<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8067819006962850174</id><updated>2012-02-01T04:53:17.445Z</updated><category term='Dill Jones'/><category term='The Saints Jazz Band'/><category term='Steve Race'/><category term='Frank Deniz'/><category term='Annie Ross'/><category term='Betty Smith'/><category term='Wilton Gaynair'/><category term='Ian Armit'/><category term='Don Savage'/><category term='Johnny Grant'/><category term='Johnny Weed'/><category term='Ken Colyer'/><category term='Stephane Grappelli'/><category term='Tony Crombie'/><category term='Dudley Moore'/><category term='Geoff Taylor'/><category term='Wally Fawkes'/><category term='Stan Tracey'/><category term='Frank Horrox'/><category term='Stan Kenton'/><category term='Tito Burns'/><category term='James Grant Kellas'/><category term='Kenny Graham'/><category term='Eddie Thompson'/><category term='Ronnie Ross'/><category term='Spike Robinson'/><category term='Ted Heath'/><category term='Sandy Brown'/><category term='Leslie &quot;Jiver&quot; Hutchinson'/><category term='Johnny Keating'/><category term='Arnold Ross'/><category term='Richard Rodney Bennett'/><category term='Jimmy Deuchar'/><category term='Johnny Hawksworth'/><category term='Lauderic Canton'/><category term='Ralph Sharon'/><category term='Harry Klein'/><category term='Buddy Featherstonhaugh'/><category term='Tommy Whittle'/><category term='Sammy Stokes'/><category term='Roy Sidwell'/><category term='Derek Smith'/><category term='Bill McGuffie'/><category term='Tony Coe'/><category term='Ray Ellington'/><category term='Allan Ganley'/><category term='Ken Moule'/><category term='Wally Stott'/><category term='Reg Owen'/><category term='Ottilie Patterson'/><category term='Cleo Laine'/><category term='Terry Devon'/><category term='Bertie King'/><category term='Vic Lewis'/><category term='Dave Lee'/><category term='Ronnie Scott'/><category term='Dizzy Reece'/><category term='Alan Clare'/><category term='Humphrey Lyttelton'/><category term='Archie Semple'/><category term='Jimmy Walker'/><category term='Don Rendell'/><category term='Ivor Kirchin'/><category term='George Shearing'/><category term='Ray Nance'/><category term='Malcolm Lockyer'/><category term='Ralph Dollimore'/><category term='Bill Le Sage'/><category term='John Lewis'/><category term='Alan Seymour'/><category term='Lennie Felix'/><category term='Tubby Hayes'/><category term='Tony Kinsey'/><category term='Michael Garrick'/><category term='Phil Seamen'/><category term='Ray Premru'/><category term='Mary Lou Williams'/><category term='Alan Dean'/><category term='Basil Kirchin'/><category term='Cyril Blake'/><category term='Woody Herman'/><category term='Dick Heckstall-Smith'/><category term='Chris Barber'/><category term='Victor Feldman'/><category term='George Chisholm'/><category term='Lita Roza'/><category term='Pat Hawes'/><category term='Vic Ash'/><category term='John Bassettt'/><category term='Norman Burns'/><category term='Joe Harriott'/><category term='Al Fairweather'/><category term='Ian Christie'/><category term='Leslie Thompson'/><category term='Jimmy Skidmore'/><category term='Spike Hughes'/><category term='Milt Jackson'/><category term='Django Reinhardt'/><category term='Dennis Wilson'/><category term='Dick Morrissey'/><category term='Elaine Delmar'/><category term='Jeff Clyne'/><category term='Jo Hunter'/><category term='Ken Snakehips Johnson'/><category term='Beryl Davis'/><category term='Jack Parnell'/><category term='Martial Solal'/><category term='Eric Delaney'/><category term='Keith Christie'/><category term='Pat Dodd'/><category term='Martin Slavin'/><category term='Kenny Baker'/><category term='John Dankworth'/><title type='text'>BritJazzhttp://1.bp.blogspot.com/_cpZj-P6q3E0/SyvVQN3TB2I/AAAAAAAAABQ/ZPNa5kgeZJs/S1600-R/britjazz.</title><subtitle type='html'>http://4.bp.blogspot.com/_cpZj-P6q3E0/SyvZ3sSofLI/AAAAAAAAABk/wf_dNY0BJ2s/S1600-R/brithttp://4.bp.blogspot.com/_cpZj-P6q3E0/SyyfZE7tEcI/AAAAAAAAACc/-xbO7i2http://2.bp.blogspot.com/_cpZj-P6q3E0/SyygMFsPZeI/AAAAAAAAACs/JSXhxOVBOi4/S718/Statement.jpgzWR8/S1600-R/Statement,jpg.jpgjazz.jpg</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default?start-index=101&amp;max-results=100'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>223</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1875985603883497315</id><published>2012-01-29T07:48:00.003Z</published><updated>2012-01-29T07:56:32.260Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Humphrey Lyttelton'/><title type='text'>0219 Humphrey Lyttelton [Humph Plays Standards] FLAC 10(37.12)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-JgcJ-Qdo4W8/TyT6A6BxsgI/AAAAAAAAAQU/PDK7GgPEHA0/s1600/humph%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 282px; height: 320px;" src="http://3.bp.blogspot.com/-JgcJ-Qdo4W8/TyT6A6BxsgI/AAAAAAAAAQU/PDK7GgPEHA0/s320/humph%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5702957921641542146" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Humphrey Lyttelton - trumpet, vocal&lt;br /&gt;John Picard - trombone&lt;br /&gt;Tony Coe - alto, clarinet&lt;br /&gt;Jimmy Skidmore - tenor&lt;br /&gt;Joe Temperley - baritone&lt;br /&gt;Ian Armit - piano&lt;br /&gt;Pete Blannin - bass&lt;br /&gt;Eddie Taylor - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Love for Sale (Porter) (4:44)&lt;br /&gt;02 Prelude to a Kiss (Ellington) (3:36)&lt;br /&gt;03 Ida (Leonard) (3:08)&lt;br /&gt;04 Willow Weep for Me (Ronnell) (4:30)&lt;br /&gt;05 That's My Weakness Now (Green, Stept) (2:13)&lt;br /&gt;06 Blue Lou (Mills, Sampson) (3:38)&lt;br /&gt;07 The Man I Love (Gershwin) (3:33)&lt;br /&gt;08 Undecided (Shavers, Robin) (3:23)&lt;br /&gt;09 Bewitched Bothered and Bewildered (Rodgers, Hart) (3:46)&lt;br /&gt;10 Body and Soul (Green) (4:40)&lt;br /&gt;&lt;br /&gt;Contributed by aroonie, who writes:-&lt;br /&gt;&lt;br /&gt;In my opinion his best band ever with a great sax section of Tony Coe, Jimmy Skidmore and Joe Temperley.  To me Skid was THE greatest of the Hawkins inspired tenor players (of the Brits, that is) and here he proves it on Body and Soul.  But there is not a weak track.&lt;br /&gt;&lt;br /&gt;Note: Please welcome new contributor aroonie, affording a welcome break to the regulars and in fine style. BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1875985603883497315?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1875985603883497315/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2012/01/0219-humphrey-lyttelton-humph-plays.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1875985603883497315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1875985603883497315'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2012/01/0219-humphrey-lyttelton-humph-plays.html' title='0219 Humphrey Lyttelton [Humph Plays Standards] FLAC 10(37.12)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-JgcJ-Qdo4W8/TyT6A6BxsgI/AAAAAAAAAQU/PDK7GgPEHA0/s72-c/humph%2Bfront.JPG' height='72' width='72'/><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1079421943493755567</id><published>2012-01-27T09:43:00.000Z</published><updated>2012-01-27T12:38:45.356Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Lita Roza'/><title type='text'>0148 Lita Roza [Drinka Lita Roza Day] FLAC 12(45.55)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-HlUsevpEeVI/TYXMn6oKbvI/AAAAAAAAAok/SVUJZ1EL3-k/s1600/cover%2Bfront%2Bwhitby.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 311px; height: 320px;" src="http://1.bp.blogspot.com/-HlUsevpEeVI/TYXMn6oKbvI/AAAAAAAAAok/SVUJZ1EL3-k/s320/cover%2Bfront%2Bwhitby.jpg" alt="" id="BLOGGER_PHOTO_ID_5586095898947645170" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Lita Roza - vocal&lt;br /&gt;Ronnie Hughes - trumpet&lt;br /&gt;Johnny Keating - trombone&lt;br /&gt;Ronnie Chamberlain - soprano, alto&lt;br /&gt;Ronnie Ross - alto, baritone&lt;br /&gt;Duncan Lamont - tenor&lt;br /&gt;Dave Lee - piano&lt;br /&gt;Kenny Napper - bass&lt;br /&gt;Andy White - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Don't Get Around Much Anymore (Duke Ellington/Bob Russell) (3:26)&lt;br /&gt;02 I Loves You Porgy (Ira Gershwin/George Gershwin/Dubose Heyward) (4:14)&lt;br /&gt;03 How Deep is the Ocean (Irving Berlin) (3:32)&lt;br /&gt;04 Trouble is a Man (AlecWilder) (3:22)&lt;br /&gt;05 I'm Afraid the Masquerade is Over (Herbert Magidson/Allie Wrubel) (3:57)&lt;br /&gt;06 What is There to Say (Vernon Duke/E.Y "Yip" Harburg) (3:30)&lt;br /&gt;07 The Man that Got Away (Harold Arlen/Ira Gershwin) (3:51)&lt;br /&gt;08 Lush Life (Billy Strayhorn) (3:46)&lt;br /&gt;09 Lover Man (Davis/Ramirez/Sherman) (4:57)&lt;br /&gt;10 Something to Live For (Duke Ellington/Billy Strayhorn) (3:17)&lt;br /&gt;11 Love for Sale (Cole Porter) (4:14)&lt;br /&gt;12 Ill Wind (Harold Arlen/Ted Koehler) (3:49)&lt;br /&gt;&lt;br /&gt;Pye NPL18047&lt;br /&gt;&lt;br /&gt;Recorded May 4 1960&lt;br /&gt;&lt;br /&gt;Contributed by delmonico&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1079421943493755567?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1079421943493755567/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/lita-roza-drinka-lita-roza-day-flac.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1079421943493755567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1079421943493755567'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/lita-roza-drinka-lita-roza-day-flac.html' title='0148 Lita Roza [Drinka Lita Roza Day] FLAC 12(45.55)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-HlUsevpEeVI/TYXMn6oKbvI/AAAAAAAAAok/SVUJZ1EL3-k/s72-c/cover%2Bfront%2Bwhitby.jpg' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8091959180943998268</id><published>2012-01-26T13:03:00.000Z</published><updated>2012-01-26T11:28:14.172Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dick Heckstall-Smith'/><category scheme='http://www.blogger.com/atom/ns#' term='Archie Semple'/><category scheme='http://www.blogger.com/atom/ns#' term='Vic Ash'/><category scheme='http://www.blogger.com/atom/ns#' term='Tony Coe'/><category scheme='http://www.blogger.com/atom/ns#' term='Sandy Brown'/><title type='text'>0140 Various [Blackstick] FLAC 10(40.52)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-qcPJagcAdqs/TV-_2sKDZII/AAAAAAAAAl0/pNam5Z3dyqA/s1600/blackstick%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://3.bp.blogspot.com/-qcPJagcAdqs/TV-_2sKDZII/AAAAAAAAAl0/pNam5Z3dyqA/s320/blackstick%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5575385809995129986" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Al Fairweather - trumpet&lt;br /&gt;John Picard - trombone&lt;br /&gt;Dick Heckstall-Smith - soprano&lt;br /&gt;Vic Ash - clarinet&lt;br /&gt;Tony Coe - clarinet&lt;br /&gt;Sandy Brown - clarinet&lt;br /&gt;Archie Semple - clarinet&lt;br /&gt;Bruce Turner - clarinet&lt;br /&gt;Maurice Biella - vibes&lt;br /&gt;Ian Armit - piano&lt;br /&gt;Fred Hunt - piano&lt;br /&gt;Stan Jones - piano&lt;br /&gt;Harry Smith - piano&lt;br /&gt;Bill Bramwell - guitar&lt;br /&gt;Brian Brocklehurst - bass&lt;br /&gt;Arthur Watts- - bass&lt;br /&gt;Chris Staunton - bass&lt;br /&gt;Eddie Taylor - drums&lt;br /&gt;Johnny Richardson - drums&lt;br /&gt;Allan Ganley - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Bali Ha'i&lt;br /&gt;02 Portrait of Mies&lt;br /&gt;03 Please Don't Talk About Me When I'm Gone&lt;br /&gt;04 Lover Man&lt;br /&gt;05 Tipsy&lt;br /&gt;06 Blue n' Boogie&lt;br /&gt;07 The Needle&lt;br /&gt;08 High Priest&lt;br /&gt;09 Sans Humph&lt;br /&gt;10 I Cover the Waterfront&lt;br /&gt;11 Sugar&lt;br /&gt;12 5/8ths&lt;br /&gt;&lt;br /&gt;Recorded November 1957 and March 1958&lt;br /&gt;&lt;br /&gt;Simon Spillett mentioned this album on August 24 last year (see Vic Ash [Session for Four]); `Why not try and dig out his rare tracks Blue 'n Boogie and High Priest from the Nixa "Blackstick" album. Even Vic hasn't got them!`&lt;br /&gt;&lt;br /&gt;So here is the album - Pye issue. A good balance of styles and variety to portray comprehensively one of the archetypal instruments of jazz. Strong playing from all participants and some very big names in there. All the clarinetists acquit themselves well, including Vic of course. I particularly noticed the tunes by the Tony Coe group but that may have been due to a style preference rather than the performances. I can't say I'd ever heard of Maurice Biella before and when I Googled the name just now I got five hits, all about bikes! Nothing in Tom Lord's "The Jazz Discography" either.&lt;br /&gt;&lt;br /&gt;Ripped from the LP. An attempt has been made to clean it up but I will leave you to judge the results as I would not want to be seen as blowing my own blackstick! BJ&lt;br /&gt;&lt;br /&gt;Contributed by BritJazz and delmonico.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8091959180943998268?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8091959180943998268/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/various-blackstick-flac-104052.html#comment-form' title='25 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8091959180943998268'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8091959180943998268'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/various-blackstick-flac-104052.html' title='0140 Various [Blackstick] FLAC 10(40.52)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-qcPJagcAdqs/TV-_2sKDZII/AAAAAAAAAl0/pNam5Z3dyqA/s72-c/blackstick%2Bfront.jpg' height='72' width='72'/><thr:total>25</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5762268770457153898</id><published>2012-01-24T07:46:00.000Z</published><updated>2012-01-24T10:10:36.525Z</updated><title type='text'>0188 Jimmy Deuchar [Jazz International] FLAC 7(38.01)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-OwhEKLnTcPM/TlCqCTZDhnI/AAAAAAAAAJU/KYCllRbqXcs/s1600/jazz%2Binternational%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-OwhEKLnTcPM/TlCqCTZDhnI/AAAAAAAAAJU/KYCllRbqXcs/s320/jazz%2Binternational%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5643197289637054066" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Deuchar - trumpet&lt;br /&gt;Billy Byers- trombone&lt;br /&gt;Allen Eager - tenor&lt;br /&gt;Martial Solal - piano&lt;br /&gt;Benoit Quersin - bass&lt;br /&gt;Kenny Clarke - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Trianon (4:00)&lt;br /&gt;02 Kenny Special (5:21)&lt;br /&gt;03 Illusion (3:21)&lt;br /&gt;04 Love Me or Leave Me (7:22)&lt;br /&gt;05 Cinerama (4:23)&lt;br /&gt;06 Vogue (6:43)&lt;br /&gt;07 Buyer's Blues (6:52)&lt;br /&gt;&lt;br /&gt;Recorded September 24 1956&lt;br /&gt;&lt;br /&gt;Vogue lp LAE 12029&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;"An usual grouping of Jimmy Deuchar, Allen Eager and Billy Byers with a French based rhythm section and recorded in Paris in 1956. Deuchar was playing a short engagement with a Tommy Whittle group in Paris, Eager was resident in the city temporarily, Byers and Kenny Clarke were permanent residents there whilst the bassist was Belgian and the pianist French. International indeed.&lt;br /&gt;All the front line musicians play well and overall the session is a great treat. It surely deserves a cd release so that it can become better known.&lt;br /&gt;FLAC with lp cover scans.&lt;br /&gt;Thanks to yewsta for help with restoring a particularly difficult first track."&lt;br /&gt;&lt;br /&gt;Note:  January 24 2012 - see comment lower down for new link. BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5762268770457153898?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5762268770457153898/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/0188-jimmy-deuchar-jazz-international.html#comment-form' title='16 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5762268770457153898'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5762268770457153898'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/0188-jimmy-deuchar-jazz-international.html' title='0188 Jimmy Deuchar [Jazz International] FLAC 7(38.01)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-OwhEKLnTcPM/TlCqCTZDhnI/AAAAAAAAAJU/KYCllRbqXcs/s72-c/jazz%2Binternational%2Bfront.jpg' height='72' width='72'/><thr:total>16</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8209291690593959922</id><published>2012-01-22T08:36:00.002Z</published><updated>2012-01-22T08:37:52.762Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Kinsey'/><title type='text'>0218 Tony Kinsey [Trio with Joe Harriott] FLAC 2(14.29)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-OabOxYtD7zE/TxvKtC1SxCI/AAAAAAAAAQI/C5hglRUPUtg/s1600/ep%2B36%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 304px; height: 320px;" src="http://4.bp.blogspot.com/-OabOxYtD7zE/TxvKtC1SxCI/AAAAAAAAAQI/C5hglRUPUtg/s320/ep%2B36%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5700372628570817570" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Bill LeSage - vibes, piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Tony Kinsey - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Chirracahaua (LeSage) (7:40)&lt;br /&gt;02 Teddi (LeSage) (6:50)&lt;br /&gt;&lt;br /&gt;Esquire ep 36&lt;br /&gt;&lt;br /&gt;Recorded December 9 1954&lt;br /&gt;&lt;br /&gt;Contributed by bellawoods, who writes:-&lt;br /&gt;&lt;br /&gt;More fine music from Joe Harriott with Tony Kinsey on Esquire.