp, and I think their best, which consists of various live recordings from March 1985.
It's rough and ready jump and jive music (with a strong Louis Jordan influence) but great fun and very well received by the crowds as you can hear. They only made a handful of records and the personnel did change over their short life. They took their group name from their French guitarist and leader, Maurice Chevalier, but this was a pseudonym as were most of the names of the other musicians.
Raymondo (later shortened to Ray) Gelato was the more mundanely named Ray Irwin. Roger Beaujolais was Roger Downham. Chevalier was born Patrice Serapiglia. Clark Kent was Superman in a previous life and John Piper was a well known painter (pictures not houses).
The main soloists Ray Gelato and Roger Beaujolais, are still very active in music. Ray is actually a very good tenor saxophonist and still leads a more sophisticated version of the Chevaliers. Roger has gone all respectable and plays straight ahead jazz these days.
FLAC from lp with cover scans.
Raymondo Gelato - tenor, vocals
Roger Beaujolais - vibes, vocals
Maurice Chevalier - guitar, vocals
Clark Kent - bass, vocals
John Piper - drums
01 Five Guys Named Moe
02 Reet Petite And Gone
03 Fat Sam From Birmingham
04 Air Mail Special
05 Self-Inflicted
06 The Joint Is Jumpin'
07 The Jam Man
08 One more Drink Bartender
09 Wake Up Baby
Label: Disques Cheval GG1
Recorded: March 02 03 1985
Lineage: LP>FLAC
Scans: Front rear LP cover
Sunday, December 20, 2015
0627-2 Brian Lemon [The Brian Lemon Anthology CD2] FLAC 14(77.40)
Contributed by jazzandylan
(01)
Gerard Presencer - trumpet
Mark Nightingale - trombone
Alan Barnes - alto
Andy Panayi - piccolo
Iain Dixon - clarinet
Anthony Kerr - vibes
Brian Lemon - piano
Dave Green - bass
Steve Brown - drums
(02)
Warren Vaché - cornet
Alan Barnes - baritone
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(03)
Warren Vaché - cornet
Alan Barnes - alto
Tony Coe - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(04)
Ruby Braff - cornet
Brian Lemon - piano
Allan Ganley - drums
(05)
Warren Vaché - cornet
Alan Barnes - baritone
Tony Coe - clarinet
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(06)
Gerard Presencer - flugelhorn
Alan Barnes - alto
Iain Dixon - tenor
Andy Panayi - baritone
Anthony Kerr - vibes
Brian Lemon - piano
Dave Green - bass
Clark Tracey - drums
(07)
Warren Vaché - cornet
Roy Williams - trombone
Brian Lemon - piano
Dave Green - bass
Clark Tracey - drums
(08)
Dave Cliff - guitar
Howard Alden - guitar
(09)
Alan Barnes - clarinet
Tony Coe - clarinet
Brian Lemon - piano
Dave Green - bass
Allan Ganley - drums
(10)
Kenny Baker - trumpet
Warren Vaché - cornet
Brian Lemon - piano
Dave Green - bass
Allan Ganley - drums
(11)
Warren Vaché - cornet
Tony Coe - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(12)
Roy Williams - trombone
Alan Barnes - alto
Ken Peplowski - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Martin Drew - drums
(13)
Warren Vaché - cornet
Derek Watkins - trumpet
Brian Lemon - piano
Dave Green - bass
Martin Drew - drums
(14)
Brian Lemon - piano
Dave Green - bass
Allan Ganley - drums
01 A Dotty Blues
02 Memories Of You
03 High On You
04 This Is All I Ask
05 Shine (Take 2)
06 Chelsea Bridge
07 I Thought About You
08 In My Solitude
09 Days Of Wine And Roses
10 After You've Gone
11 Street Of Dreams
12 Am I Blue
13 Stardust
14 Blue Skies
Recorded:
June 11 1987 (10)
March 03 or 04 or April 13 or 14 (06) September 23 (04) 1996
December 19 or 20 1996 (13)
c.1996 (12)
November 02 03 or May 03 1997 (08)
January 04 (05) 06 or June 13 (01) May 13 (02 03) 1997
January 04 or February 17 or 18 1997 (09)
January 15 or April 15 or 16 1997 (11)
July 20-22 1999 (07)
December 21 1999 or March 27 2000 (14)
Label: Zephyr ZECD36
Lineage: CD>FLAC
Scans: Full
(01)
Gerard Presencer - trumpet
Mark Nightingale - trombone
Alan Barnes - alto
Andy Panayi - piccolo
Iain Dixon - clarinet
Anthony Kerr - vibes
Brian Lemon - piano
Dave Green - bass
Steve Brown - drums
(02)
Warren Vaché - cornet
Alan Barnes - baritone
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(03)
Warren Vaché - cornet
Alan Barnes - alto
Tony Coe - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(04)
Ruby Braff - cornet
Brian Lemon - piano
Allan Ganley - drums
(05)
Warren Vaché - cornet
Alan Barnes - baritone
Tony Coe - clarinet
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(06)
Gerard Presencer - flugelhorn
Alan Barnes - alto
Iain Dixon - tenor
Andy Panayi - baritone
Anthony Kerr - vibes
Brian Lemon - piano
Dave Green - bass
Clark Tracey - drums
(07)
Warren Vaché - cornet
Roy Williams - trombone
Brian Lemon - piano
Dave Green - bass
Clark Tracey - drums
(08)
Dave Cliff - guitar
Howard Alden - guitar
(09)
Alan Barnes - clarinet
Tony Coe - clarinet
Brian Lemon - piano
Dave Green - bass
Allan Ganley - drums
(10)
Kenny Baker - trumpet
Warren Vaché - cornet
Brian Lemon - piano
Dave Green - bass
Allan Ganley - drums
(11)
Warren Vaché - cornet
Tony Coe - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(12)
Roy Williams - trombone
Alan Barnes - alto
Ken Peplowski - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Martin Drew - drums
(13)
Warren Vaché - cornet
Derek Watkins - trumpet
Brian Lemon - piano
Dave Green - bass
Martin Drew - drums
(14)
Brian Lemon - piano
Dave Green - bass
Allan Ganley - drums
01 A Dotty Blues
