Contributed by bluebird, who writes:-
The 1950s and 1960s produced a rash of singers trying to break into the music business and producers were eager to sign almost anyone who could sing in tune or close to it, look good and perhaps play an instrument. The public demand for pop music, the new rock and roll and most other forms of music was huge. There were many 'one hit wonders' and even more 'no hit wonders' who sank without trace. It was a tough old business.
Billie Laine (who was?) born in Trinidad came to the UK in the late 1950s to follow a musical career following some minor success in her home country. She was taken up by pianist Bill McGuffie, who provides the accompaniment here with his Quartet.
Billie was not destined for fame. She had a handful of roles in TV, made a forgettable single after this first ep recorded in 1961, and then just seemed to disappear around 1970.
She sings with a strong Trinidadian accent, the Quartet plays quite nicely behind her and she looks good on the sheepskin rug.
But it's not really surprising that she never made it.
Bill McGuffie - piano
unknown - guitar
unknown - bass
unknown - drums
Billie Laine - vocals
01 Gone With The Wind (Magidson, Wrubel) (2:41)
02 We'll Be Together Again (Fischer, Laine) (3:23)
03 Sometimes I'm Happy (Caesar, Youmans) (2:31)
04 Mood Indigo (Bigard, Ellington, Mills) (2:45)
Label: Philips BBE 12438
Recorded: 1961
Lineage: EP>FLAC
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thanks a lot.
ReplyDeleteBTW, what a wonderful hoster this dropbox.com is!
after all the RS misadventures is like a breath of fresh air.
and the uploaded EP is really worth listening.
Thanks for the feedback on DB - it's good to know and your experience tallies with others'. Glad to hear you like the obscure Billie too.
DeleteThanks, boogieman. We have it in the pipeline along with quite a number of others but at our slow rate of posting it may be a while.
Deletemany thanks bluebird for this real rarity. actually she is much better than I expected. real mix of influences both black and white but, despite the name, none from Billie. but not exactly like anyone else, especially with that rather endearing diction. not a good breather but worth more than obscurity.
ReplyDeleteMAMMA MIA!
ReplyDeleteIt's a wonderful album.
Many, many thanks BritJazz.
I'd grab this for McGuffie anyway...thanks bluebird.
ReplyDeleteThanks - this sounds like fun!
ReplyDeleteThis is a safe bet for any blind-fold test ! Her diction and accent are really unusal; her intonation and rhythm vaguely reminiscent of Chris Connor on the two faster tracks, I'd say. And I fully agree with Zoot - she occasionally draws breath where she shouldn't ;-)
ReplyDeleteAnyway - what a wonderful surprise. Thanks very much !!!
Thanks. By the way, has any serious academic / research work been conducted on the very significant contribution of West Indian Jazz musicians (and singers) to BritJazz ? If there is any book on the subject, I'd love to get the reference(s).
ReplyDeleteNot that I know of, boogieman. Anyone?
DeleteHere's a little snippet that I came across by our friend Simon Spillett.
Deletehttp://www.jazzscript.co.uk/extra/art.yelbird.htm
Thanks for the link, much interesting.
DeleteCheers
Thanks, jazzuk. Lots of interest in there and excellent writing too.
Deletep.s. you can safely re-post Shake Keane's In my Condition EP from my blog. We're in Decembre 12, the 50 years copyright has expired. ;-)
ReplyDeleteThank you!!!
ReplyDeleteKevin
https://cjoint.net/?awrs7rvqpm
ReplyDelete