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8209291690593959922?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8209291690593959922/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2012/01/0218-tony-kinsey-trio-with-joe-harriott.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8209291690593959922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8209291690593959922'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2012/01/0218-tony-kinsey-trio-with-joe-harriott.html' title='0218 Tony Kinsey [Trio with Joe Harriott] FLAC 2(14.29)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-OabOxYtD7zE/TxvKtC1SxCI/AAAAAAAAAQI/C5hglRUPUtg/s72-c/ep%2B36%2Bfront.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1817275356531942551</id><published>2012-01-15T07:43:00.002Z</published><updated>2012-01-15T07:44:46.250Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dick Morrissey'/><title type='text'>0217 Dick Morrissey [It’s Morrissey, Man!] FLAC 12(42.27)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/-KrpYxljIBn8/TxKDzovPIFI/AAAAAAAAAP8/nadKC33BoRM/s1600/cover%2Bfontana.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="http://2.bp.blogspot.com/-KrpYxljIBn8/TxKDzovPIFI/AAAAAAAAAP8/nadKC33BoRM/s320/cover%2Bfontana.jpg" alt="" id="BLOGGER_PHOTO_ID_5697761401709207634" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dick Morrissey - tenor&lt;br /&gt;Stan Jones - piano&lt;br /&gt;Malcolm Cecil - bass&lt;br /&gt;Colin Barnes - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 St Thomas (Rollins) (3:54)&lt;br /&gt;02 Cherry Blue (Le Sage) (3:14)&lt;br /&gt;03 A Bench In The Park (Ager, Yellen) (3:07)&lt;br /&gt;04 Sancticity (Hawkins) (3:27)&lt;br /&gt;05 Mildew (Griffin) (3:00)&lt;br /&gt;06 Puffing Billy (Jones) (4:23)&lt;br /&gt;07 Gurney Was Here (Jones) (2:49)&lt;br /&gt;08 Happy Feet (Ager, Yellen) (3:08)&lt;br /&gt;09 Where Is Love (Bart) (3:58)&lt;br /&gt;10 Dancing In The Dark (Schwartz, Dietz) (3:38)&lt;br /&gt;11 Willow Weep For Me (Ronnell) (4:50)&lt;br /&gt;12 Jellyroll (Mingus) (3:00)&lt;br /&gt;&lt;br /&gt;Fontana TFL5194&lt;br /&gt;&lt;br /&gt;Recorded April 27 1961&lt;br /&gt;&lt;br /&gt;Contributed by grumpy&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1817275356531942551?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1817275356531942551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2012/01/0217-dick-morrissey-its-morrissey-man.html#comment-form' title='15 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1817275356531942551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1817275356531942551'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2012/01/0217-dick-morrissey-its-morrissey-man.html' title='0217 Dick Morrissey [It’s Morrissey, Man!] FLAC 12(42.27)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-KrpYxljIBn8/TxKDzovPIFI/AAAAAAAAAP8/nadKC33BoRM/s72-c/cover%2Bfontana.jpg' height='72' width='72'/><thr:total>15</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3279106640228525029</id><published>2012-01-08T09:22:00.002Z</published><updated>2012-01-08T09:25:55.766Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Dankworth'/><title type='text'>0216 Johnny Dankworth [And His Orchestra] FLAC 4(10.11)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-J4glePX0AsU/TwlgshdAVKI/AAAAAAAAAPw/ZJ0OkUP77DU/s1600/dankworth%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-J4glePX0AsU/TwlgshdAVKI/AAAAAAAAAPw/ZJ0OkUP77DU/s320/dankworth%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5695189521797239970" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Derrick Abbott - trumpet&lt;br /&gt;Charlie Evans - trumpet&lt;br /&gt;Tommy McQuater - trumpet&lt;br /&gt;Frank Donlan - trumpet&lt;br /&gt;Garry Brown - trombone&lt;br /&gt;Bill Geldard - trombone&lt;br /&gt;Laurie Monk - trombone&lt;br /&gt;Johnny Dankworth - alto&lt;br /&gt;Rex Rutley - alto&lt;br /&gt;Ronnie Fenwick - alto&lt;br /&gt;Peter Warner - tenor&lt;br /&gt;John Xerri - tenor&lt;br /&gt;Alex Leslie - baritone&lt;br /&gt;Dave Lee - piano&lt;br /&gt;Bill Sutcliffe - bass&lt;br /&gt;Kenny Clare - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Memories of You (Razaf, Blake) (2:43)&lt;br /&gt;02 Moby Dick (Dankworth) (2:08)&lt;br /&gt;03 Feather Merchant (Mundy, Basie) (3:06)&lt;br /&gt;04 Back Home Again in Indiana (MacDonald, Hanley) (2:14)&lt;br /&gt;&lt;br /&gt;Parlophone ep GEP 8570&lt;br /&gt;&lt;br /&gt;Recorded November 2, December 15 1955, January 20 1956&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who comments:-&lt;br /&gt;&lt;br /&gt;Some Dankworth big band tracks from 1955/56 are heard here. There were not too many well known names in the band at this time, the best known perhaps, being drummer Kenny Clare.&lt;br /&gt;Later bands in the early/mid 1960s attracted many big jazz names.&lt;br /&gt;FLAC with ep cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3279106640228525029?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3279106640228525029/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2012/01/0216-johnny-dankworth-and-his-orchestra.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3279106640228525029'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3279106640228525029'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2012/01/0216-johnny-dankworth-and-his-orchestra.html' title='0216 Johnny Dankworth [And His Orchestra] FLAC 4(10.11)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-J4glePX0AsU/TwlgshdAVKI/AAAAAAAAAPw/ZJ0OkUP77DU/s72-c/dankworth%2Bfront.JPG' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8835664131055995505</id><published>2012-01-01T07:50:00.002Z</published><updated>2012-01-01T07:57:59.652Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dill Jones'/><title type='text'>0215 Dill Jones [Jones the Jazz] FLAC 9(37.24)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-bB6Vgju20-w/TwAQpNrtJoI/AAAAAAAAAPk/HvktGq7fRsw/s1600/jones%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 317px; height: 320px;" src="http://4.bp.blogspot.com/-bB6Vgju20-w/TwAQpNrtJoI/AAAAAAAAAPk/HvktGq7fRsw/s320/jones%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5692568229229962882" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Bert Courtley - trumpet&lt;br /&gt;Keith Christie - trombone&lt;br /&gt;Vic Ash - tenor, clarinet&lt;br /&gt;Dill Jones - piano&lt;br /&gt;Bill Sutcliffe - bass&lt;br /&gt;Benny Goodman - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Struttin' with Some Barbeque (Armstrong) (4:14)&lt;br /&gt;02 Gone Tomorrow (Jones) (6:07)&lt;br /&gt;03 The Preacher (Silver, Gonzales) (2:46)&lt;br /&gt;04 Farewell Blues (Schoebel, Rappolo, Mares) (5:44)&lt;br /&gt;05 Them There Eyes (Pinkard, Tracey, Tauber) (3:24)&lt;br /&gt;06 Caravan (Ellington, Tizol) (4:43)&lt;br /&gt;07 St David (Traditional - arr Jones) (2:49)&lt;br /&gt;08 I Can't Give you Anything but Love, Baby (McHugh, Fields) (2:42)&lt;br /&gt;09 Jones the Jazz (Jones) (4:55)&lt;br /&gt;&lt;br /&gt;Columbia  33SX 1336&lt;br /&gt;&lt;br /&gt;Recorded January 26 and 27 1961&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans and pdf file&lt;br /&gt;&lt;br /&gt;This post is made on the start of our third year. Happy New Year to all - visitors and contributors - and with thanks to all those who continue to support us with their comments.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8835664131055995505?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8835664131055995505/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2012/01/0215-dill-jones-jones-jazz-flac-93724.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8835664131055995505'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8835664131055995505'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2012/01/0215-dill-jones-jones-jazz-flac-93724.html' title='0215 Dill Jones [Jones the Jazz] FLAC 9(37.24)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-bB6Vgju20-w/TwAQpNrtJoI/AAAAAAAAAPk/HvktGq7fRsw/s72-c/jones%2Bfront.JPG' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6264835750788505697</id><published>2011-12-25T08:59:00.003Z</published><updated>2011-12-25T09:06:23.067Z</updated><title type='text'>0214 Various Artists [London Jazz Scene The 40's] FLAC 14(37.55)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-yC_RM4mzL9c/TvbmNLkKKGI/AAAAAAAAAPY/ugzzTszMSnQ/s1600/jazz%2Bscene%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://3.bp.blogspot.com/-yC_RM4mzL9c/TvbmNLkKKGI/AAAAAAAAAPY/ugzzTszMSnQ/s320/jazz%2Bscene%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5689988293346338914" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Miller - leader, vocal&lt;br /&gt;Tommy McQuater - trumpet&lt;br /&gt;Archie Craig - trumpet&lt;br /&gt;Clifton Ffrench - trumpet&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;Jimmy Watson - trumpet&lt;br /&gt;Alan Franks - trumpet&lt;br /&gt;Freddy Randall - trumpet&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Eric Breeze - trombone&lt;br /&gt;Geoff Love - trombone&lt;br /&gt;Jimmy Durrant - soprano, tenor, clarinet, bass clarinet&lt;br /&gt;Tommy Bradbury - alto, clarinet&lt;br /&gt;Monty Levy - alto, clarinet&lt;br /&gt;Harry Lewis - alto, clarinet&lt;br /&gt;Derek Hawkins - alto, clarinet&lt;br /&gt;Freddy Gardner - alto, baritone&lt;br /&gt;Cliff Townsend - alto, baritone, clarinet&lt;br /&gt;Frank Ballerini - tenor&lt;br /&gt;Laurie Gold - tenor&lt;br /&gt;Walter Crombie - tenor, baritone&lt;br /&gt;Andy McDevitt - tenor, clarinet&lt;br /&gt;Bruce Turner - clarinet&lt;br /&gt;Reg Conroy - vibes&lt;br /&gt;Ronnie Aldrich - piano&lt;br /&gt;George Shearing - piano&lt;br /&gt;Dill Jones - piano&lt;br /&gt;Harry Chapman - harp&lt;br /&gt;Bert Weedon - guitar&lt;br /&gt;Jack Llewellyn - guitar&lt;br /&gt;Vic Lewis - guitar&lt;br /&gt;Sid Colin - guitar, vocal&lt;br /&gt;Arthur Madden - bass&lt;br /&gt;Jack Fallon - bass&lt;br /&gt;Joe Nussbaum - bass&lt;br /&gt;Hank Hobson - bass&lt;br /&gt;George Gibbs - bass&lt;br /&gt;Jock Cummings - drums&lt;br /&gt;Norman Burns - drums&lt;br /&gt;Al Philcock - drums&lt;br /&gt;Dave Fullerton - drums&lt;br /&gt;Max Abrams - drums&lt;br /&gt;Stephane Grappelli - violin&lt;br /&gt;Stan Andrews - violin&lt;br /&gt;Lynn Shaw - vocal&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 South Rampart Street Parade (Haggart, Baudue, Crosby) (2:47)&lt;br /&gt;02 These Foolish Things (Strachey, Marvell, Link) (3:01)&lt;br /&gt;03 Barefoot Blues (White) (2:20)&lt;br /&gt;04 Body and Soul (Green, Sour, Eyton, Heyman) (3:16)&lt;br /&gt;05 That's A-Plenty (Pollack, Gilbert) (2:27)&lt;br /&gt;06 Beat Me Daddy, Eight to the Bar (Ray, Prince, Sheehy) (2:38)&lt;br /&gt;07 High Society (Piron, Williams) (3:10)&lt;br /&gt;08 Anchors Away (Zimmerman, Savino) (2:42)&lt;br /&gt;09 Black and Blue (Razaf, Brooks, Waller) (2:37)&lt;br /&gt;10 Henderson Stomp (Henderson) (2:14)&lt;br /&gt;11 After You've Gone (Creamer, Layton) (3:06)&lt;br /&gt;12 Clarinet Blues (2:19)&lt;br /&gt;13 I Only Have Eyes for You (Warren, Dubin) (2:33)&lt;br /&gt;14 Ring Dem Bells (Ellington, Mills) (2:47)&lt;br /&gt;&lt;br /&gt;Ace Of Clubs 12" lp ACL 1121&lt;br /&gt;&lt;br /&gt;Recorded July 30 1940, April 9 1941, April 23 1941, June 10 1941, August 1 1941, May 21 1942, January 7 1943, May 28 1945, May 21 1947, November 27 1947, November 26 1948, February 24 1949.&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes:&lt;br /&gt;&lt;br /&gt;This is not wholly representative of the London Jazz scene in the 1940s but it's what Decca had in the vaults so it's quite limited and traditional in scope.&lt;br /&gt;&lt;br /&gt;The big record companies were not interested in recording the emerging 'new' jazz in the late 1940s so it was left to the small independent labels like Melodisc, Esquire, Paxton and a few others to bring this music to a wider public.&lt;br /&gt;&lt;br /&gt;One for the nostalgia buffs.&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans.&lt;br /&gt;&lt;br /&gt;Note from BJ: Have a good Christmas and we wish you all the best for 2012. Don't forget to keep the comments coming - they are much appreciated.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6264835750788505697?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6264835750788505697/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/12/0214-various-artists-london-jazz-scene.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6264835750788505697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6264835750788505697'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/12/0214-various-artists-london-jazz-scene.html' title='0214 Various Artists [London Jazz Scene The 40&apos;s] FLAC 14(37.55)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-yC_RM4mzL9c/TvbmNLkKKGI/AAAAAAAAAPY/ugzzTszMSnQ/s72-c/jazz%2Bscene%2Bfront.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8389952620915609031</id><published>2011-12-18T09:00:00.005Z</published><updated>2011-12-26T10:08:43.757Z</updated><title type='text'>0213 Various Artists [Bluebird's Christmas Pudding] MP3 320 18(52.19)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-VJv0ZkdWpkc/Tu2r8DF6BDI/AAAAAAAAAPM/1y4_Us7eE9k/s1600/pudding%2Bcover.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 304px; height: 320px;" src="http://2.bp.blogspot.com/-VJv0ZkdWpkc/Tu2r8DF6BDI/AAAAAAAAAPM/1y4_Us7eE9k/s320/pudding%2Bcover.jpg" alt="" id="BLOGGER_PHOTO_ID_5687390952549385266" border="0" /&gt;&lt;/a&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" latentstylecount="156"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:"Times New Roman";  mso-ansi-language:#0400;  mso-fareast-language:#0400;  mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;This is not a serious musical contribution and it’s not very Christmassy either.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;But it’s party time, so let your hair down but if you have no hair and your party days are over, then a glass of Sanatogen and a Ginger Nut might fill the bill just as well.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Looking out of my window on a rainy August afternoon (yes, like all good programmers we do plan well ahead) I have decided to suspend my critical judgement for one day only to bring you some jazz, some near jazz and some nowhere near jazz for your seasonal enjoyment. It will help fill that torpid hour after Christmas lunch.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;The programme includes bizarre, unusual, amusing and sometimes quite beautiful music and I have taken liberties with dates and the nationality of musicians in a few cases but I’m sure those lovely people at BritJazz will indulge me just this once.&lt;span style="mso-spacerun:yes"&gt;   &lt;/span&gt;(Where’s your Christmas Spirit BritJazz?)&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;In most cases I have not given information about titles, musicians etc so it’s up to you.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;And when you’ve finished, you can colour the Christmas Pudding picture.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Answers on a postcard please but don’t bother sending them.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Now go and print this out before listening.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt; &lt;/span&gt;&lt;span lang="EN-GB"  style="font-size:10pt;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;TRACK 1&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;This is by a pair of brothers (do I mean that? How many brothers are there in a pair?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Four?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;No, just two) and they play a tune I always associate with Spike Jones and His City Slickers.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;I wonder why?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Who are the brothers?