02 Memories Of You
03 High On You
04 This Is All I Ask
05 Shine (Take 2)
06 Chelsea Bridge
07 I Thought About You
08 In My Solitude
09 Days Of Wine And Roses
10 After You've Gone
11 Street Of Dreams
12 Am I Blue
13 Stardust
14 Blue Skies
Recorded:
June 11 1987 (10)
March 03 or 04 or April 13 or 14 (06) September 23 (04) 1996
December 19 or 20 1996 (13)
c.1996 (12)
November 02 03 or May 03 1997 (08)
January 04 (05) 06 or June 13 (01) May 13 (02 03) 1997
January 04 or February 17 or 18 1997 (09)
January 15 or April 15 or 16 1997 (11)
July 20-22 1999 (07)
December 21 1999 or March 27 2000 (14)
Label: Zephyr ZECD36
Lineage: CD>FLAC
Scans: Full
Saturday, December 19, 2015
0627-1 Brian Lemon [The Brian Lemon Anthology CD1] FLAC 14(77.22)
Contributed by jazzandylan
(01)
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(02)
Warren Vaché - cornet
Alan Barnes - saxophone
Tony Coe - saxophone
Dave Cliff - guitar
Dave Green - bass
Clark Tracey - drums
(03)
Warren Vaché - cornet
Roy Williams - trombone
Alan Barnes - alto
Tony Coe - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Clark Tracey - drums
(04)
Alan Barnes - saxophone
Tony Coe - saxophone
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(05)
George Masso - trombone
Roy Williams - trombone
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(06)
Derek Watkins - trumpet
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
Lee Gibson - vocal
(07)
Roy Williams - trombone
Scott Hamilton - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(08)
Ruby Braff - cornet
Brian Lemon - piano
Allan Ganley - drums
(09)
Gerard Presencer - trumpet
Mark Nightingale - trombone
Alan Barnes - alto
Andy Panayi - tenor
Iain Dixon - clarinet
Anthony Kerr - vibes
Brian Lemon - piano
Dave Green - bass
Steve Brown - drums
(10)
Warren Vaché - cornet
Derek Watkins - trumpet
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(11)
Alan Barnes - alto
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(12)
Gerard Presencer - flugelhorn
Tony Coe - tenor
Brian Lemon - piano
Dave Green - bass
(13)
Brian Lemon - piano
David Newton - piano
(14)
Ken Peplowski - clarinet
Alan Barnes - clarinet
Brian Lemon - piano
Dave Green - bass
Martin Drew - drums
01 Exactly Like You - I Thought About You
02 Drop Me Off In Harlem
03 Once In Love With Amy
04 Blue Room
05 Love Is Just Around The Corner
06 Time After Time
07 Blues In The Closet
08 Someday Sweetheart
09 I've Grown Accustomed To Her Face
10 A Blues For Bune
11 Chilli Pepper
12 Don't Blame Me
13 Two Sleepy People
14 Farewell Blues
Recorded:
January 10 12 or March 17 (01) August 03 (07) 1995 November 07 08 1995 or November 04 1996 (05)
September 23 (08) December 19 20 (13) 1996 1996 (06 10 14)
January 04 (02) January 04 or February 17 or 18 (04 11)
January 06 or June 13 (09) 1997 July 20-22 1999 (03)
February 01-03 2000 (12)
Label: Zephyr ZECD36
Lineage: CD>FLAC
Scans: Full
CD2....tomorrow
(01)
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(02)
Warren Vaché - cornet
Alan Barnes - saxophone
Tony Coe - saxophone
Dave Cliff - guitar
Dave Green - bass
Clark Tracey - drums
(03)
Warren Vaché - cornet
Roy Williams - trombone
Alan Barnes - alto
Tony Coe - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Clark Tracey - drums
(04)
Alan Barnes - saxophone
Tony Coe - saxophone
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(05)
George Masso - trombone
Roy Williams - trombone
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(06)
Derek Watkins - trumpet
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
Lee Gibson - vocal
(07)
Roy Williams - trombone
Scott Hamilton - tenor
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(08)
Ruby Braff - cornet
Brian Lemon - piano
Allan Ganley - drums
(09)
Gerard Presencer - trumpet
Mark Nightingale - trombone
Alan Barnes - alto
Andy Panayi - tenor
Iain Dixon - clarinet
Anthony Kerr - vibes
Brian Lemon - piano
Dave Green - bass
Steve Brown - drums
(10)
Warren Vaché - cornet
Derek Watkins - trumpet
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(11)
Alan Barnes - alto
Brian Lemon - piano
Dave Cliff - guitar
Dave Green - bass
Allan Ganley - drums
(12)
Gerard Presencer - flugelhorn
Tony Coe - tenor
Brian Lemon - piano
Dave Green - bass
(13)
Brian Lemon - piano
David Newton - piano
(14)
Ken Peplowski - clarinet
Alan Barnes - clarinet
Brian Lemon - piano
Dave Green - bass
Martin Drew - drums
01 Exactly Like You - I Thought About You
02 Drop Me Off In Harlem
03 Once In Love With Amy
04 Blue Room
05 Love Is Just Around The Corner
06 Time After Time
07 Blues In The Closet
08 Someday Sweetheart
09 I've Grown Accustomed To Her Face
10 A Blues For Bune
11 Chilli Pepper
12 Don't Blame Me
13 Two Sleepy People
14 Farewell Blues
Recorded:
January 10 12 or March 17 (01) August 03 (07) 1995 November 07 08 1995 or November 04 1996 (05)
September 23 (08) December 19 20 (13) 1996 1996 (06 10 14)
January 04 (02) January 04 or February 17 or 18 (04 11)
January 06 or June 13 (09) 1997 July 20-22 1999 (03)
February 01-03 2000 (12)
Label: Zephyr ZECD36
Lineage: CD>FLAC
Scans: Full
CD2....tomorrow
Friday, December 18, 2015
0626 Don Harper Denny Wright [Combo] FLAC 14(46.35)
Contributed by delmonico, who writes
Something a little different in that a violinist, Don Harper, takes centre stage in this fine small group recording featuring a duo, trio, quartet and sextet from the collective musicians.
If the song 'Little Buttercup' sounds familiar, well it is, but now better known as 'I'll Never be The Same' following lyrics which were added by Gus Kahn to the original instrumental.
Tony Coe - soprano, baritone, flute, clarinet
Alan Branscombe - vibes, accoustic and electric pianos
Zack Laurence - piano
Denny Wright - accoustic and electric guitar
Len Skeat - bass
Barry Morgan - drums
Don Harper - accoustic and electric violins and violas
01 It's News
02 The Quiet One
03 Swing '77
04 Little Buttercup
05 Ragging The Scale
06 My Favourite Things
07 Making Whoopee
08 Belly Dancer
09 Nagasaki
10 Out Of The Blue
11 Don't Panic
12 Poor Butterfly
13 Pretty Trix
14 Mood Indigo
Label: One Up OU 2202
Recorded: June 04 05 1977
Lineage: LP>FLAC
Scans: Front rear LP cover
FLAC from lp with cover scans
Something a little different in that a violinist, Don Harper, takes centre stage in this fine small group recording featuring a duo, trio, quartet and sextet from the collective musicians.
If the song 'Little Buttercup' sounds familiar, well it is, but now better known as 'I'll Never be The Same' following lyrics which were added by Gus Kahn to the original instrumental.
Tony Coe - soprano, baritone, flute, clarinet
Alan Branscombe - vibes, accoustic and electric pianos
Zack Laurence - piano
Denny Wright - accoustic and electric guitar
Len Skeat - bass
Barry Morgan - drums
Don Harper - accoustic and electric violins and violas
01 It's News
02 The Quiet One
03 Swing '77
04 Little Buttercup
05 Ragging The Scale
06 My Favourite Things
07 Making Whoopee
08 Belly Dancer
09 Nagasaki
10 Out Of The Blue
11 Don't Panic
12 Poor Butterfly
13 Pretty Trix
14 Mood Indigo
Label: One Up OU 2202
Recorded: June 04 05 1977
Lineage: LP>FLAC
Scans: Front rear LP cover
FLAC from lp with cover scans
Labels:
Alan Branscombe,
Denny Wright,
Don Harper,
Len Skeat,
Tony Coe
Thursday, December 17, 2015
0625 Dick Morrissey [The Quartets Live 1965/1966] FLAC 8(45.23)
Contributed by bellawoods, who writes:-
Two different broadcasts by the Dick Morrissey Quartet a year apart and with just a change of drummer.
(01-03
Dick Morrissey - tenor
Harry South - piano
Phil Bates - bass
Phil Seamen - drums
(04-08)
Dick Morrissey - tenor
Harry South - piano
Phil Bates - bass
Bill Eyden - drums
01 Under Orders
02 What Is there To Say
03 Fathead
04 Inner Urge
05 Off The Wagon
06 Sunday Lunch
07 You Don't Know What Love Is
08 Unknown title (incomplete)
Label: BBC broadcasts
Recorded: 1965 1966
Lineage: Radio broadcasts>Cassette tape>FLAC
Scans: Front cover
Two different broadcasts by the Dick Morrissey Quartet a year apart and with just a change of drummer.
(01-03
Dick Morrissey - tenor
Harry South - piano
Phil Bates - bass
Phil Seamen - drums
(04-08)
Dick Morrissey - tenor
Harry South - piano
Phil Bates - bass
Bill Eyden - drums
01 Under Orders
02 What Is there To Say
03 Fathead
04 Inner Urge
05 Off The Wagon
06 Sunday Lunch
07 You Don't Know What Love Is
08 Unknown title (incomplete)
Label: BBC broadcasts
Recorded: 1965 1966
Lineage: Radio broadcasts>Cassette tape>FLAC
Scans: Front cover
Wednesday, December 16, 2015
0624 Pete Hurt [Lost For Words] FLAC 7(37.42)
Contributed by bluebird, who writes:-
By the 1980s the Old Guard in British jazz had either died, given up in despair or just played as session musicians whenever they could.
So the Young Turks moved in and for a while nobody could understand what they were playing and if they did then they didn't like it in many cases. You must admit, there was some pretty dreary and soulless music being played at that time.
This is a biggish band led by tenor saxophonist Peter (Pete) Hurt and some of the above description can be applied to the music you hear on this record. Technically, it's brilliant with good arrangements and one or two fine solos but overall it just doesn't 'hang together' in modern parlance.
The music was subsidised financially by The Arts Council, which to some hard-working musicians trying to earn a crust, is like a red rag to a bull. A well known British musician, speaking about some similar music in another context, told me it was typically Arts Council music and he wasn't being complimentary.
Make of that what you will.
It has never seen a cd re-issue. I wonder why not?
Am I being unkind? You decide.
FLAC from lp with cover scans.
Pete Hurt - conductor, tenor
Ric Taylor - conductor
John Barclay - trumpet
Henry Lowther - trumpet, flugelhorn
Chris Pyne - trombone
Kenny Hamilton - bass trombone
Dave Powell - tuba
Ray Warleigh - soprano, alto, flute
Chris Biscoe - soprano, alto
Pete Saberton - piano
Alan Pritchard - guitar
Paul Morgan - bass
Dave Barry - drums
01 Overture (Hurt)
02 Yesterdays (Hurt)
03 Lost For Words (Hurt)
04 Perilous Twilight (Hurt)
05 Twenty (Hurt)
06 Secret Life Of Plants (Wonder)
07 Resolution (Hurt)
Label: Spotlite SPJ525
Recorded: March 30 1984
Lineage: LP>FLAC
Scans: Front rear LP cover
By the 1980s the Old Guard in British jazz had either died, given up in despair or just played as session musicians whenever they could.
So the Young Turks moved in and for a while nobody could understand what they were playing and if they did then they didn't like it in many cases. You must admit, there was some pretty dreary and soulless music being played at that time.
This is a biggish band led by tenor saxophonist Peter (Pete) Hurt and some of the above description can be applied to the music you hear on this record. Technically, it's brilliant with good arrangements and one or two fine solos but overall it just doesn't 'hang together' in modern parlance.
The music was subsidised financially by The Arts Council, which to some hard-working musicians trying to earn a crust, is like a red rag to a bull. A well known British musician, speaking about some similar music in another context, told me it was typically Arts Council music and he wasn't being complimentary.