&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 2&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Think Michael Caine. Think Minis.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Peter King gets a credit for the tenor solo but it’s not him. Who is it and what’s the film in which the tune features?&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify; font-weight: bold;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;TRACK 3&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Big, blonde and busty. Not Marilyn M. but I spy something beginning with D. Who is she?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;The Wally Stott Orchestra provides the backing.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 4&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span lang="EN-GB"  style="font-size:10pt;"&gt;&lt;span style="text-decoration: none;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;This is the girlfriend of Roger’s psychiatrist.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Buddy Featherstonehaugh is on baritone and there is a terrible tenor solo. Could it be a very young Bobby Wellins?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;No other musicians apart from the leader are identified on this BBC broadcast. What’s the tune?&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 5&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;‘Blues for 8’ by Harry Parry. Tommy Pollard is named as on piano but then he seems to play his solo on another instrument altogether. What is it? A celeste or harpsichord?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;I think it’s a tinky-tonk.&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt; &lt;/span&gt;&lt;span lang="EN-GB"  style="font-size:10pt;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="font-weight: bold;"&gt;TRACK 6&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;This almost unknown American singer came to the UK in the mid 1950s, made a couple of pop records and then 4 jazz sides with a Harry Klein small group including Dill Jones on piano. No other musicians are identified.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Here is one of those sides by her.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;She then disappeared from view, at least in this country.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Anybody heard of Cynthia Lanagan?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;No, I thought not.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 7&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;This is a track by a Chris Barber Band. Chris has been in the music business for so long that he has played with every known musician living or dead. Here’s two of them (live at the time but dead now), playing trumpet and tenor sax, who you would not normally associate with him. The trumpet is only heard in ensemble.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Any ideas, at least about the tenor player?&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 8&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;This is where the knicker elastic (underpants for our American cousins) of BritJazz gets stretched to breaking point. The musicians are American but there is a British connection so that’s alright isn’t it?&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;The tune was composed by Royalty for Royalty after a concert by the Royal Orchestra in Leeds, where I was born (in the Town not at the concert) and only a single record of the music from which this tune was taken was pressed at the time for the special recipient. It was only released commercially after the composer’s death. Simply gorgeous. Tune title, composer and the Suite from which it was taken?&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;TRACK 9&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;No living creatures were harmed during the making of this record but the piano player’s reputation must have taken a bit of a battering. It’s one I guess he would not like to be reminded about. No wonder he is on the label as Sam Tacit.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;If Simon Spillett reads this then ask Clark to remind his Dad about it just to wind him up. The tune is ‘Happy Little Caterpillar’. The B-side or should that be the Z side has the tune ‘Skippy’ on it.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Name and shame the pianist.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Actually, having played it a few times during the preparation for this, it’s beginning to grow on me.&lt;span style="mso-spacerun:yes"&gt;    &lt;/span&gt;Help!&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 10&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;This tune features Art Ellefson on alto sax, Art Ellefson on tenor sax, Art Ellefson on baritone sax with special guest Art Ellefson on bass clarinet – well it saves on session fees.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;I hope he didn’t play them all at once otherwise he would have had a very sore mouth. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Art was an honorary Brit having stayed here for so long but what is his true nationality?&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 11&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;Firstly, a little geography lesson and a bit of social history. &lt;/p&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Yorkshire (The White Rose County) is the biggest and best County in England, and probably in the World. It’s known by everyone as ‘God’s Own Country’ and it includes the Peoples Republic Of South Yorkshire, a semi-autonomous State.&lt;span style="mso-spacerun:yes"&gt;   &lt;/span&gt;For American readers it’s comparable to Texas.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Now to the music. This is the Yorkshire National Anthem played by a group of expatriates living in America. I went to school in the Town named in the title, which is of no relevance whatsoever. The tune title is actually in the Yorkshire language so you need to identify the tune and then translate it into English.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;The pianist is very well known to ‘jazzman’ and although British by birth is now resident in the USA.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;If you get tune title, translation and pianist right then BritJazz has agreed to issue a limited number of Yorkshire passports to the winners.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 12&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;I mentioned the word bizarre somewhere in the introduction and here it is. This British born singer’s first recording although one might be hard pressed to describe it as singing. Recorded in Paris with a Jacques Dieval group. If there was a tune title ‘Forgettable’ then this would qualify admirably. It’s actually called ‘Le Vent Vert’. Was it some kind of musical joke?&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Who’s the ‘singer’?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;A big pal of Dave Lambert.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 13&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;What can be more British than this?&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;If you don’t know the title then you must have been locked up somewhere for many years. John Barry plays it and originally claimed composer rights. After a long legal battle the true composer emerged as&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Monty Norman who probably lived well on the royalties for the rest of his life.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Do you really not know the tune title?&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;It’s got a ‘B’ for BritJazz in it.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 14&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;This tune’s not quite in the ‘Caterpillar’ class but it appeared on an old Ember album called ‘Teenage Dance Party’ with the tenor player seeking anonymity. Recently rescued from the skip (dumpster) and polished up for the jazz market with his name now in lights.  &lt;/p&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="mso-spacerun:yes"&gt;&lt;/span&gt;&lt;/span&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;It’s the Little John Anthony Band with Little John himself on drums (Tony Crombie), Ashley Kozak on bass and a rather nice pianist and guitarist who are not identified.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Who is the tenor player?&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 15&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Composer and pianist Harry South wrote this for a very well known and long running TV series in the UK. The opening theme is better known but this is the closing version.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Title?&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style=" font-weight: bold;font-size:10pt;" lang="EN-GB" &gt;TRACK 16&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;It’s all talk but who is he?&lt;span style="mso-spacerun:yes"&gt;   &lt;/span&gt;He had a very nasty friend called ‘Old Evil’.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;TRACK 17&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;b&gt;&lt;u&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;span style="text-decoration:  none"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Here are two entries for the shortest ‘tunes’ ever written.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;The first is by bassist Johnny Hawkesworth, and not many people know that. It consists of just eight notes or chords. It really was so well known on UK TV at the time but I bet you’ve forgotten it now.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;The second is a vocal announced as ‘ XX XX Sings George Gershwin’. If yewsta reads this he might recognize the voice.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;So, title for the first and singer for the second. They run on together for all of 14 seconds.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;TRACK 18&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;&lt;/span&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Well, we had to have a nod towards Christmas in this compilation and the BritJazz knicker elastic is stretched to the limits once more.&lt;/span&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Not a Brit in sight but Bing takes the Bird to Berlin. See – all Bs. And the pianist Al Haig visited the UK many times and we had a few chats (name-dropper).&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;Who’s the alto player?&lt;span style="mso-spacerun:yes"&gt;   &lt;/span&gt;Bonus points if you get the announcer too.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;If you don’t know the alto player then go and stand in the corner with the dunce’s cap on.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt;All will be revealed in a future post.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;" lang="EN-GB" &gt; &lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;  &lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-ansi-language:EN-GB;mso-fareast-language: EN-US;mso-bidi-language:AR-SAfont-family:&amp;quot;;font-size:12.0pt;"  lang="EN-GB" &gt;MERRY CHRISTMAS&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;Note: The first few comments which look as if made by Britjazz are actually bluebird's.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" latentstylecount="156"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:"Times New Roman";  mso-ansi-language:#0400;  mso-fareast-language:#0400;  mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p style="text-align: center; font-weight: bold;" class="MsoTitle"&gt;&lt;span style="font-size:180%;"&gt;&lt;span lang="EN-GB"&gt;BLUEBIRD’S CHRISTMAS PUDDING&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center; font-weight: bold;"&gt;  &lt;/div&gt;&lt;p style="text-align: center; font-weight: bold;" class="MsoTitle"&gt;&lt;span style="font-size:180%;"&gt;&lt;span lang="EN-GB"&gt;ALL IS REVEALED&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;1.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;The Christie Brothers, Ian and Keith.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;The add-on is by Spike Jones who really has to be seen rather than heard.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;2.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;The tenor solo is by Tubby Hayes and the film is ‘The Italian Job’.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;3.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;The singer is Diana Dors who did a fine job on what was her only lp.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;4.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;The tune is ‘The Sweetheart Of Sigmund Freud’ one of the greatest song titles ever.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;5.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;You decide.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;6.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-spacerun:yes"&gt; &lt;/span&gt;As Eric Morecambe used to say ‘There’s no answer to that’.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;7.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;Jimmy Deuchar on trumpet is heard in the ensemble and Ronnie Scott takes the tenor solo.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;8.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;Duke Ellington composed and plays the tune ‘Single Petal Of A Rose’ from the Queen’s Suite written in honour of Queen Elizabeth after the Duke played in her presence at the 1958 Leeds Music Festival. Duke recorded the six-part Suite in 1959 and had a single copy pressed for the Queen. It was not commercially released until 1976 after his death.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;9.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;Stan Tracey.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;10.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;Canadian.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;11.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;The tune is ‘Ilkley Moor Baht ‘At’ which translates as ‘Ilkley Moor Without A Hat’. The pianist is Derek Smith.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;12.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;Annie Ross.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;13.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;James Bond Theme.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;14.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;Tubby Hayes.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;15.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;The Sweeney.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;16.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;Phil Seamen.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Phil, a long term heroin addict, referred to his habit as ‘Old Evil’&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;17.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:10.0pt; mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;‘Salute to Thames’ which was the Station ID for Thames Television. The singer is Peter Sellars.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: left;"&gt;  &lt;/div&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-indent: -18pt; line-height: 200%; text-align: left;"&gt;&lt;span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;line-height:200%" lang="EN-GB"&gt;&lt;span style="mso-list:Ignore"&gt;18.&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;     &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 200%;" lang="EN-GB"&gt;Charlie Parker is the alto player.&lt;span style="mso-spacerun:yes"&gt;   &lt;/span&gt;‘Symphony Sid’ Torin is the MC&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 72pt; text-align: justify; text-indent: -18pt; line-height: 200%;"&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; line-height: 200%;" lang="EN-GB"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left:72.0pt;text-align:justify;text-indent: -18.0pt;line-height:200%;mso-list:l0 level1 lfo1;tab-stops:list 72.0pt"&gt;&lt;strong&gt;So how did you do?   Not very well?  Never mind , just sit back   and enjoy the music.   BritJazz has assured me that I won't get a   return engagement.