Make of that what you will.
It has never seen a cd re-issue. I wonder why not?
Am I being unkind? You decide.
FLAC from lp with cover scans.
Pete Hurt - conductor, tenor
Ric Taylor - conductor
John Barclay - trumpet
Henry Lowther - trumpet, flugelhorn
Chris Pyne - trombone
Kenny Hamilton - bass trombone
Dave Powell - tuba
Ray Warleigh - soprano, alto, flute
Chris Biscoe - soprano, alto
Pete Saberton - piano
Alan Pritchard - guitar
Paul Morgan - bass
Dave Barry - drums
01 Overture (Hurt)
02 Yesterdays (Hurt)
03 Lost For Words (Hurt)
04 Perilous Twilight (Hurt)
05 Twenty (Hurt)
06 Secret Life Of Plants (Wonder)
07 Resolution (Hurt)
Label: Spotlite SPJ525
Recorded: March 30 1984
Lineage: LP>FLAC
Scans: Front rear LP cover
Tuesday, December 15, 2015
0623 Les Condon [From First To Last] VOB (28.05)
Contributed by delmonico, who writes:-
A Ford Motors Documentary Film with Music by Les Condon
A 28 minute dvd produced for the Ford Motor Company in 1962 and outlining their Quality Control Systems.
It's something a bit different for BritJazz but the film is quite fascinating showing how the work used to be done on the production line before automation took over. I can just see the Health and Safety people today covering their eyes especially in the shots from the paint spray room.
For car buffs there are shots of the Consul, Zodiac and Zephyr in various stages of production.
The music background is provided by a Group led by Les Condon (trumpet) but neither the titles or the other musicians are identified, although Les does get a screen credit.
A Ford Motors Documentary Film with Music by Les Condon
A 28 minute dvd produced for the Ford Motor Company in 1962 and outlining their Quality Control Systems.
It's something a bit different for BritJazz but the film is quite fascinating showing how the work used to be done on the production line before automation took over. I can just see the Health and Safety people today covering their eyes especially in the shots from the paint spray room.
For car buffs there are shots of the Consul, Zodiac and Zephyr in various stages of production.
The music background is provided by a Group led by Les Condon (trumpet) but neither the titles or the other musicians are identified, although Les does get a screen credit.
Monday, December 14, 2015
0622 Liam Noble [Close You Eyes] FLAC 12(1.02.12)
Contributed by jazzandylan
Liam Noble - piano
01 Keith's Had It
02 Easy To Remember
03 Close To The Bone
04 Ask Your Mother
05 This Feeling's Free
06 Humpty Dumpty
07 Drinks
08 Slow
09 Big Nick
10 Ostinato
11 Happy Birthday
12 Close Your Eyes
Label: FMR Records CD25-V-0895
Recorded: November 24 1994
Lineage: CD>EAC>FLAC
Scans: Front inside tray
Liam Noble - piano
01 Keith's Had It
02 Easy To Remember
03 Close To The Bone
04 Ask Your Mother
05 This Feeling's Free
06 Humpty Dumpty
07 Drinks
08 Slow
09 Big Nick
10 Ostinato
11 Happy Birthday
12 Close Your Eyes
Label: FMR Records CD25-V-0895
Recorded: November 24 1994
Lineage: CD>EAC>FLAC
Scans: Front inside tray
Sunday, December 13, 2015
0621 Ronnie Scott [Never Pat A Burning Dog] FLAC 7(1.14.18)
Contributed by jazzandylan
Dick Pearce - trumpet (01-06)
Ronnie Scott - tenor
Mornington Lockett - tenor (07)
John Critchinson - piano
Ron Mathewson - bass
Martin Drew - drums
01 Contemplation
02 I'm Glad There Is You
03 White Caps
04 All The Things You Are
05 This Love Of Mine
06 When Love Is New
07 Little Sunflower
Label: Ronnie Scott's Jazz House JACD 005
Recorded: October November 1990
Lineage: CD>EAC>FLAC
Scans: Front
Dick Pearce - trumpet (01-06)
Ronnie Scott - tenor
Mornington Lockett - tenor (07)
John Critchinson - piano
Ron Mathewson - bass
Martin Drew - drums
01 Contemplation
02 I'm Glad There Is You
03 White Caps
04 All The Things You Are
05 This Love Of Mine
06 When Love Is New
07 Little Sunflower
Label: Ronnie Scott's Jazz House JACD 005
Recorded: October November 1990
Lineage: CD>EAC>FLAC
Scans: Front
Saturday, December 12, 2015
0620 John Dankworth [The Dankworth Big Band Live At Ronnie Scott's] FLAC 7(57.35)
Contributed by jazzandylan
John Dankworth - leader
Derek Healey - trumpet
Tony Fisher - trumpet
Guy Barker - trumpet
Leon Calvert - trumpet
Noel Langley - trumpet
Mark Nightingale - trombone
Eddie Harvey - trombone
Bill Geldard - trombone
Dave Powell - tuba
Jamie Talbot - alto
Don Rendell - tenor
Dave O'Higgins - tenor
Jimmy Hastings - tenor
Ronnie Ross - baritone
John Horler - piano, DX7
Alec Dankworth - bass, bass guitar
Allan Ganley - drums
Tony Kinsey - drums
01 Caravan
02 Old Blues
03 Bye Bye Manuel
04 Stompin' At The Savoy
05 Starburst
06 Georgia On My Mind
07 Take The A Train
Label: Sepia RSCD 2015
Recorded: January 18 19 1990
Lineage: CD>EAC>FLAC
Scans: Front inside tray
John Dankworth - leader
Derek Healey - trumpet
Tony Fisher - trumpet
Guy Barker - trumpet
Leon Calvert - trumpet
Noel Langley - trumpet
Mark Nightingale - trombone
Eddie Harvey - trombone
Bill Geldard - trombone
Dave Powell - tuba
Jamie Talbot - alto
Don Rendell - tenor
Dave O'Higgins - tenor
Jimmy Hastings - tenor
Ronnie Ross - baritone
John Horler - piano, DX7
Alec Dankworth - bass, bass guitar
Allan Ganley - drums
Tony Kinsey - drums
01 Caravan
02 Old Blues
03 Bye Bye Manuel
04 Stompin' At The Savoy
05 Starburst
06 Georgia On My Mind
07 Take The A Train
Label: Sepia RSCD 2015
Recorded: January 18 19 1990
Lineage: CD>EAC>FLAC
Scans: Front inside tray
Friday, December 11, 2015
0619 Collin Bates [Troubadour] 256 7(40.22)
Contributed by bluebird, who writes:-
This is a real surprise.