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Anyway, the   judges have been up all night to count the votes and BritJazz is able   to announce the winners in true Miss World reverse order.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;3rd   Prize goes to 'the jazzman'. He gave one correct answer (he only   answered one - no stamina these Americans) and his prize is a luxury   tented weekend in Afghanistan kindly donated by the 116th Infantry   Brigade. BritJazz will not be offended if he decides to give this prize   to someone else.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;2nd Prize   goes to 'yewsta' who staggered along the whole way and got a few right.   His prize is a set of tuned belles played by the legendary Edith Rhodes   and Her Hot Trio at the Hollywood Bowl in 1946.  Edward Seagoon played   maracas.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;And the Winner is,   unsurprisingly, 'bluebird' who got all the correct answers. He wins a   red plastic replica of Buddy Bolden's saxophone mouthpiece (you didn't   know he also played saxophone did you?) and a ten minute rummage in the   jazzman's famed garage with all he can carry away.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Thanks to all who might have read all this nonsense. I hope it raised perhaps just a small smile in these hard times.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;bluebird&lt;/strong&gt;&lt;/p&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8389952620915609031?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8389952620915609031/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/12/0213-various-artists-bluebirds.html#comment-form' title='26 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8389952620915609031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8389952620915609031'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/12/0213-various-artists-bluebirds.html' title='0213 Various Artists [Bluebird&apos;s Christmas Pudding] MP3 320 18(52.19)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-VJv0ZkdWpkc/Tu2r8DF6BDI/AAAAAAAAAPM/1y4_Us7eE9k/s72-c/pudding%2Bcover.jpg' height='72' width='72'/><thr:total>26</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7565044773158522876</id><published>2011-12-11T09:57:00.005Z</published><updated>2011-12-11T10:00:51.382Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Geoff Taylor'/><title type='text'>0212 Geoff Taylor [Sextet] FLAC 4(11.18)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-BEMnI1SakLs/TuR-tvU_vPI/AAAAAAAAAPA/iY-3ihX59YM/s1600/ep%2B55%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-BEMnI1SakLs/TuR-tvU_vPI/AAAAAAAAAPA/iY-3ihX59YM/s320/ep%2B55%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5684807953912151282" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Geoff Taylor - alto&lt;br /&gt;Kenny Thorne - vibes&lt;br /&gt;Al Mead - piano&lt;br /&gt;Barry Fox - guitar&lt;br /&gt;Bill Thorne - bass&lt;br /&gt;Len Livesy - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 All of Me (Marks, Simons) (2:55)&lt;br /&gt;02 Easy Going (Deloof) (3:11)&lt;br /&gt;03 Solitude (Ellington) (2:41)&lt;br /&gt;04 The One I Love (Belongs to Somebody Else) (Kahn, Jones) (2:32)&lt;br /&gt;&lt;br /&gt;Esquire ep 55&lt;br /&gt;&lt;br /&gt;Recorded June 23 1954&lt;br /&gt;&lt;br /&gt;Contributed by bellawoods, who writes:-&lt;br /&gt;&lt;br /&gt;Here's another from the little known altoist Geoff Taylor.&lt;br /&gt;If you like Earl Bostic then you'll love this. If you don't, then forget it.&lt;br /&gt;FLAC with ep cover scans (scans kindly provided by David Taylor from the British Modern Jazz website - well worth a visit.)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7565044773158522876?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7565044773158522876/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/12/0212-geoff-taylor-sextet-flac-41118.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7565044773158522876'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7565044773158522876'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/12/0212-geoff-taylor-sextet-flac-41118.html' title='0212 Geoff Taylor [Sextet] FLAC 4(11.18)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-BEMnI1SakLs/TuR-tvU_vPI/AAAAAAAAAPA/iY-3ihX59YM/s72-c/ep%2B55%2Bfront.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8073294736110152337</id><published>2011-12-04T07:06:00.002Z</published><updated>2011-12-04T07:08:14.214Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ronnie Scott'/><title type='text'>0211 [Ronnie Scott Orchestra Esquire EP 61] FLAC 4(14.59)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-e_i1ZbFRM8g/TtscKwaexTI/AAAAAAAAAO0/ODUSiC3Xods/s1600/SCOTT%2BEP%2B61%2BFRONT.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://3.bp.blogspot.com/-e_i1ZbFRM8g/TtscKwaexTI/AAAAAAAAAO0/ODUSiC3Xods/s320/SCOTT%2BEP%2B61%2BFRONT.jpg" alt="" id="BLOGGER_PHOTO_ID_5682166325978252594" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Hank Shaw - trumpet&lt;br /&gt;Ken Wray - trombone&lt;br /&gt;Derek Humble - alto&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Pete King - tenor&lt;br /&gt;Benny Green - baritone&lt;br /&gt;Victor Feldman - vibes, piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Parisian Thoroughfare (Powell) (4:19)&lt;br /&gt;02 Time After Time (Styne, Cahn) (2:42)&lt;br /&gt;03 Don't Worry 'Bout Me (Bloom, Koehler) (4:07)&lt;br /&gt;04 Quicksilver (Silver) (3:50)&lt;br /&gt;&lt;br /&gt;Esquire EP 61&lt;br /&gt;&lt;br /&gt;Recorded February 23 1955&lt;br /&gt;&lt;br /&gt;Contributed by bellawoods, who writes:-&lt;br /&gt;&lt;br /&gt;Another scarce ep from the Ronnie Scott Orchestra of 1955.&lt;br /&gt;&lt;br /&gt;FLAC with cover and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8073294736110152337?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8073294736110152337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/12/0211-ronnie-scott-orchestra-esquire-ep.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8073294736110152337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8073294736110152337'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/12/0211-ronnie-scott-orchestra-esquire-ep.html' title='0211 [Ronnie Scott Orchestra Esquire EP 61] FLAC 4(14.59)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-e_i1ZbFRM8g/TtscKwaexTI/AAAAAAAAAO0/ODUSiC3Xods/s72-c/SCOTT%2BEP%2B61%2BFRONT.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2181638226831143854</id><published>2011-11-27T09:38:00.004Z</published><updated>2011-11-27T10:07:57.973Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dennis Wilson'/><title type='text'>0210 Dennis Wilson [Piano Romance] FLAC 10(23.01)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-hMg8-ACv7IM/TtIFSHdeR2I/AAAAAAAAAOo/2aSbIzL3jT4/s1600/wilson%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 317px;" src="http://3.bp.blogspot.com/-hMg8-ACv7IM/TtIFSHdeR2I/AAAAAAAAAOo/2aSbIzL3jT4/s320/wilson%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5679607888866068322" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dennis Wilson - piano&lt;br /&gt;unknown - bass&lt;br /&gt;unknown - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 It Might as Well be Spring (Rodgers, Hammerstein) (2:38)&lt;br /&gt;02 Where or When (Rodgers, Hart) (2:10)&lt;br /&gt;03 'S Wonderful (Gershwin, Gershwin) (2:14)&lt;br /&gt;04 How About You? (Van Heusen, Lane Freed) (2:03)&lt;br /&gt;05 I Get a Kick Out of You (Porter) (2:40)&lt;br /&gt;06 The Nearness of You (Carmichael, Washington) (1:48)&lt;br /&gt;07 It's Easy to Remember (Rodgers, Hart) (3:00)&lt;br /&gt;08 Mountain Greenery (Rodgers, Hart) (1:47)&lt;br /&gt;09 Heat Wave (Berlin) (2:29)&lt;br /&gt;10 Poor Little Rich Girl (Coward) (2:12)&lt;br /&gt;&lt;br /&gt;HMV DLP 1130&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:-&lt;br /&gt;&lt;br /&gt;More from this jazz fringe pianist from the mid/late 1950s. The other musicians in the trio are not identified.&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2181638226831143854?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2181638226831143854/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/11/dennis-wilson-piano-romance-flac-102301.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2181638226831143854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2181638226831143854'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/11/dennis-wilson-piano-romance-flac-102301.html' title='0210 Dennis Wilson [Piano Romance] FLAC 10(23.01)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-hMg8-ACv7IM/TtIFSHdeR2I/AAAAAAAAAOo/2aSbIzL3jT4/s72-c/wilson%2Bfront.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-620032388280104067</id><published>2011-11-20T10:09:00.003Z</published><updated>2011-11-20T10:11:38.379Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Victor Feldman'/><title type='text'>0209 Victor Feldman [Modern Jazz Quintet-Septet] FLAC 2(14.14)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-FjSg-E9qn_M/TsjR_3IzGxI/AAAAAAAAAOc/aAnxXKxDrgw/s1600/feldman%2B64%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://1.bp.blogspot.com/-FjSg-E9qn_M/TsjR_3IzGxI/AAAAAAAAAOc/aAnxXKxDrgw/s320/feldman%2B64%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5677018225363327762" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Deuchar - trumpet&lt;br /&gt;Dizzy Reece - trumpet&lt;br /&gt;Derek Humble - alto&lt;br /&gt;Victor Feldman - vibes&lt;br /&gt;Tommy Pollard - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Umf (Dizzy Reece) (7:41)&lt;br /&gt;02 Bird's Last Flight (Wardell Gray) (6:33)&lt;br /&gt;&lt;br /&gt;Esquire ep 64&lt;br /&gt;Recorded March 3 1955&lt;br /&gt;&lt;br /&gt;Contributed by bellawoods, who writes:-&lt;br /&gt;&lt;br /&gt;One track on each side recorded on 3rd March 1955. Charlie Parker died in New York just after this session so one track - 'Bird's Last Flight' was dedicated by the group to him.&lt;br /&gt;FLAC with ep cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-620032388280104067?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/620032388280104067/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/11/0209-victor-feldman-modern-jazz-quintet.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/620032388280104067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/620032388280104067'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/11/0209-victor-feldman-modern-jazz-quintet.html' title='0209 Victor Feldman [Modern Jazz Quintet-Septet] FLAC 2(14.14)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-FjSg-E9qn_M/TsjR_3IzGxI/AAAAAAAAAOc/aAnxXKxDrgw/s72-c/feldman%2B64%2Bfront.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2416077649647428638</id><published>2011-11-15T15:30:00.001Z</published><updated>2011-11-15T15:31:48.568Z</updated><title type='text'>R.I.P. Michael Garrick M.B.E. May 30 1933 to November 11 2011</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-vazVSdZFXII/TsKFyrvAvSI/AAAAAAAAAOQ/japkdUPUAus/s1600/Michael%2BGarrick.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 223px; height: 320px;" src="http://3.bp.blogspot.com/-vazVSdZFXII/TsKFyrvAvSI/AAAAAAAAAOQ/japkdUPUAus/s320/Michael%2BGarrick.jpg" alt="" id="BLOGGER_PHOTO_ID_5675245586220104994" border="0" /&gt;&lt;/a&gt;Michael Garrick, pianist, composer, arranger and music educator died in hospital on 11 November aged 78 after suffering from heart problems for some years.&lt;br /&gt;&lt;br /&gt;Michael was one the UK's best known and loved musicians whose first recordings were made back in 1958. He will be remembered particularly for his work with Joe Harriott and Shake Keane in the 1960s which produced such albums as 'Black Marigolds', 'October Woman' and 'Promises' all of which are still available and then later with Ian Carr and Don Rendell.&lt;br /&gt;&lt;br /&gt;The association with Rendell/Carr was particularly fruitful and produced the classic albums 'Dusk Fire', 'Phase 3' and 'Live'. He was an early supporter of poetry with jazz and again several recordings exist.&lt;br /&gt;&lt;br /&gt;A 1972 trio album, 'Cold Mountain',  shows off Michael's piano work to great effect and this will remain as a lasting tribute to him. Later works were for the New Jazz Orchestra and other big bands.&lt;br /&gt;&lt;br /&gt;Michael continued working in a variety of settings right up to his death and he became a respected music educator and supporter of young musicians worldwide. He formed his own record label - 'Jazz Academy' - to feature his music and his pupils.&lt;br /&gt;&lt;br /&gt;His autobiography 'Dusk Fire' was published in 2010 and he was honoured by the award of the MBE in the same year.&lt;br /&gt;&lt;br /&gt;Michael Garrick will be remembered fondly by his former pupils, by his fellow musicians and by the jazz community at large. His legacy will surely be the many fine recordings he made in many different settings over the last 50 years.&lt;br /&gt;&lt;br /&gt;Britjazz has recently presented some fine material from Michael Garrick - see item 0206 Kronos - and we hope to be able to post more examples of this outstanding musician's work in the future.&lt;br /&gt;&lt;br /&gt;Note: We have been trying to post examples of their artistry together with notices of the passing of those who leave us but this has presented some difficulties. Subsequently, as here and for gordon Beck, we intend to refer to previous items and/or tell you of the prospects for future posts where approriate.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2416077649647428638?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2416077649647428638/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/11/rip-michael-garrick-mbe-may-30-1933-to.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2416077649647428638'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2416077649647428638'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/11/rip-michael-garrick-mbe-may-30-1933-to.html' title='R.I.P. Michael Garrick M.B.E. May 30 1933 to November 11 2011'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-vazVSdZFXII/TsKFyrvAvSI/AAAAAAAAAOQ/japkdUPUAus/s72-c/Michael%2BGarrick.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5048113128890078146</id><published>2011-11-15T15:03:00.001Z</published><updated>2011-11-15T15:05:19.483Z</updated><title type='text'>R.I.P. Gordon Beck September 16 1935 to November 6 2011</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-XMTTFTmxl5E/TsJ_kWHZsfI/AAAAAAAAAOE/ChwmOAsSKjk/s1600/gordon%2Bbeck.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 310px; height: 320px;" src="http://3.bp.blogspot.com/-XMTTFTmxl5E/TsJ_kWHZsfI/AAAAAAAAAOE/ChwmOAsSKjk/s320/gordon%2Bbeck.jpg" alt="" id="BLOGGER_PHOTO_ID_5675238742828888562" border="0" /&gt;&lt;/a&gt;The UK jazzmen seem to be disappearing fast.&lt;br /&gt;&lt;br /&gt;Pianist Gordon Beck died on November 6 aged 76 followed by Michael Garrick on November 11. Two modern jazz pianists, very different in approach and style with the lesser known Beck perhaps not enjoying the success that Garrick had.&lt;br /&gt;&lt;br /&gt;Gordon, born in 1935, first had a career in aeronautical engineering design before starting out as a full time jazz musician in 1961. His obvious influence was Bill Evans  and he kept coming back to his 'Evans roots' in his recordings throughout his career.&lt;br /&gt;&lt;br /&gt;He played with all the greats of British modern jazz in the 1960s and had a long and productive stay with Tubby Hayes (1962-1965) in various permutations of his bands.&lt;br /&gt;&lt;br /&gt;As many other jazz musicians experienced, the 1970s and 1980s were lean times in the UK and Gordon had to spend time in Europe to earn a living, playing notably with Phil Woods and The European Rhythm Machine. He was based in Paris at one stage and made many recordings with local jazzmen. Singers loved his accompaniments and he appeared on tour and on recordings with Mel Torme, Lena Horne, Freddy Cole and particularly with Helen Merrill.&lt;br /&gt;&lt;br /&gt;He appeared to be the forgotten man of jazz in the UK until an American record label - Art Of Life - re-issued some of his earlier recordings in the 1990s on cd and later commissioned new music.&lt;br /&gt;&lt;br /&gt;A solo recording at the Bath International Music Festival in 1997 ('Reflections') shows Gordon at his best and highlights his Evans influence.&lt;br /&gt;&lt;br /&gt;BritJazz has little to offer in view of our posting policy but look out for an item we hope to make available in the fairly near future.