I didn't know this existed and it must be ultra rare as there is no mention of it in the Tom Lord discography and little mention of it elsewhere. It is said that only 99 copies of the lp were pressed and it was probably produced and sold by the Troubadour Club in London where the Bates Trio played regularly.
I came across it on YouTube, of all places, where some lucky owner had posted the whole album in 2013 and after some restoration work the sound came out as very acceptable. It is difficult to establish what the sound format is of music posted on YouTube. It is certainly far from hi-fi so I converted the original video format to MP3 as a good guess. This is as good as it can be until something better comes along but I will be amazed if it does.
The trio recording in 1967 for this private label pre-dates what was thought to be Collin's only recorded album under his own name, 'Brew', which was posted on BritJazz earlier. This is equally good, if not better.
There are some lp cover and label scans (the cover scans are very small) and track and personnel details are provided.
MP3 format from YouTube with thanks to the original uploader 'bluetaka55'.
Collin Bates - piano
Alan James - bass
Bart Monaghan - drums
01 Waltz For Martha
02 Autumn Afternoon
03 Georgie On My Mind
04 Chick Form Cyprus Crescent
05 What A Diff'rence A Day Made
06 Nancy With The Laughing Face
07 Brew!
Label: Troubadour No. 265
Recorded: 1967
Lineage: LP>YouTube>256
Scans: None
This is a real surprise.
I didn't know this existed and it must be ultra rare as there is no mention of it in the Tom Lord discography and little mention of it elsewhere. It is said that only 99 copies of the lp were pressed and it was probably produced and sold by the Troubadour Club in London where the Bates Trio played regularly.
I came across it on YouTube, of all places, where some lucky owner had posted the whole album in 2013 and after some restoration work the sound came out as very acceptable. It is difficult to establish what the sound format is of music posted on YouTube. It is certainly far from hi-fi so I converted the original video format to MP3 as a good guess. This is as good as it can be until something better comes along but I will be amazed if it does.
The trio recording in 1967 for this private label pre-dates what was thought to be Collin's only recorded album under his own name, 'Brew', which was posted on BritJazz earlier. This is equally good, if not better.
There are some lp cover and label scans (the cover scans are very small) and track and personnel details are provided.
MP3 format from YouTube with thanks to the original uploader 'bluetaka55'.
Collin Bates - piano
Alan James - bass
Bart Monaghan - drums
01 Waltz For Martha
02 Autumn Afternoon
03 Georgie On My Mind
04 Chick Form Cyprus Crescent
05 What A Diff'rence A Day Made
06 Nancy With The Laughing Face
07 Brew!
Label: Troubadour No. 265
Recorded: 1967
Lineage: LP>YouTube>256
Scans: None
Thursday, December 10, 2015
0618 Dudley Moore [At The Wavedon Festival] FLAC 11(50.47)
Contributed by azule serape, who writes:-
A scarcer trio recording from pianist Dudley Moore recorded live at the 1976 Wavedon Festival.
Dudley Moore - piano
Pete Morgan - bass
Chris Karan - drums
01 I Should Care
02 Two For The Road
03 Chimes
04 Amalgam
05 Yesterdays
06 You'd Be So Nice To Come Home To
07 Cornfield
08 Waltz For Suzie
09 And The Same To You
10 Horizon
11 Morning Walk
Label: Black Lion BLP12151
Recorded: 1976
Lineage: LP>FLAC
Scans: Front rear LP cover
A scarcer trio recording from pianist Dudley Moore recorded live at the 1976 Wavedon Festival.
Dudley Moore - piano
Pete Morgan - bass
Chris Karan - drums
01 I Should Care
02 Two For The Road
03 Chimes
04 Amalgam
05 Yesterdays
06 You'd Be So Nice To Come Home To
07 Cornfield
08 Waltz For Suzie
09 And The Same To You
10 Horizon
11 Morning Walk
Label: Black Lion BLP12151
Recorded: 1976
Lineage: LP>FLAC
Scans: Front rear LP cover
Wednesday, December 09, 2015
0617 George Chisholm [More Music For Romantics] FLAC 12(36.08)
Contributed by bluebird, who writes:_
Some fine George Chisholm at his smoothest and in a small group setting.
Do you think that's his daughter on the cover? George is keeping a careful watch on her and seems to be disapproving of the young man's intentions. I wonder where his other hand is?'
George Chisholm - trombone
Max Harris - piano, organ or
Ralph Dollimore - piano, organ
Ike Isaacs - guitar
Frank Clarke - bass
Kenny Clare - drums or
Ronnie Verrell - drums
01 I Wish I Didn't Love You So
02 Say It Isn't So
03 What's New
04 How Insensitive
05 There Will Never Be Another You
06 Laura
07 The Shadow Of Your Smile
08 Stella By Starlight
09 It's Getting Late
10 Here's That Rainy Day
11 Caravan
12 Blues For Twos
Label: Philips LPS16002 Fontana
Recorded: 1968
Lineage: LP>FLAC
Scans: Front rear LP cover
Some fine George Chisholm at his smoothest and in a small group setting.
Do you think that's his daughter on the cover? George is keeping a careful watch on her and seems to be disapproving of the young man's intentions. I wonder where his other hand is?'
George Chisholm - trombone
Max Harris - piano, organ or
Ralph Dollimore - piano, organ
Ike Isaacs - guitar
Frank Clarke - bass
Kenny Clare - drums or
Ronnie Verrell - drums
01 I Wish I Didn't Love You So
02 Say It Isn't So
03 What's New
04 How Insensitive
05 There Will Never Be Another You
06 Laura
07 The Shadow Of Your Smile
08 Stella By Starlight
09 It's Getting Late
10 Here's That Rainy Day
11 Caravan
12 Blues For Twos
Label: Philips LPS16002 Fontana
Recorded: 1968
Lineage: LP>FLAC
Scans: Front rear LP cover
Tuesday, December 08, 2015
0616 Laurie Johnson [Two Cities Suite] FLAC 10(25.54)
Contributed by bluebird, who writes:_
I suppose this is best described as 'jazz-tinged' light music but don't let that put you off.
It presents a musical portrait of two cities - London and New York played by a big band with added strings in places but the musicians are nor identified. Johnson usually drew on the best session and jazz musicians for his recordings but we do know that Tubby Hayes was on this recording and it is he who solos on M1.
Whilst this appeared originally on the Pye label, this version is taken from a Laurie Johnson compilation cd.
Laurie Johnson - leader
Tubby Hayes - tenor
other personnel unknown
LONDON
01 M.1.
02 Soho
03 The City
04 Limehouse
05 West End
NEW YORK
06 Latin Quarter
07 Grand Central
08 Times Square
09 south Beach
10 Seventh Avenue
Label: Pye NPL 18136
Recorded: 1966
Lineage: CD>FLAC
Scans: None
I suppose this is best described as 'jazz-tinged' light music but don't let that put you off.
It presents a musical portrait of two cities - London and New York played by a big band with added strings in places but the musicians are nor identified. Johnson usually drew on the best session and jazz musicians for his recordings but we do know that Tubby Hayes was on this recording and it is he who solos on M1.
Whilst this appeared originally on the Pye label, this version is taken from a Laurie Johnson compilation cd.
Laurie Johnson - leader
Tubby Hayes - tenor
other personnel unknown
LONDON
01 M.1.
02 Soho
03 The City
04 Limehouse
05 West End
NEW YORK
06 Latin Quarter
07 Grand Central
08 Times Square
09 south Beach
10 Seventh Avenue
Label: Pye NPL 18136
Recorded: 1966
Lineage: CD>FLAC
Scans: None
Monday, December 07, 2015
0615 Danny Moss [Weaver Of Dreams] FLAC 14(1.11.20)
Contributed by jazzandylan
Danny Moss - tenor
Brian Lemon - piano
Len Skeat - bass
Butch Miles - drums
01 9.20 Special
02 This Heart Of Mine
03 Then I'll Be Tired Of You
04 Do Nothin' Till You Hear From Me
05 Smoke Gets In Your Eyes
06 A Gal In Calico
07 In A Mellow Tone
08 My Romance
09 Fine And Dandy
10 Weaver Of Dreams
11 I'm Glad There Is You
12 Poor Butterfly
13 There's No you
14 Blue Lou
Label: Nagel Heyer Records CD017
Recorded: November 17 1994
Lineage: CD>EAC>FLAC
Scans: Front inside tray
Danny Moss - tenor
Brian Lemon - piano
Len Skeat - bass
Butch Miles - drums
01 9.20 Special
02 This Heart Of Mine
03 Then I'll Be Tired Of You
04 Do Nothin' Till You Hear From Me
05 Smoke Gets In Your Eyes
06 A Gal In Calico
07 In A Mellow Tone
08 My Romance
09 Fine And Dandy
10 Weaver Of Dreams
11 I'm Glad There Is You
12 Poor Butterfly
13 There's No you
14 Blue Lou
Label: Nagel Heyer Records CD017
Recorded: November 17 1994
Lineage: CD>EAC>FLAC
Scans: Front inside tray
Sunday, December 06, 2015
0614 Danny Moss [Straighten Up And Fly Right] FLAC 11(47.37)
Contributed by delmonico, who writes:-
A fine swinging session featuring Danny Moss and Geoff Simkins from 1979. Brian Lemon is the pianist.
Geoff Simkins - alto
Danny Moss - tenor
Brian Lemon - piano
Len Skeat - bass
Derek Hogg - drums
01 If Dreams Come True
02 Then I'll Be Tired Of You
03 I'm Beginning To See The Light
04 I've Got The World On A String
05 Don't Be That Way
06 The World Is Waiting For The Sunrise
07 Royal Garden Blues
08 Don't Blame Me
09 Fine And Dandy
10 You're A Weaver Of Dreams
11 Candy
Label: Flyright FLY 209
Recorded: October 15 1979
Lineage: LP>FLAC
Scans: LP front rear covers
A fine swinging session featuring Danny Moss and Geoff Simkins from 1979. Brian Lemon is the pianist.
Geoff Simkins - alto
Danny Moss - tenor
Brian Lemon - piano
Len Skeat - bass
Derek Hogg - drums
01 If Dreams Come True
02 Then I'll Be Tired Of You
03 I'm Beginning To See The Light
04 I've Got The World On A String
05 Don't Be That Way
06 The World Is Waiting For The Sunrise
07 Royal Garden Blues
08 Don't Blame Me
09 Fine And Dandy
10 You're A Weaver Of Dreams
11 Candy
Label: Flyright FLY 209
Recorded: October 15 1979
Lineage: LP>FLAC
Scans: LP front rear covers
Saturday, December 05, 2015
0613 Harry South [Say No More] FLAC 12(34.59)
Contributed by bluebird, who writes:-
This is designed to showcase the music associated with Sergio Mendes as played by the Harry South Big Band and also to demonstrate the 'Living Presence Stereo' produced by the Philips record company.
It is a huge band with a double brass section (one playing out of each channel) and producing an equally huge sound. Turn down the volume before playing!
The sleeve has a 'simplified diagram of part of the complex multitrack stereo recording system used for creating living presence stereo'. I hate to think what the complex diagram looked like.
And to round it all off there is a wonderful piece of technical data which is pure gobbledegook. I think it's something to do with microphones. Did people really care about those things back in 1969?
The band is packed with big names but there are few solos and these are not identified.
But forget the jargon and the trivia - just enjoy the music.