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5048113128890078146?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5048113128890078146/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/11/rip-gordon-beck-september-16-1935-to.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5048113128890078146'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5048113128890078146'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/11/rip-gordon-beck-september-16-1935-to.html' title='R.I.P. Gordon Beck September 16 1935 to November 6 2011'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-XMTTFTmxl5E/TsJ_kWHZsfI/AAAAAAAAAOE/ChwmOAsSKjk/s72-c/gordon%2Bbeck.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1644718414040851403</id><published>2011-11-13T07:06:00.002Z</published><updated>2011-11-13T07:09:55.737Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenny Baker'/><title type='text'>0208 Various Artists [Mainstream At Nixa] FLAC 4(23.12)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-JPdUAUSTIiQ/Tr9tD4hVQBI/AAAAAAAAAN4/X7d1a5ruRQM/s1600/mainstream%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 317px; height: 320px;" src="http://2.bp.blogspot.com/-JPdUAUSTIiQ/Tr9tD4hVQBI/AAAAAAAAAN4/X7d1a5ruRQM/s320/mainstream%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5674373968989339666" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;Keith Christie - trombone, valve trombone&lt;br /&gt;Bruce Turner - alto&lt;br /&gt;Jimmy Skidmore - tenor&lt;br /&gt;Fred Hartz - baritone&lt;br /&gt;Martin Slavin - vibes, xylophone&lt;br /&gt;Dill Jones - piano&lt;br /&gt;Derek Smith - piano&lt;br /&gt;Ike Isaacs - guitar&lt;br /&gt;Jack Fallon - bass&lt;br /&gt;Frank Clarke - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Time's A-Wastin' (Ellington) (6:09)&lt;br /&gt;02 Three Little Words (Ruby) (4:33)&lt;br /&gt;03 Blues for John (Graham) (9:15)&lt;br /&gt;04 Sidewalks of Cuba (Oakland) (3:15)&lt;br /&gt;&lt;br /&gt;Nixa NJT 501 - 10" LP&lt;br /&gt;&lt;br /&gt;Recorded January 16 and 18 1956&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes:-&lt;br /&gt;&lt;br /&gt;Volume 2 of 'Mainstream at Nixa' has already been posted so this is volume 1 although it is not named as such.&lt;br /&gt;&lt;br /&gt;Four longish tracks give plenty of solo space for all concerned and there is another fine view of the River Thames showing the former Battersea Power Station now re-born as The Tate Modern Art Gallery.&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1644718414040851403?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1644718414040851403/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/11/0208-various-artists-mainstream-at-nixa.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1644718414040851403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1644718414040851403'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/11/0208-various-artists-mainstream-at-nixa.html' title='0208 Various Artists [Mainstream At Nixa] FLAC 4(23.12)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-JPdUAUSTIiQ/Tr9tD4hVQBI/AAAAAAAAAN4/X7d1a5ruRQM/s72-c/mainstream%2Bfront.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6974400130764974477</id><published>2011-11-06T14:34:00.002Z</published><updated>2011-11-06T14:37:06.233Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Betty Smith'/><title type='text'>0207 [The Betty Smith Quintet] FLAC 4(10.30)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-URMOpAZjXNQ/TrabQyDPUiI/AAAAAAAAANU/sCWsksBSQog/s1600/smith%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-URMOpAZjXNQ/TrabQyDPUiI/AAAAAAAAANU/sCWsksBSQog/s320/smith%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5671891493335290402" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Betty Smith - tenor, vocal&lt;br /&gt;Brian Lemon - piano&lt;br /&gt;Terry Walsh - guitar&lt;br /&gt;Berry Phillips - guitar&lt;br /&gt;Ray Dempsey - guitar&lt;br /&gt;Jack Peberdy - bass&lt;br /&gt;Stan Bourke - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 There's a Blue Ridge Round My Heart Virginia (Bryan, Phillips, Schuster)&lt;br /&gt;02 Who's Sorry Now (Snyder, Kalmar, Ruby)&lt;br /&gt;03 Everything is Peaches Down in Georgia (Ager, Meyer, Clarke)&lt;br /&gt;04 Because My Baby Don't Mean Maybe Now (Donaldson)&lt;br /&gt;&lt;br /&gt;Decca ep DFE 6446&lt;br /&gt;Recorded July 2 and November 11 1957&lt;br /&gt;&lt;br /&gt;Contributed by bellawoods, who writes:-&lt;br /&gt;&lt;br /&gt;There are not many lady jazz musicians but here is one who, as far as I know, is still around but perhaps not playing.&lt;br /&gt;Betty was married to the bass player, Jack Peberdy, at the time of these recordings in 1957 and was known as&lt;br /&gt;much for her singing as her tenor playing.&lt;br /&gt;Three vocals here and just one feature for her tenor which is a pity.&lt;br /&gt;FLAC with scans of ep sleeve.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6974400130764974477?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6974400130764974477/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/11/0207-betty-smith-quintet-flac-41030.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6974400130764974477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6974400130764974477'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/11/0207-betty-smith-quintet-flac-41030.html' title='0207 [The Betty Smith Quintet] FLAC 4(10.30)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-URMOpAZjXNQ/TrabQyDPUiI/AAAAAAAAANU/sCWsksBSQog/s72-c/smith%2Bfront.JPG' height='72' width='72'/><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7401188306663519879</id><published>2011-10-30T06:15:00.004Z</published><updated>2011-10-30T06:21:22.559Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='James Grant Kellas'/><category scheme='http://www.blogger.com/atom/ns#' term='Michael Garrick'/><title type='text'>0206 Michael Garrick and James Grant Kellas [Kronos] FLAC 11(47.30)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-CLCJbfv9n-A/Tqzr5eEPG_I/AAAAAAAAANI/etNlGM34T8c/s1600/kronos%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-CLCJbfv9n-A/Tqzr5eEPG_I/AAAAAAAAANI/etNlGM34T8c/s320/kronos%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5669165403508513778" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Tony Sions - alto&lt;br /&gt;Rae Ramchandani - alto&lt;br /&gt;Derek Horsfield - tenor&lt;br /&gt;Alan King - tenor&lt;br /&gt;Alan Bromley - baritone&lt;br /&gt;Peter Shade - vibes&lt;br /&gt;James Grant Kellas - leader, piano&lt;br /&gt;Michael Garrick - leader, piano&lt;br /&gt;Paul Hemmings - bass&lt;br /&gt;David Iggulden - bass&lt;br /&gt;Brian Barnes - drums&lt;br /&gt;Derek Wimpress - drums&lt;br /&gt;Derek West - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Henry VIII's Favourite Laye (Garrick) (5:02)&lt;br /&gt;02 Vishnu (Garrick) (2:59)&lt;br /&gt;03 Kronos (Garrick) (5:53)&lt;br /&gt;04 Barbara Allen (Garrick) (3:14)&lt;br /&gt;05 White Moon (Garrick) (4:34)&lt;br /&gt;06 Jazzism 1960 (Kellas) (4:40)&lt;br /&gt;07 Sax Appeal (Kellas) (3:11)&lt;br /&gt;08 Northern Lights (Kellas) (4:39)&lt;br /&gt;09 Jazz Study No. 2 (Kellas) (5:24)&lt;br /&gt;10 Jazz Study in A Minor (Kellas) (2:17)&lt;br /&gt;11 Ode to Saxes (Kellas) (5:37)&lt;br /&gt;&lt;br /&gt;HEP 2013&lt;br /&gt;&lt;br /&gt;Recorded January, February 1959 and February 7, March 13 1960&lt;br /&gt;&lt;br /&gt;Personnel:&lt;br /&gt;Tony Sions - alto&lt;br /&gt;Rae Ramchandani - alto&lt;br /&gt;Derek Horsfield - tenor&lt;br /&gt;Alan King - tenor&lt;br /&gt;Alan Bromley - baritone&lt;br /&gt;Peter Shade - vibes&lt;br /&gt;James Grant Kellas - leader, piano&lt;br /&gt;Michael Garrick - leader, piano&lt;br /&gt;Paul Hemmings - bass&lt;br /&gt;David Iggulden - bass&lt;br /&gt;Brian Barnes - drums&lt;br /&gt;Derek Wimpress - drums&lt;br /&gt;Derek West - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Henry VIII's Favourite Laye (Garrick) (5:02)&lt;br /&gt;02 Vishnu (Garrick) (2:59)&lt;br /&gt;03 Kronos (Garrick) (5:53)&lt;br /&gt;04 Barbara Allen (Garrick) (3:14)&lt;br /&gt;05 White Moon (Garrick) (4:34)&lt;br /&gt;06 Jazzism 1960 (Kellas) (4:40)&lt;br /&gt;07 Sax Appeal (Kellas) (3:11)&lt;br /&gt;08 Northern Lights (Kellas) (4:39)&lt;br /&gt;09 Jazz Study No. 2 (Kellas) (5:24)&lt;br /&gt;10 Jazz Study in A Minor (Kellas) (2:17)&lt;br /&gt;11 Ode to Saxes (Kellas) (5:37)&lt;br /&gt;&lt;br /&gt;HEP 2013&lt;br /&gt;&lt;br /&gt;Recorded January, February 1959 and February 7, March 13 1960&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:-&lt;br /&gt;&lt;br /&gt;Two very different sessions with each group occupying one side of the lp.&lt;br /&gt;The first side by a Michael Garrick Quartet, sounding very much like an English version of the MJQ, was Michael's first recording and dates from 1959.&lt;br /&gt;Nothing too exciting happens and Michael moved on to far greater things and more interesting work in later years.&lt;br /&gt;Nice vibes playing from the little known Peter Shade and all the tunes were composed/arranged by Garrick.&lt;br /&gt;The second side is a saxophones plus rhythm session led by pianist James Grant Kellas  and the overall feel is very West Coastish with some excellent writing for the saxophones by pianist Kellas.&lt;br /&gt;He did not pursue a career in music, unlike Garrick, and after his Ph.D. studies in London he ended his academic career as Professor of Politics at Glasgow University.&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7401188306663519879?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7401188306663519879/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/10/0206-michael-garrick-and-james-grant.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7401188306663519879'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7401188306663519879'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/10/0206-michael-garrick-and-james-grant.html' title='0206 Michael Garrick and James Grant Kellas [Kronos] FLAC 11(47.30)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-CLCJbfv9n-A/Tqzr5eEPG_I/AAAAAAAAANI/etNlGM34T8c/s72-c/kronos%2Bfront.JPG' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5840539818452317323</id><published>2011-10-23T09:42:00.003+01:00</published><updated>2011-10-23T09:46:56.157+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jimmy Deuchar'/><title type='text'>0205 [Jimmy Deuchar Quartet] FLAC 4(13.20)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-HhDunqRa_eo/TqPTuMQ2fAI/AAAAAAAAAM8/dwEjA_DgI5Q/s1600/DEUCHAR%2BEP%2B93%2BFRONT.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://4.bp.blogspot.com/-HhDunqRa_eo/TqPTuMQ2fAI/AAAAAAAAAM8/dwEjA_DgI5Q/s320/DEUCHAR%2BEP%2B93%2BFRONT.JPG" alt="" id="BLOGGER_PHOTO_ID_5666605546681564162" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Deuchar - trumpet&lt;br /&gt;Alan Clare - piano&lt;br /&gt;Pete Blannin - bass&lt;br /&gt;Tony Kinsey - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Why Do I Love You (Kern) (2:52)&lt;br /&gt;02 This Can't Be Love (Rodgers) (3:15)&lt;br /&gt;03 The Things We Did Last Summer (Styne, Cahn) (4:01)&lt;br /&gt;04 Just One of Those Things (Porter) (3:11)&lt;br /&gt;&lt;br /&gt;Esquire ep 93&lt;br /&gt;&lt;br /&gt;Recorded November 12 1954&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes:-&lt;br /&gt;&lt;br /&gt;Alternate takes of those tunes heard on an earlier lp post - 'Jimmy Deuchar - Thou Swell'. Alan Clare is the pianist.&lt;br /&gt;FLAC with ep cover scans.&lt;br /&gt;&lt;br /&gt;NOTICE: Due to the paucity of suitable material, we are having to reduce the frequency of posts to one a week, normally on Sundays, from now on.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5840539818452317323?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5840539818452317323/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/10/0205-jimmy-deuchar-quartet-flac-41320.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5840539818452317323'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5840539818452317323'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/10/0205-jimmy-deuchar-quartet-flac-41320.html' title='0205 [Jimmy Deuchar Quartet] FLAC 4(13.20)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-HhDunqRa_eo/TqPTuMQ2fAI/AAAAAAAAAM8/dwEjA_DgI5Q/s72-c/DEUCHAR%2BEP%2B93%2BFRONT.JPG' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1118027237341906438</id><published>2011-10-16T09:31:00.005+01:00</published><updated>2012-01-22T08:35:20.247Z</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tubby Hayes'/><category scheme='http://www.blogger.com/atom/ns#' term='Vic Lewis'/><title type='text'>0204 Vic Lewis [In Concert Featuring Tubby Hayes] FLAC 15(46.59)</title><content type='html'>&lt;div style="text-align: left;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-WSY83w8KFfk/TpqW_pNPBwI/AAAAAAAAAMw/FRmQE8XUFzs/s1600/lewis%2Bhayes%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 315px;" src="http://2.bp.blogspot.com/-WSY83w8KFfk/TpqW_pNPBwI/AAAAAAAAAMw/FRmQE8XUFzs/s320/lewis%2Bhayes%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5664005501509109506" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;&lt;/div&gt;Vic Lewis - leader, percussion&lt;br /&gt;Dave Loban - trumpet&lt;br /&gt;Colin Wright - trumpet&lt;br /&gt;Ronnie Baker - trumpet&lt;br /&gt;Dave Power - trumpet&lt;br /&gt;Johnny Watson - trombone&lt;br /&gt;Jack Botterill - trombone&lt;br /&gt;Laurie Franklin - trombone&lt;br /&gt;Ronnie Chamberlain - alto&lt;br /&gt;Bernard Allen - alto&lt;br /&gt;Tubby Hayes - tenor&lt;br /&gt;Les Wigfield - tenor&lt;br /&gt;Brian Rogerson - baritone&lt;br /&gt;Don Riddell - piano&lt;br /&gt;Dave Willis - bass&lt;br /&gt;Ken Hollick - drums&lt;br /&gt;Roy Garnett - percussion&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Jolly Rogers (Rogers) (2:26)&lt;br /&gt;02 Harlem Nocturne (Hagen) (2:30)&lt;br /&gt;03 Moonlight in Vermont (Suessdorf) (2:12)&lt;br /&gt;04 Too Marvellous for Words (Whiting) (6:02)&lt;br /&gt;05 Bweebida Bobbida (Mulligan) (3:27)&lt;br /&gt;06 Peanut Vendor  (Simons, Sunshine, Gilbert) (6:23)&lt;br /&gt;07 Fearless Fosdick (Holman) (3:06)&lt;br /&gt;08 Bill's Blues (Russo) (2:06)&lt;br /&gt;09 Sextet (Mulligan) (2:34)&lt;br /&gt;10 Jump for Joe (Rolan) (2:16)&lt;br /&gt;11 Bark for Barksdale (Mulligan) (2:55)&lt;br /&gt;12 The Creep (2:59)&lt;br /&gt;13 Walkin' Shoes (Mulligan) (2:24)&lt;br /&gt;14 Limelight (Mulligan) (2:58)&lt;br /&gt;15 Intermission Riff (Wetzl) (2:41)&lt;br /&gt;&lt;br /&gt;Hep 20&lt;br /&gt;&lt;br /&gt;Recorded January 29 1954&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;Recorded in concert at the City Hall, Sheffield in 1954 and with a very young Tubby Hayes (almost 19) in the sax section. Lewis allows him generous solo space and his feature with just the rhythm section on 'Too Marvellous For Words' is a 'tour de force'.&lt;br /&gt;The original recording could have been better but it is quite acceptable.  Does it sound slightly speeded up or is this just my imagination?  Lewis' announcements sound like he has been sniffing the helium.&lt;br /&gt;FLAC with lp cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1118027237341906438?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1118027237341906438/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/10/0204-vic-lewis-in-concert-featuring.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1118027237341906438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1118027237341906438'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/10/0204-vic-lewis-in-concert-featuring.html' title='0204 Vic Lewis [In Concert Featuring Tubby Hayes] FLAC 15(46.59)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-WSY83w8KFfk/TpqW_pNPBwI/AAAAAAAAAMw/FRmQE8XUFzs/s72-c/lewis%2Bhayes%2Bfront.JPG' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3066077634436175076</id><published>2011-10-12T09:39:00.002+01:00</published><updated>2011-10-12T09:41:54.610+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Derek Smith'/><title type='text'>0203 Derek Smith [Jazz At The Flamingo Volume 2] FLAC 4(13.19)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-JwjOoeODSoc/TpVSiAt4K8I/AAAAAAAAAMk/sVmMNSkVFWE/s1600/flamingo%2B2%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 319px;" src="http://4.bp.blogspot.com/-JwjOoeODSoc/TpVSiAt4K8I/AAAAAAAAAMk/sVmMNSkVFWE/s320/flamingo%2B2%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5662522850749721538" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Derek Smith - piano&lt;br /&gt;Freddie Logan - bass&lt;br /&gt;Allan Ganley - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Sweet Georgia Brown (3:33)&lt;br /&gt;02 Play Fiddle, Play (3:24)&lt;br /&gt;03 They Can't Take That Away from Me (2:54)&lt;br /&gt;04 Our Love is Here to Stay (3:28)&lt;br /&gt;&lt;br /&gt;Decca ep DFE 6266&lt;br /&gt;&lt;br /&gt;Recorded winter 1954 or perhaps March 15 1955&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:-&lt;br /&gt;&lt;br /&gt;Another volume in this series - there is a 3rd ep to come later.