Collective personnel:-
Harry South - leader
Derek Watkins - trumpet
Greg Bowen - trumpet
Tony Fisher - trumpet
Eddie Blair - trumpet
Albert Hall - trumpet
Bobby Haughey - trumpet
Ian Hamer - trumpet
Keeny Wheeler - trumpet
Don Lusher - trombone
Nat Peck - trombone
Gib Wallace - trombone
Ray Premru - trombone
Johnny Edwards - trombone
Jackie Armstrong - trombone
Keith Christie - trombone
Cliff Hardie - trombone
Bill Geldard - trombone
Roy Willox - alto, flute
Ronnie Chamberlain - alto, flute
Bob Efford - tenor, alto flute, oboe (probably)
Keith Bird - tenor
Tommy Whittle - tenor, alto flute
Art Ellefson - tenor, flute
Duncan Lamont - tenor, flute
Don Honeywill - baritone, flute
Max Harris - piano
Dave Goldberg - guitar
Judd Proctor - guitar
Frank Clark - bass
Arthur Watts - bass
Ronnie Stephenson - drums
Kenny Clare - drums
Jimm Lawless - percussion
Denis Lopez - percussion
Tristan Fry - percussion
01 Scarborough Fair
02 Reza
03 Meditation
04 Girl Talk
05 I'm Gonna Make You Love Me
06 The Fool On The Hill
07 Mas Que Nada
08 I Think I'm Going Out Of My Head
09 Live For Life
10 The Best Is Yet To Come
11 I Say A Little Prayer
12 Tempo Feliz
Label: Philips LPS 16004
Recorded: January 31 October 11 November 26 1969
Lineage: LP>FLAC
Scans: Front rear LP cover
This is designed to showcase the music associated with Sergio Mendes as played by the Harry South Big Band and also to demonstrate the 'Living Presence Stereo' produced by the Philips record company.
It is a huge band with a double brass section (one playing out of each channel) and producing an equally huge sound. Turn down the volume before playing!
The sleeve has a 'simplified diagram of part of the complex multitrack stereo recording system used for creating living presence stereo'. I hate to think what the complex diagram looked like.
And to round it all off there is a wonderful piece of technical data which is pure gobbledegook. I think it's something to do with microphones. Did people really care about those things back in 1969?
The band is packed with big names but there are few solos and these are not identified.
But forget the jargon and the trivia - just enjoy the music.
Collective personnel:-
Harry South - leader
Derek Watkins - trumpet
Greg Bowen - trumpet
Tony Fisher - trumpet
Eddie Blair - trumpet
Albert Hall - trumpet
Bobby Haughey - trumpet
Ian Hamer - trumpet
Keeny Wheeler - trumpet
Don Lusher - trombone
Nat Peck - trombone
Gib Wallace - trombone
Ray Premru - trombone
Johnny Edwards - trombone
Jackie Armstrong - trombone
Keith Christie - trombone
Cliff Hardie - trombone
Bill Geldard - trombone
Roy Willox - alto, flute
Ronnie Chamberlain - alto, flute
Bob Efford - tenor, alto flute, oboe (probably)
Keith Bird - tenor
Tommy Whittle - tenor, alto flute
Art Ellefson - tenor, flute
Duncan Lamont - tenor, flute
Don Honeywill - baritone, flute
Max Harris - piano
Dave Goldberg - guitar
Judd Proctor - guitar
Frank Clark - bass
Arthur Watts - bass
Ronnie Stephenson - drums
Kenny Clare - drums
Jimm Lawless - percussion
Denis Lopez - percussion
Tristan Fry - percussion
01 Scarborough Fair
02 Reza
03 Meditation
04 Girl Talk
05 I'm Gonna Make You Love Me
06 The Fool On The Hill
07 Mas Que Nada
08 I Think I'm Going Out Of My Head
09 Live For Life
10 The Best Is Yet To Come
11 I Say A Little Prayer
12 Tempo Feliz
Label: Philips LPS 16004
Recorded: January 31 October 11 November 26 1969
Lineage: LP>FLAC
Scans: Front rear LP cover
Friday, December 04, 2015
0612 Harry Roy [Hotcha-Ma-Cha-Cha!] FLAC48 12(35.12)
Contributed by Dave Bruce, who writes:-
"Hotcha-Ma-Cha-Cha!" doesn't these days have quite the ring it presumably had back then. But, for all that, some good music and fine playing to be found on this 1970s MfP compilation of recordings by Harry Roy and his band made mainly between 1933 and 1935. I don't have the names of the band members to hand but discogs.com suggests they included:Alf Horton, Arthur Calkin, Basil Kirchin, Bert Wilton, Dave Kaye, Dick Boothroyd, Harry Goss, Harry Roy, Ivor Moreton, Jack Collins, Joe Arbiter, Maurice Sterndale, Norman White, Tommy Porter and Tommy Venn.BritJazz veterans will recognise Basil Kirchin's.
01 - Bugle Call Rag (2:45) (May 1933)
02 - Casa Loma Stomp (2:58) (October 1934)
03 - The Roy Rag (3:10) (July 1934)
04 - Alexander's Ragtime Band (2:43) (March 1934)
05 - Canadian Capers (2:51) (April 1933)
06 - She had to go and lose it at The Astor (2:51) (April 1940)
07 - Tiger Rag (2:40) (April 1933)
08 - Somebody stole my gal (3:08) (June 1933)
09 - Twelfth Street Rag (3:17) ((June 1933)
10 - Nobody's Sweetheart (3:08) (January 1934)
11 - Porcupine Rag (2:40) (January 1936)
12 - Temptation Rag (2:55) (January 1935)
Label: Music For Pleasure MFP 1135
Recorded: 1933-1940
Lineage: LP>FLAC
Scans: Front rear LP cover
"Hotcha-Ma-Cha-Cha!" doesn't these days have quite the ring it presumably had back then. But, for all that, some good music and fine playing to be found on this 1970s MfP compilation of recordings by Harry Roy and his band made mainly between 1933 and 1935. I don't have the names of the band members to hand but discogs.com suggests they included:Alf Horton, Arthur Calkin, Basil Kirchin, Bert Wilton, Dave Kaye, Dick Boothroyd, Harry Goss, Harry Roy, Ivor Moreton, Jack Collins, Joe Arbiter, Maurice Sterndale, Norman White, Tommy Porter and Tommy Venn.BritJazz veterans will recognise Basil Kirchin's.
01 - Bugle Call Rag (2:45) (May 1933)
02 - Casa Loma Stomp (2:58) (October 1934)
03 - The Roy Rag (3:10) (July 1934)
04 - Alexander's Ragtime Band (2:43) (March 1934)
05 - Canadian Capers (2:51) (April 1933)
06 - She had to go and lose it at The Astor (2:51) (April 1940)
07 - Tiger Rag (2:40) (April 1933)
08 - Somebody stole my gal (3:08) (June 1933)
09 - Twelfth Street Rag (3:17) ((June 1933)
10 - Nobody's Sweetheart (3:08) (January 1934)
11 - Porcupine Rag (2:40) (January 1936)
12 - Temptation Rag (2:55) (January 1935)
Label: Music For Pleasure MFP 1135
Recorded: 1933-1940
Lineage: LP>FLAC
Scans: Front rear LP cover
Thursday, December 03, 2015
0611 Bobby Wellins [Quartet Live] FLAC 16(56.32)
Contributed by bluebird, who writes:-
Two half hour BBC Jazz Club broadcasts by the Wellins Quartets three years apart but with only a change of bassman.
They each play as one complete broadcast. Sound is reasonable for source.
(01-09)
Bobby Wellins - tenor
Peter Jacobsen - piano, organ (02)
Adrian Kendon - bass
Spike Wells - drums
Peter Clayton - announcer
(10-16)
Bobby Wellins - tenor
Peter Jacobsen - piano, organ (02)
Kenny Baldock - bass
Spike Wells - drums
Peter Clayton - announcer
01 Announcement
02 Dreams Are Free
03 Announcement
04 Do We Know What's Happening?
05 Announcement
06 The Spider
07 Announcement
08 Ba-lues
09 Announcement
10 Announcement
11 Happy Talk
12 Announcement
13 Nightjar
14 Announcement
15 Moonray
16 Announcement
Label: BBC Jazz Club Broadcasts
Recorded: 1978 (01-09) 1981 (10-16)
Lineage: Radio broadcasts>Cassette tape>FLAC
Scans: 'cover picture' and details
Two half hour BBC Jazz Club broadcasts by the Wellins Quartets three years apart but with only a change of bassman.
They each play as one complete broadcast. Sound is reasonable for source.
(01-09)
Bobby Wellins - tenor
Peter Jacobsen - piano, organ (02)
Adrian Kendon - bass
Spike Wells - drums
Peter Clayton - announcer
(10-16)
Bobby Wellins - tenor
Peter Jacobsen - piano, organ (02)
Kenny Baldock - bass
Spike Wells - drums
Peter Clayton - announcer
01 Announcement
02 Dreams Are Free
03 Announcement
04 Do We Know What's Happening?
05 Announcement
06 The Spider
07 Announcement
08 Ba-lues
09 Announcement
10 Announcement
11 Happy Talk
12 Announcement
13 Nightjar
14 Announcement
15 Moonray
16 Announcement
Label: BBC Jazz Club Broadcasts
Recorded: 1978 (01-09) 1981 (10-16)
Lineage: Radio broadcasts>Cassette tape>FLAC
Scans: 'cover picture' and details
Wednesday, December 02, 2015
0610 Alan Skidmore [East To West] FLAC 6(1.10.36)
Contributed by delmonico, who writes:-
Two sets from Alan Skidmore making his debut on BritJazz.
Both are live Quartet dates. One from Hong Kong in 1989 with Stan Tracey and the other from Ronnie's in 1992. Both have different approaches to the music.
The Hong Kong set has a more straight ahead jazz feel to it with a lovely ballad performance of 'Too Young To Go Steady' (do I recall Pat Boone singing this?) whilst the Scott set is heavily Coltrane influenced, perhaps not surprising as the tunes are all by him.
Alan only recorded a handful of dates under his own name so it is good to hear him stretch out here. The Hong Kong performance is enthusiastically received by the local jazz club members whilst the customers at Scott's all sound drunk as usual. The marvellous Bryan Spring brings his own supporters club with him too judging by the reception he gets.
FLAC from OOP cd with booklet scans.
Corrected track/personnel listing. Please amend text file in download
(01-03)
Alan Skidmore - tenor
Stan Tracey - piano
Roy Babbington - bass
Clark Tracey - drums
(04-06)
Alan Skidmore - tenor
Steve Melling - piano
Mick Hutton - bass
Bryan Spring - drums
01 Funky Day In Tiger Bay (Tracey) (14:17)
02 Too young To Go Steady (Adamson, McHugh) (8:35)
03 Green Chimenys (Monk) (13:35)
04 Crescent (Coltrane) (11:50)
05 Wise One (Coltrane) (11:54)
06 Mr P. C. (Coltrane) (10:25)
Label: Miles Music MMCD081
Recorded: October 06 07 1989 (01-03) February 08 1992 (04-06)
Lineage: CD>FLAC
Two sets from Alan Skidmore making his debut on BritJazz.
Both are live Quartet dates. One from Hong Kong in 1989 with Stan Tracey and the other from Ronnie's in 1992. Both have different approaches to the music.
The Hong Kong set has a more straight ahead jazz feel to it with a lovely ballad performance of 'Too Young To Go Steady' (do I recall Pat Boone singing this?) whilst the Scott set is heavily Coltrane influenced, perhaps not surprising as the tunes are all by him.
Alan only recorded a handful of dates under his own name so it is good to hear him stretch out here. The Hong Kong performance is enthusiastically received by the local jazz club members whilst the customers at Scott's all sound drunk as usual. The marvellous Bryan Spring brings his own supporters club with him too judging by the reception he gets.
FLAC from OOP cd with booklet scans.
Corrected track/personnel listing. Please amend text file in download
(01-03)
Alan Skidmore - tenor
Stan Tracey - piano
Roy Babbington - bass
Clark Tracey - drums
(04-06)
Alan Skidmore - tenor
Steve Melling - piano
Mick Hutton - bass
Bryan Spring - drums
01 Funky Day In Tiger Bay (Tracey) (14:17)
02 Too young To Go Steady (Adamson, McHugh) (8:35)
03 Green Chimenys (Monk) (13:35)
04 Crescent (Coltrane) (11:50)
05 Wise One (Coltrane) (11:54)
06 Mr P. C. (Coltrane) (10:25)
Label: Miles Music MMCD081
Recorded: October 06 07 1989 (01-03) February 08 1992 (04-06)
Lineage: CD>FLAC
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