&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3066077634436175076?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3066077634436175076/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/10/0203-derek-smith-jazz-at-flamingo.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3066077634436175076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3066077634436175076'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/10/0203-derek-smith-jazz-at-flamingo.html' title='0203 Derek Smith [Jazz At The Flamingo Volume 2] FLAC 4(13.19)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-JwjOoeODSoc/TpVSiAt4K8I/AAAAAAAAAMk/sVmMNSkVFWE/s72-c/flamingo%2B2%2Bfront.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7474366618589908215</id><published>2011-10-09T12:49:00.001+01:00</published><updated>2011-10-09T12:52:14.006+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenny Baker'/><title type='text'>0202 Kenny Baker [Operation Jam Session] FLAC 2(22.17)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-asO7z3u-k7E/TpGKjNi7hII/AAAAAAAAAMc/wlFiJlIr0vY/s1600/jam%2Bsession%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 316px;" src="http://3.bp.blogspot.com/-asO7z3u-k7E/TpGKjNi7hII/AAAAAAAAAMc/wlFiJlIr0vY/s320/jam%2Bsession%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5661458544117646466" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;Keith Christie - trombone&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Bertie King - alto&lt;br /&gt;Bruce Turner - alto&lt;br /&gt;Jimmy Skidmore - tenor&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Dill Jones - piano&lt;br /&gt;Cedric West - guitar&lt;br /&gt;Frank Clarke - bass&lt;br /&gt;Eric Delaney - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Balad Medley (11:47) - What's New/Making Whoopee/How Long Hass This Been Going On?/Sweet and Lovely/I'm Beginning to See the Light&lt;br /&gt;02 Blues in Threes (10:30)&lt;br /&gt;&lt;br /&gt;Polygon 10" lp - JTL 1&lt;br /&gt;&lt;br /&gt;Recorded February 21 and March 16 1955&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes:&lt;br /&gt;&lt;br /&gt;Two long tracks in the jam session style originally on a 10" lp and including that old time favourite - The Ballad Medley.&lt;br /&gt;The guitar player, Cedric West, never sought the limelight but he was much admired by his fellow musicians and it is a pity that there is so little of his work on record. What there is usually consists of short solos, so anything by him of more than eight bars is welcome.&lt;br /&gt; Here's a link to YouTube showing the great Joe Pass visiting Cedric at his home in Essex, sitting on the sofa in his living room and duetting on 'Indian Summer'.&lt;br /&gt;http://www.youtube.com/watch?v=4mCspmwjJ-I&amp;amp;feature=player_detailpage&lt;br /&gt;As the young people say today - 'How cool is that?'&lt;br /&gt;FLAC with cover picture and sleeve notes. Also pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7474366618589908215?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7474366618589908215/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/10/0202-kenny-baker-operation-jam-session.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7474366618589908215'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7474366618589908215'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/10/0202-kenny-baker-operation-jam-session.html' title='0202 Kenny Baker [Operation Jam Session] FLAC 2(22.17)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-asO7z3u-k7E/TpGKjNi7hII/AAAAAAAAAMc/wlFiJlIr0vY/s72-c/jam%2Bsession%2Bfront.JPG' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2486263303426743189</id><published>2011-10-05T10:04:00.002+01:00</published><updated>2011-10-11T14:20:43.516+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ian Armit'/><title type='text'>0201 Ian Armit [Jazz Club Piano] FLAC 4(13.45)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-HrzElQim-3M/TowetAORV-I/AAAAAAAAAMM/qg6pp5tycz0/s1600/armit%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 317px;" src="http://4.bp.blogspot.com/-HrzElQim-3M/TowetAORV-I/AAAAAAAAAMM/qg6pp5tycz0/s320/armit%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5659932590200674274" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ian Armit - piano&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Rose Room (Williams, Hickman) (3:05)&lt;br /&gt;02 Yancey Blues (Armit) (4:07)&lt;br /&gt;03 Exactly Like You (McHugh, Fields) (3:01)&lt;br /&gt;04 Black and White Blues (Armit) (3:31)&lt;br /&gt;&lt;br /&gt;Decca ep DFE 6436&lt;br /&gt;&lt;br /&gt;Recorded live in between sets of a BBC Jazz Club Session on July 12 1957.&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes:&lt;br /&gt;&lt;br /&gt;Ian played on a part time basis with most of the 'traddies' during the 1950s before joining Humphrey Lyttelton in 1957. He made his home in Switzerland in the late 1970s working with local groups and his own Quartet. He died in Zurich in 1992.&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2486263303426743189?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2486263303426743189/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/10/0201-ian-armit-jazz-club-piano-flac.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2486263303426743189'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2486263303426743189'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/10/0201-ian-armit-jazz-club-piano-flac.html' title='0201 Ian Armit [Jazz Club Piano] FLAC 4(13.45)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-HrzElQim-3M/TowetAORV-I/AAAAAAAAAMM/qg6pp5tycz0/s72-c/armit%2Bfront.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-967712313972403518</id><published>2011-10-02T11:17:00.003+01:00</published><updated>2011-10-02T11:20:57.523+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Joe Harriott'/><title type='text'>0200 Joe Harriott [Free Form] FLAC 8(46.13)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-DxayRHkEIOw/Tog6p2AEvPI/AAAAAAAAAME/mVg-adiQmg8/s1600/harriott%2B1.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 319px; height: 320px;" src="http://2.bp.blogspot.com/-DxayRHkEIOw/Tog6p2AEvPI/AAAAAAAAAME/mVg-adiQmg8/s320/harriott%2B1.JPG" alt="" id="BLOGGER_PHOTO_ID_5658837422335900914" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Shake Keane - trumpet, flugelhorn&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Pat Smythe - piano&lt;br /&gt;Coleridge Goode - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Formation (Harriott) (6:14)&lt;br /&gt;02 Coda (Harriott) (8:00)&lt;br /&gt;03 Abstract (Harriott) (3:40)&lt;br /&gt;04 Impression (Harriott) (5:33)&lt;br /&gt;05 Parallel (Harriott) (5:42)&lt;br /&gt;06 Straight Lines (Harriott) (5:58)&lt;br /&gt;07 Calypso (Harriott) (4:44)&lt;br /&gt;08 Tempo (Harriott) (6:23)&lt;br /&gt;&lt;br /&gt;Jazzland JLP 49&lt;br /&gt;&lt;br /&gt;Recorded 1960&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;"This is a landmark post for BritJazz in that this is the first time a toe is being dipped into the sometimes murky waters of 'Free Form' jazz.&lt;br /&gt;&lt;br /&gt;Having said that, one wonders what all the fuss was about when this was released in 1960 when today's standards are applied. The music was compared, usually favourably, with the recordings of Ornette Coleman from the same period although Coleman's music was more aggressive and angry.&lt;br /&gt;&lt;br /&gt;The British public was ambivalent about the music back in 1960 when it was felt in some quarters that it was too revolutionary and that it wasn't 'proper' jazz. Joe used to alternate a free piece with a more conventional piece at his concerts/club dates in order to satisfy the public but the music critics were very supportive.&lt;br /&gt;&lt;br /&gt;Hearing the music now it cannot really be described as totally 'free'.  Whilst the front line instruments enjoy a great deal of musical  freedom, the rhythm section (which surprisingly has Phil Seamen on drums) maintains a steady beat but overall the music is fresh, original and very enjoyable."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-967712313972403518?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/967712313972403518/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/10/0200-joe-harriott-free-form-flac-84613.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/967712313972403518'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/967712313972403518'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/10/0200-joe-harriott-free-form-flac-84613.html' title='0200 Joe Harriott [Free Form] FLAC 8(46.13)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-DxayRHkEIOw/Tog6p2AEvPI/AAAAAAAAAME/mVg-adiQmg8/s72-c/harriott%2B1.JPG' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8663937225282068511</id><published>2011-09-28T09:36:00.009+01:00</published><updated>2011-10-11T14:19:56.894+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Dankworth'/><title type='text'>0199 Johnny Dankworth [London To Newport] FLAC 8(47.57)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-7oK3AUxJeg4/ToLc3b35BvI/AAAAAAAAAL0/zbmhy2Ju-hA/s1600/john_dankworth-london_to_newport-lp.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 316px;" src="http://3.bp.blogspot.com/-7oK3AUxJeg4/ToLc3b35BvI/AAAAAAAAAL0/zbmhy2Ju-hA/s320/john_dankworth-london_to_newport-lp.jpg" alt="" id="BLOGGER_PHOTO_ID_5657326926863861490" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Derrick Abbott - trumpet&lt;br /&gt;Stan Palmer - trumpet&lt;br /&gt;Bob Carson - trumpet&lt;br /&gt;Kenny Wheeler - trumpet&lt;br /&gt;Dickie Hawdon - trumpet, tenor horn&lt;br /&gt;Tony Russell - trombone&lt;br /&gt;Danny Elwood - trombone&lt;br /&gt;Garry Brown - trombone&lt;br /&gt;Laurie Monk - trombone&lt;br /&gt;Ron Snyer - tuba&lt;br /&gt;Johnny Dankworth - alto, clarinet&lt;br /&gt;Danny Moss - tenor, clarinet, bass clarinet&lt;br /&gt;Alex Leslie - baritone, flute, clarinet&lt;br /&gt;Dave Lee - piano&lt;br /&gt;Eric Dawson - bass&lt;br /&gt;Kenny Clare - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Introduction by Willis Conover (2:24)&lt;br /&gt;02 Firth of Fourths (7:03)&lt;br /&gt;03 Caribe (6:01)&lt;br /&gt;04 Royal Ascot (5:39)&lt;br /&gt;05 Don't Get Around Much Anymore (4:16)&lt;br /&gt;06 Doggin' Around (4:40)&lt;br /&gt;07 Jones (8:57)&lt;br /&gt;08 Take the `A` Train (8:57)&lt;br /&gt;&lt;br /&gt;Recorded July 3 1959&lt;br /&gt;&lt;br /&gt;Top Rank 30/019&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes:&lt;br /&gt;&lt;br /&gt;This was the Band's first visit to the USA and the invitation to play at the prestigious 1959 Newport Jazz Festival was a great honour for the Band and for UK jazz. Originally recorded live at Newport by Top Rank, it had lp issues in both the USA and the UK  (albeit under different album titles) and was well received in both countries.&lt;br /&gt;This was a great Dankworth Band - one of the best - but there is, understandably, a sign of nervousness in places.  Dankworth admitted that some of the solos 'didn't come right up to form'. But overall the appearance was a great success and was followed by further US dates (including one at Birdland) and a promise of a return Birdland booking at a later date.&lt;br /&gt;FLAC with original sleeve notes and a small original US front cover.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8663937225282068511?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8663937225282068511/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0199-johnny-dankworth-london-to-newport.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8663937225282068511'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8663937225282068511'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0199-johnny-dankworth-london-to-newport.html' title='0199 Johnny Dankworth [London To Newport] FLAC 8(47.57)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-7oK3AUxJeg4/ToLc3b35BvI/AAAAAAAAAL0/zbmhy2Ju-hA/s72-c/john_dankworth-london_to_newport-lp.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4518818672794093415</id><published>2011-09-25T10:11:00.004+01:00</published><updated>2011-10-11T14:19:24.515+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenny Graham'/><title type='text'>0198 [Kenny Graham's Afro-Cubists] FLAC 2(13.44)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-OSeeNJBa2D8/Tn7whfHwctI/AAAAAAAAALk/C3rjavVhpZg/s1600/ep%2B83%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 315px;" src="http://2.bp.blogspot.com/-OSeeNJBa2D8/Tn7whfHwctI/AAAAAAAAALk/C3rjavVhpZg/s320/ep%2B83%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5656222640104305362" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Leo Wright - trumpet&lt;br /&gt;Kenny Graham - tenor&lt;br /&gt;Eddie Mordue - tenor&lt;br /&gt;Pete King - tenor&lt;br /&gt;Alan Rowe - tenor&lt;br /&gt;Bill Andrews - baritone&lt;br /&gt;Victor Feldman - vibes, conga drum&lt;br /&gt;Lennie Metcalfe - piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Kings Cross Climax (6:52)&lt;br /&gt;02 Caravan (6:52)&lt;br /&gt;&lt;br /&gt;Esquire ep 83&lt;br /&gt;&lt;br /&gt;Recorded May 6 1955&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;One long track on each side of this ep.&lt;br /&gt;&lt;br /&gt;'Kings Cross Climax' written by Graham for the Heath Band is a feature for the two percussionists. Phil Seamen and Victor Feldman.&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4518818672794093415?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4518818672794093415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0198-kenny-grahams-afro-cubists-flac.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4518818672794093415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4518818672794093415'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0198-kenny-grahams-afro-cubists-flac.html' title='0198 [Kenny Graham&apos;s Afro-Cubists] FLAC 2(13.44)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-OSeeNJBa2D8/Tn7whfHwctI/AAAAAAAAALk/C3rjavVhpZg/s72-c/ep%2B83%2Bfront.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8986896617398087181</id><published>2011-09-21T12:48:00.007+01:00</published><updated>2011-10-11T14:18:41.060+01:00</updated><title type='text'>0197 Ted Heath [Kenny Graham's Australian Suite] FLAC 4(8.55)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-WS4kdeatyxc/TnnPZxxrHsI/AAAAAAAAALU/1ECtdHxWJ0I/s1600/heath%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 316px; height: 320px;" src="http://2.bp.blogspot.com/-WS4kdeatyxc/TnnPZxxrHsI/AAAAAAAAALU/1ECtdHxWJ0I/s320/heath%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5654778848905731778" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ted Heath - leader&lt;br /&gt;Bobby Pratt - trumpet&lt;br /&gt;Bert Ezzard - trumpet&lt;br /&gt;Duncan Campbell - trumpet&lt;br /&gt;Eddie Blair - trumpet&lt;br /&gt;Don Lusher - trombone&lt;br /&gt;Wally Smith - trombone&lt;br /&gt;Ric Kennedy - trombone&lt;br /&gt;Jimmy Coombes - trombone&lt;br /&gt;Roy Willox - soprano, alto&lt;br /&gt;Les Gilbert - alto&lt;br /&gt;Danny Moss - tenor&lt;br /&gt;Henry Mckenzie - tenor, clarinet&lt;br /&gt;Ken Kiddier - baritone&lt;br /&gt;Frank Horrox - piano&lt;br /&gt;Johnny Hawksworth - bass&lt;br /&gt;Ronnie Verrell - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Kings Cross Climax (2:18)&lt;br /&gt;02 Boomerang (2:13)&lt;br /&gt;03 When a Bodgie Meets a Widgie (2:52)&lt;br /&gt;04 Dance of the Dingos (1:32)&lt;br /&gt;&lt;br /&gt;Decca ep DFE 6300&lt;br /&gt;&lt;br /&gt;Recorded February May 14 31 and June 8 1955&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;Kenny Graham wrote this suite for Ted Heath in readiness for the Band's Australian Tour in 1955. There were six movements but only four are recorded here. The other two movements did not prove popular. One was 'Kangeroo' and the other 'Lovers On Bondi Beach'.  'Kangeroo' has disappeared without trace and was never recorded.&lt;br /&gt;&lt;br /&gt;Kenny used the theme from 'Lovers...'  in another song he wrote for Heath and it was re-titled as 'Beaulieu Abbey' - sometimes just called ' The Abbey'.  Heath recorded this in 1959 on his album 'In Concert- Beaulieu Jazz Festival'  (although it was a studio recording and not recorded at the Festival. It might have been played there though). We shall hear this Beaulieu album in a later post but here are the 4 surviving titles from the 'Australian Suite'.&lt;br /&gt;&lt;br /&gt;'Kings Cross Climax' stayed in the Heath book and there is a further recording of it from Carnegie Hall in New York but the other titles fell into obscurity. Kenny Graham also recorded this title with his Afro-Cubists and this again we shall hear in another post.&lt;br /&gt;&lt;br /&gt;The sleeve note writer thought it was a piece of train music and went into raptures about steam, pistons and wheezing into a small station but he  got it completely wrong. It has nothing at all to do with trains or the mainline railway station of Kings Cross in North London, as the song is named after the bohemian entertainment district of Sydney in Australia.&lt;br /&gt;&lt;br /&gt;How wrong can you be?&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans and pdf file.&lt;br /&gt;&lt;br /&gt;Note: If anyone, perhaps in Australia, has any recordings from the tour we would very much like t ohear about them. BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8986896617398087181?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8986896617398087181/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0197-ted-heath-kenny-grahams-australian.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8986896617398087181'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8986896617398087181'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0197-ted-heath-kenny-grahams-australian.html' title='0197 Ted Heath [Kenny Graham&apos;s Australian Suite] FLAC 4(8.55)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-WS4kdeatyxc/TnnPZxxrHsI/AAAAAAAAALU/1ECtdHxWJ0I/s72-c/heath%2Bfront.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4322101267706236200</id><published>2011-09-18T09:21:00.004+01:00</published><updated>2011-10-11T14:18:16.681+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jimmy Deuchar'/><title type='text'>0196 Jimmy Deuchar [Swingin' In Studio Two and Opus De Funk] FLAC 4(27.05)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-rgs2P4CWe9w/TnWqMqh_3hI/AAAAAAAAALE/U3FuzdXGdMc/s1600/exa%2B79%2Bfront%2B%2528tracks%2B2%2Band%2B3%2529.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 309px;" src="http://1.bp.blogspot.com/-rgs2P4CWe9w/TnWqMqh_3hI/AAAAAAAAALE/U3FuzdXGdMc/s320/exa%2B79%2Bfront%2B%2528tracks%2B2%2Band%2B3%2529.jpg" alt="" id="BLOGGER_PHOTO_ID_5653612041785564690" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Deuchar - trumpet&lt;br /&gt;Derek Humble - alto&lt;br /&gt;Tubby Hayes - tenor&lt;br /&gt;Eddie Harvey - piano&lt;br /&gt;Kenny Napper - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Between the Devil and the Deep Blue Sea (6:22)&lt;br /&gt;02 Opus de Funk (7:06)&lt;br /&gt;03 Lullaby in Rhythm (7:12)&lt;br /&gt;04 Milestones (6:26)&lt;br /&gt;&lt;br /&gt;Recorded March 29 1957&lt;br /&gt;&lt;br /&gt;Tempo eps EXA 79 and 81&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;"A pair of eps issued originally on Tempo and dating from a session held on 29 March 1957. There is an opportunity to hear the great Derek Humble at some length but the other saxophonist present is no slouch either.&lt;br /&gt;&lt;br /&gt;One other title from this session,  'How Long Has This Been Going On', appeared on a Tempo compilation lp which has been published earlier on this blog.&lt;br /&gt;&lt;br /&gt;The music is a mixture of old and new standards."&lt;br /&gt;&lt;br /&gt;FLAC with booklet scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4322101267706236200?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4322101267706236200/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0196-jimmy-deuchar-swingin-in-studio.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4322101267706236200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4322101267706236200'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0196-jimmy-deuchar-swingin-in-studio.html' title='0196 Jimmy Deuchar [Swingin&apos; In Studio Two and Opus De Funk] FLAC 4(27.05)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-rgs2P4CWe9w/TnWqMqh_3hI/AAAAAAAAALE/U3FuzdXGdMc/s72-c/exa%2B79%2Bfront%2B%2528tracks%2B2%2Band%2B3%2529.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-980598207718279134</id><published>2011-09-18T09:11:00.006+01:00</published><updated>2011-10-11T14:17:35.699+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Victor Feldman'/><title type='text'>0195 Victor Feldman [Modern Jazz Quartet] FLAC 2(12.54)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-BdaOW4JJq6c/TnWoBftYgvI/AAAAAAAAAK0/56ZCp0X0h4Y/s1600/victor%2Bfeldman%2Bep%2B35%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-BdaOW4JJq6c/TnWoBftYgvI/AAAAAAAAAK0/56ZCp0X0h4Y/s320/victor%2Bfeldman%2Bep%2B35%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5653609650878710514" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Victor Feldman - vibes, conga drum&lt;br /&gt;Tommy Pollard - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 What Goes? (6:21)&lt;br /&gt;02 Monsoon (6:33)&lt;br /&gt;&lt;br /&gt;Esquire EP 35&lt;br /&gt;&lt;br /&gt;Recorded December 14 1954&lt;br /&gt;&lt;br /&gt;Contributed by azule serape, who writes:-&lt;br /&gt;&lt;br /&gt;"Feldman recorded prolifically before he left the UK for the USA and this fine session from 1954 features him on vibes with his regular quartet.&lt;br /&gt;&lt;br /&gt;Phil Seamen, who was regarded as unreliable (in the not turning up for the session sense but sometimes in the musical sense) by most of his contemporaries has the drum chair."&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans and pdf file.&lt;br /&gt;&lt;br /&gt;This is last Wednesday's post, a little late - only just realized I did not do it.&lt;br /&gt;&lt;br /&gt;However, in the New Year, after our second birthday, we are likely to reduce to one a week as material is not all that plentiful.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-980598207718279134?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/980598207718279134/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0195-victor-feldman-modern-jazz-quartet.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/980598207718279134'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/980598207718279134'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0195-victor-feldman-modern-jazz-quartet.html' title='0195 Victor Feldman [Modern Jazz Quartet] FLAC 2(12.54)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-BdaOW4JJq6c/TnWoBftYgvI/AAAAAAAAAK0/56ZCp0X0h4Y/s72-c/victor%2Bfeldman%2Bep%2B35%2Bfront.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7107585840539937456</id><published>2011-09-11T09:57:00.005+01:00</published><updated>2011-10-11T14:17:12.388+01:00</updated><title type='text'>0194 Sandy Brown [Sandy's Sidemen] FLAC 8(41.37)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-qyVW5YBTg5k/Tmx4Mjrk4CI/AAAAAAAAAKs/fcP-xjLbxqA/s1600/sandy%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 283px; height: 286px;" src="http://1.bp.blogspot.com/-qyVW5YBTg5k/Tmx4Mjrk4CI/AAAAAAAAAKs/fcP-xjLbxqA/s320/sandy%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5651023789574905890" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Al Fairweather - trumpet&lt;br /&gt;Spike Mackintosh - trumpet&lt;br /&gt;John R T Davies - trombone&lt;br /&gt;John Picard - trombone&lt;br /&gt;Dick Heckstall-Smith - soprano&lt;br /&gt;Sandy Brown - clarinet&lt;br /&gt;Alan Thomas - piano&lt;br /&gt;Dave Stevens - piano&lt;br /&gt;Diz Disley - guitar&lt;br /&gt;Mo Umansky - banjo&lt;br /&gt;Brian Parker - bass&lt;br /&gt;Graham Burbidge - drums&lt;br /&gt;Stan Greig - drums&lt;br /&gt;Bob Clarke - violin&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Nobody Met the Train (4:37)&lt;br /&gt;02 Candy Stripes (5:20)&lt;br /&gt;03 High Time (5:14)&lt;br /&gt;04 Swiss Kriss (5:09)&lt;br /&gt;05 Stay (6:20)&lt;br /&gt;06 Mouseparty (4:42)&lt;br /&gt;07 Look the Other Way (4:31)&lt;br /&gt;08 My Neck of the Woods (5:45)&lt;br /&gt;&lt;br /&gt;Tempo TAP 3&lt;br /&gt;&lt;br /&gt;Recorded May 27 1956 and June 21 1956&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes:&lt;br /&gt;&lt;br /&gt;"All the tunes are compositions by trumpeter Al Fairweather and, as the title implies, feature  the sidemen. Apart from the first track, which features the regular sidemen, invited guests then each have a solo spot on the remaining tracks."&lt;br /&gt;&lt;br /&gt;FLAC with small front cover picture and track/personnel details and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7107585840539937456?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7107585840539937456/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0194-sandy-brown-sandys-sidemen-flac.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7107585840539937456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7107585840539937456'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0194-sandy-brown-sandys-sidemen-flac.html' title='0194 Sandy Brown [Sandy&apos;s Sidemen] FLAC 8(41.37)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-qyVW5YBTg5k/Tmx4Mjrk4CI/AAAAAAAAAKs/fcP-xjLbxqA/s72-c/sandy%2Bfront.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5689016594809237734</id><published>2011-09-07T07:39:00.004+01:00</published><updated>2011-10-11T14:16:52.100+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Joe Harriott'/><title type='text'>0193 Joe Harriott [No Strings] FLAC 4(12.40)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-v7tkelfrTVU/TmcRx1_3IGI/AAAAAAAAAKk/S9rwkzWtwUw/s1600/no%2Bstrings%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://4.bp.blogspot.com/-v7tkelfrTVU/TmcRx1_3IGI/AAAAAAAAAKk/S9rwkzWtwUw/s320/no%2Bstrings%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5649503805565771874" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Max Harris - piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Just Goofin' (2:02)&lt;br /&gt;02 Everything Happens to Me (4:44)&lt;br /&gt;03 Just Friends (2:42)&lt;br /&gt;04 Joe's Blues (3:13)&lt;br /&gt;&lt;br /&gt;Recorded August 24 1955&lt;br /&gt;&lt;br /&gt;Nixa NJE 1003 (ep)&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;A reference to his ep 'With Strings' recorded a few months earlier but this is Joe just with his working Quartet playing two standards and two of his originals. Fine stuff indeed.&lt;br /&gt;&lt;br /&gt;FLAC with cover picture, track details and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5689016594809237734?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5689016594809237734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0193-joe-harriott-no-strings-flac-41240.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5689016594809237734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5689016594809237734'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0193-joe-harriott-no-strings-flac-41240.html' title='0193 Joe Harriott [No Strings] FLAC 4(12.40)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-v7tkelfrTVU/TmcRx1_3IGI/AAAAAAAAAKk/S9rwkzWtwUw/s72-c/no%2Bstrings%2Bfront.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8161704144596295675</id><published>2011-09-04T07:26:00.003+01:00</published><updated>2011-10-11T14:16:30.922+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Don Rendell'/><title type='text'>0192 Don Rendell [Presents the Jazz Six] FLAC 9(42.13)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-FW_L0z-3Mpw/TmMabDLHRTI/AAAAAAAAAKc/RVEZu4_2FKA/s1600/Cover%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 309px; height: 320px;" src="http://1.bp.blogspot.com/-FW_L0z-3Mpw/TmMabDLHRTI/AAAAAAAAAKc/RVEZu4_2FKA/s320/Cover%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5648387409663444274" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Kenny Wheeler - trumpet&lt;br /&gt;Bert Courtley - trumpet&lt;br /&gt;Ronnie Ross - alto, baritone&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Ken Moule - piano&lt;br /&gt;Pete Blannin - bass&lt;br /&gt;Arthur Watts - bass&lt;br /&gt;Don Lawson - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 I Saw Stars (4:07)&lt;br /&gt;02 The Ignis Fatuus Suite 1. Jack o' Lantern (4:34)&lt;br /&gt;03 The Ignis Fatuus Suite 2. Will o' the Wisp (5:55)&lt;br /&gt;04 The Ignis Fatuus Suite 3. Ignis Fatuus (6:47)&lt;br /&gt;05 Star Eyes (4:21)&lt;br /&gt;06 I Know Why (5:09)&lt;br /&gt;07 Taking a Chance on Love (4:17)&lt;br /&gt;08 Limehouse Blues (3:48)&lt;br /&gt;09 Out of Nowhere (3:14)&lt;br /&gt;&lt;br /&gt;Recorded January 15, 18, 31 1957&lt;br /&gt;&lt;br /&gt;Nixa NJL7&lt;br /&gt;&lt;br /&gt;Contributed by delmonico and yewsta who write:&lt;br /&gt;&lt;br /&gt;"Tuneful outings by the groups here, swinging nicely and displaying to great advantage the attractive arrangements. "The Jazz Six" was a name suggested by Alun Morgan, the prominent jazz writer and critic.&lt;br /&gt;&lt;br /&gt;The Jazz Six lasted for about four years."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8161704144596295675?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8161704144596295675/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/09/0192-don-rendell-presents-jazz-six-flac.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8161704144596295675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8161704144596295675'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/09/0192-don-rendell-presents-jazz-six-flac.html' title='0192 Don Rendell [Presents the Jazz Six] FLAC 9(42.13)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-FW_L0z-3Mpw/TmMabDLHRTI/AAAAAAAAAKc/RVEZu4_2FKA/s72-c/Cover%2Bfront.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3820587107738828775</id><published>2011-08-31T09:16:00.004+01:00</published><updated>2011-10-11T14:16:11.730+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenny Baker'/><title type='text'>0191 Kenny Baker [The Kenny Baker Quartet] FLAC 4(11.05)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-qLvd_d54TpA/Tl3uNP2cwAI/AAAAAAAAAKE/lWB_iTw3xHw/s1600/baker%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 319px; height: 320px;" src="http://4.bp.blogspot.com/-qLvd_d54TpA/Tl3uNP2cwAI/AAAAAAAAAKE/lWB_iTw3xHw/s320/baker%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5646931419153088514" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;Stan Tracey - piano&lt;br /&gt;Cliff Ball - bass&lt;br /&gt;Don Lawson - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Hayfoot, Strawfoot (2:46)&lt;br /&gt;02 The Continental (2:43)&lt;br /&gt;03 That's My Desire (3:02)&lt;br /&gt;04 Stompin' at the Savoy (2:33)&lt;br /&gt;&lt;br /&gt;Parlophone ep GEP 8658&lt;br /&gt;&lt;br /&gt;Recorded October 15 1953&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes:&lt;br /&gt;&lt;br /&gt;Kenny heard here with a quartet including Stan Tracey on piano in 1953.&lt;br /&gt;&lt;br /&gt;FLAC with cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3820587107738828775?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3820587107738828775/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/kenny-baker-kenny-baker-quartet-flac.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3820587107738828775'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3820587107738828775'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/kenny-baker-kenny-baker-quartet-flac.html' title='0191 Kenny Baker [The Kenny Baker Quartet] FLAC 4(11.05)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-qLvd_d54TpA/Tl3uNP2cwAI/AAAAAAAAAKE/lWB_iTw3xHw/s72-c/baker%2Bfront.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2057201787205537458</id><published>2011-08-28T09:13:00.005+01:00</published><updated>2011-10-11T14:15:35.441+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Reg Owen'/><title type='text'>0190 Reg Owen [Swing Me High] FLAC 12(30.28)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-u1zlahv-2CM/Tln5BWTCf9I/AAAAAAAAAJ0/S-EJUhBbwiQ/s1600/swing%2Bhigh%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 317px; height: 320px;" src="http://3.bp.blogspot.com/-u1zlahv-2CM/Tln5BWTCf9I/AAAAAAAAAJ0/S-EJUhBbwiQ/s320/swing%2Bhigh%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5645817409446248402" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Stan Roderick - trumpet&lt;br /&gt;Jimmy Watson - trumpet&lt;br /&gt;Tommy McQuater - trumpet&lt;br /&gt;Moe Miller - trumpet&lt;br /&gt;Laddie Busby - trombone&lt;br /&gt;Jackie Armstrong - trombone&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Ken Goldie - trombone&lt;br /&gt;Bob Burns - alto&lt;br /&gt;Bill Povey - alto&lt;br /&gt;Keith Bird - tenor&lt;br /&gt;Frank Reidy - tenor&lt;br /&gt;Al Baum - baritone&lt;br /&gt;Max Harris - piano&lt;br /&gt;Bert Weedon - guitar&lt;br /&gt;Joe Muddel - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;Bobby Midgley - percussion&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Swing Me High (2:25)&lt;br /&gt;02 Soho Blues (3:12)&lt;br /&gt;03 Slow Train Blues (2:33)&lt;br /&gt;04 Pushin' (2:19)&lt;br /&gt;05 Sweepin' the Floor (2:06)&lt;br /&gt;06 Scotch on the Rocks (2:16)&lt;br /&gt;07 Sinbad (2:20)&lt;br /&gt;08 Babylone Blues (2:50)&lt;br /&gt;09 Madwalk (2:30)&lt;br /&gt;10 Sunset Strip (2:34)&lt;br /&gt;11 Easy Now (2:43)&lt;br /&gt;12 Harlem Swing (2:40)&lt;br /&gt;&lt;br /&gt;Bally BAL-12006&lt;br /&gt;&lt;br /&gt;Recorded 1957/1958&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;"Reg Owen is perhaps better known as a composer/arranger although he worked as a saxophonist with the Ted Heath Orchestra between 1945 and 1950 and was later a staff arranger with that band.&lt;br /&gt;He also wrote and arranged for many of the band leaders during the 1950s and later and his recording of 'Manhattan Spiritual' (not on this record) enjoyed some commercial success when released as a single.&lt;br /&gt;His excursions into jazz were few, so this big band containing some well known jazz names and swung along by Phil Seamen is a real treat. The recording date is not given but it is thought to be from the 1957/1958 period.&lt;br /&gt;He died in Spain in 1978 aged 62."&lt;br /&gt;&lt;br /&gt;FLAC with cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2057201787205537458?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2057201787205537458/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/reg-owen-swing-me-high-flac-123028.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2057201787205537458'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2057201787205537458'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/reg-owen-swing-me-high-flac-123028.html' title='0190 Reg Owen [Swing Me High] FLAC 12(30.28)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-u1zlahv-2CM/Tln5BWTCf9I/AAAAAAAAAJ0/S-EJUhBbwiQ/s72-c/swing%2Bhigh%2Bfront.JPG' height='72' width='72'/><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7784935190947522124</id><published>2011-08-24T08:49:00.003+01:00</published><updated>2011-10-11T14:15:13.249+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenny Graham'/><category scheme='http://www.blogger.com/atom/ns#' term='Victor Feldman'/><title type='text'>0189 Victor Feldman Kenny Graham [Experiment In Time] FLAC 4(21.32)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-89NiwgAMy3c/TlSubwJxn1I/AAAAAAAAAJk/4zDYyewCAwg/s1600/time%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-89NiwgAMy3c/TlSubwJxn1I/AAAAAAAAAJk/4zDYyewCAwg/s320/time%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5644328024807677778" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Kenny Graham - tenor&lt;br /&gt;Victor Feldman - vibes, piano, drums, conga&lt;br /&gt;Phil Seamen - vibes, drums, timbales&lt;br /&gt;Ray Dempsey - guitar&lt;br /&gt;Eric Peter - bass&lt;br /&gt;Dizzy Reece - conga&lt;br /&gt;Barry Morgan - maracas, timbales&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Mogambo (5:00)&lt;br /&gt;02 Keep Happy (6:03)&lt;br /&gt;03 Algo Bueno (5:32)&lt;br /&gt;04 S.O.S. (4:57)&lt;br /&gt;&lt;br /&gt;Esquire 10" lp - 20-064&lt;br /&gt;&lt;br /&gt;Recorded May 8 1955&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;Esquire claimed that this music broke new ground and it certainly provides some interesting variations on 'time'. There is even a little of what sounds like free blowing in places by Kenny Graham.&lt;br /&gt;&lt;br /&gt;Dizzy Reece has a very minor role here playing conga drums and Phil Seamen, who seems to appear on most of BritJazz posts, not only plays drums but vibes too and that must be a first.&lt;br /&gt;&lt;br /&gt;Not wholly successful - S.O.S. is tedious and repetitive but Esquire must be congratulated for recording this session back in 1955 which would perhaps not have had the same commercial appeal as other recordings by this label.  Is this maybe why it has never been re-issued in any format?&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7784935190947522124?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7784935190947522124/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/0189-victor-feldman-kenny-graham.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7784935190947522124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7784935190947522124'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/0189-victor-feldman-kenny-graham.html' title='0189 Victor Feldman Kenny Graham [Experiment In Time] FLAC 4(21.32)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-89NiwgAMy3c/TlSubwJxn1I/AAAAAAAAAJk/4zDYyewCAwg/s72-c/time%2Bfront.JPG' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5115186542906735874</id><published>2011-08-17T08:48:00.006+01:00</published><updated>2011-10-11T14:14:31.344+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Crombie'/><title type='text'>0187 Tony Crombie [And His Orchestra] FLAC 4(10.33)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-YXBJ-F4UeF4/TktzsBMecTI/AAAAAAAAAJE/1vR90JaMick/s1600/6247%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://4.bp.blogspot.com/-YXBJ-F4UeF4/TktzsBMecTI/AAAAAAAAAJE/1vR90JaMick/s320/6247%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5641730158283878706" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dizzy Reece - trumpet&lt;br /&gt;Les Condon - trumpet&lt;br /&gt;Joe Temperley - tenor&lt;br /&gt;Sammy Walker - tenor&lt;br /&gt;Lennie Dawes - baritone&lt;br /&gt;Harry South - piano&lt;br /&gt;Ashley Kozac - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;Annie Ross - vocals&lt;br /&gt;Bobby Breen - vocals&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Stop It&lt;br /&gt;02 All of Me&lt;br /&gt;03 Perdido&lt;br /&gt;04 Love You Madly&lt;br /&gt;&lt;br /&gt;Decca ep DFE 6247&lt;br /&gt;&lt;br /&gt;Recorded 1954&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes:&lt;br /&gt;&lt;br /&gt;Tony Crombie was a man of many parts, early bebopper and Club 11 Founder member, big band leader, rock and roll star and writer of film and TV music. Here he leads a fine big band from 1954 with vocalists Annie Ross and Bobby Breen having a song apiece. Bobby had a long career in music and sang with all the best musicians. Unusually for a singer he had a rather endearing pronounced lisp but it didn't prevent him from tackling those songs which, in theory, should have been a nightmare for him. The following extract from 'Dave Corsby-Jazz Notes' illustrates this well:&lt;br /&gt;&lt;br /&gt;'TV South had an evening local news programme and every month or so the producer used to feature a jazz spot. Their small studio in Dover only had two cameras so one was used for close ups and the other moved around taking long shots from different angles. West Indian singer Bobby Breen was the guest. Bobby who had a lisp chose to sing "Route Thixty Thix" and "Like Thomeone in Luth". After a talk through in the pub which lasted from eleven to three we returned to record the two songs and interview in one continuous take ready for unedited transmission at six. The first take was too long. The second take was fine but unusable because in the interview Bobby was asked to what he owed his success and answered "draft Guinneth". The next take was great. Everyone played well and in my four bar solo break everything came off better than intended. Unfortunately the distance cameraman slipped on a cable and came up with a shot of Bobby Breen's boots. By this time we were running short of film and time. The final take was relatively tame as everybody played safe. But an enduring memory is Bobby singing "Lately I find mythelth gathing at thtarth, hearing guitarth like thomone in luth". '&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5115186542906735874?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5115186542906735874/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/0187-tony-crombie-and-his-orchestra.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5115186542906735874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5115186542906735874'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/0187-tony-crombie-and-his-orchestra.html' title='0187 Tony Crombie [And His Orchestra] FLAC 4(10.33)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-YXBJ-F4UeF4/TktzsBMecTI/AAAAAAAAAJE/1vR90JaMick/s72-c/6247%2Bfront.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7954050933587670261</id><published>2011-08-14T07:58:00.007+01:00</published><updated>2011-10-11T14:13:56.693+01:00</updated><title type='text'>0186 Johnny Dankworth and Ronnie Scott [Bop at Club 11] FLAC 13(55.41)</title><content type='html'>&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/-9LG6xHlq3wo/TkdyYaP6SvI/AAAAAAAAAI0/BEkWgWWAoQw/s1600/Cover%2B-%2Bfront-jpeg.jpg"&gt;&lt;img style="MARGIN: 0px 10px 10px 0px; WIDTH: 317px; FLOAT: left; HEIGHT: 320px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5640602821993319154" alt="" src="http://1.bp.blogspot.com/-9LG6xHlq3wo/TkdyYaP6SvI/AAAAAAAAAI0/BEkWgWWAoQw/s320/Cover%2B-%2Bfront-jpeg.jpg" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dennis Rose - trumpet&lt;br /&gt;John Dankworth - alto&lt;br /&gt;Johnny Rogers - alto&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Tommy Pollard - piano&lt;br /&gt;Norman Stenfalt - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Joe Muddel - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;Ginger Johnson - bongos&lt;br /&gt;Laurie Morgan - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Wee Dot (2:55)&lt;br /&gt;02 Coquette (2:33)&lt;br /&gt;03 52nd Street Theme (4:40)&lt;br /&gt;04 Bremavin (3:36)&lt;br /&gt;05 Lover Man (3:39)&lt;br /&gt;06 Ow! (4:59)&lt;br /&gt;07 Don't Blame Me (5:17)&lt;br /&gt;08 Second Eleven (4:43)&lt;br /&gt;09 Body and Soul (3:53)&lt;br /&gt;10 Stoned (4:00)&lt;br /&gt;11 Scrapple from the Apple (6:49)&lt;br /&gt;12 A Night in Tunisia (3:59)&lt;br /&gt;13 Donna Lee (4:06)&lt;br /&gt;&lt;br /&gt;Esquire 315&lt;br /&gt;&lt;br /&gt;Recorded April 9 1949&lt;br /&gt;&lt;br /&gt;Contributed by Blue Prince, who writes:&lt;br /&gt;&lt;br /&gt;"A concert featuring these two groups on 9 April 1949 at St. George Hall, London and recorded live by Carlo Krahmer for his Esquire label.  Krahmer's disc recording equipment was primitive and the results reflect this but it was an historic occasion for British jazz - one of the earliest live Bop recordings."&lt;br /&gt;&lt;br /&gt;Flac with LP cover scans and pdf file.&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7954050933587670261?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7954050933587670261/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/0186-johnny-dankworth-and-ronnie-scott.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7954050933587670261'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7954050933587670261'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/0186-johnny-dankworth-and-ronnie-scott.html' title='0186 Johnny Dankworth and Ronnie Scott [Bop at Club 11] FLAC 13(55.41)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-9LG6xHlq3wo/TkdyYaP6SvI/AAAAAAAAAI0/BEkWgWWAoQw/s72-c/Cover%2B-%2Bfront-jpeg.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2290402507542826415</id><published>2011-08-10T06:38:00.002+01:00</published><updated>2011-10-11T14:13:22.097+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bertie King'/><category scheme='http://www.blogger.com/atom/ns#' term='Kenny Baker'/><title type='text'>0185 Bertie King &amp; Kenny Baker [Symphony in Riffs] FLAC 1(10.27)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-cwXaB4Sk__c/TkIZuRncAXI/AAAAAAAAAIk/hs0AKmxCcHc/s1600/bertie%2Bking%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://2.bp.blogspot.com/-cwXaB4Sk__c/TkIZuRncAXI/AAAAAAAAAIk/hs0AKmxCcHc/s320/bertie%2Bking%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5639097966214775154" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Bertie King - alto&lt;br /&gt;Jimmy Skidmore - tenor&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Vic Ash - clarinet&lt;br /&gt;Dill Jones - piano&lt;br /&gt;Bill Le Sage - accordion&lt;br /&gt;Cedric West - guitar&lt;br /&gt;Frank Clarke - bass&lt;br /&gt;Eddie Taylor - drums&lt;br /&gt;&lt;br /&gt;Track:&lt;br /&gt;01 Symphony In Riffs (10:27)&lt;br /&gt;&lt;br /&gt;Nixa ep NJE 1006&lt;br /&gt;&lt;br /&gt;Recorded April 20 1955&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;"This is an extended Benny Carter composition which occupies both sides of the ep and features mainly the alto of Bertie King although there are other big names present in the group. There are solos by others and they are listed on the back of the sleeve."&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2290402507542826415?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2290402507542826415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/0185-bertie-king-kenny-baker-symphony.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2290402507542826415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2290402507542826415'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/0185-bertie-king-kenny-baker-symphony.html' title='0185 Bertie King &amp; Kenny Baker [Symphony in Riffs] FLAC 1(10.27)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-cwXaB4Sk__c/TkIZuRncAXI/AAAAAAAAAIk/hs0AKmxCcHc/s72-c/bertie%2Bking%2Bfront.JPG' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6551417423096537066</id><published>2011-08-07T09:24:00.004+01:00</published><updated>2011-10-11T14:12:59.935+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ken Colyer'/><title type='text'>0184 Ken Colyer [Back to the Delta] 320 9(28.27)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-fxoKfOd3uQU/Tj5L2DyGTUI/AAAAAAAAAIU/3_sscivYO-0/s1600/001.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 306px;" src="http://3.bp.blogspot.com/-fxoKfOd3uQU/Tj5L2DyGTUI/AAAAAAAAAIU/3_sscivYO-0/s320/001.jpg" alt="" id="BLOGGER_PHOTO_ID_5638027175614893378" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ken Colyer - trumpet, guitar, vocals&lt;br /&gt;Ed O'Donnell - trombone&lt;br /&gt;Bernard Bilk - clarinet&lt;br /&gt;Diz Disley - banjo&lt;br /&gt;Alexis Korner - mandolin, vocals&lt;br /&gt;Dick Smith - bass&lt;br /&gt;Mickey Ashman - bass&lt;br /&gt;Bill Colyer - washboard&lt;br /&gt;Stan Greig - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Sing On (3:05)&lt;br /&gt;02 Lord Lord Lord You Sure Been Good to Me (2:46)&lt;br /&gt;03 Faraway Blues (4:43)&lt;br /&gt;04 Moose March (2:50)&lt;br /&gt;05 Midnight Special (2:51)&lt;br /&gt;06 Casey Jones (2:38)&lt;br /&gt;07 K C Moan (3:02)&lt;br /&gt;08 Saturday Night Function (3:59)&lt;br /&gt;09 Shim-Me-Sha-Wabble (2:34)&lt;br /&gt;&lt;br /&gt;Recorded June 25 and September 10 1954&lt;br /&gt;&lt;br /&gt;MP3 320. Front and back covers but the back is in German and not too legible. Pdf file.&lt;br /&gt;&lt;br /&gt;Contributed by beezer.&lt;br /&gt;&lt;br /&gt;"Ken was of major historic importance in the British post-1945 discovery of New Orleans traditional music. It may seem a long way from Ken to the likes of the Beatles and the Rolling Stones, but he helped paved the way for the rediscovery of the Blues and all that went with that."&lt;br /&gt;LondonLouis&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6551417423096537066?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6551417423096537066/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/0184-ken-colyer-back-to-delta-320-92827.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6551417423096537066'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6551417423096537066'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/0184-ken-colyer-back-to-delta-320-92827.html' title='0184 Ken Colyer [Back to the Delta] 320 9(28.27)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-fxoKfOd3uQU/Tj5L2DyGTUI/AAAAAAAAAIU/3_sscivYO-0/s72-c/001.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6337075041426013401</id><published>2011-08-03T08:55:00.003+01:00</published><updated>2011-10-11T14:12:39.643+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Kinsey'/><title type='text'>0183 Tony Kinsey [The 78s] FLAC 4(12.37)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-QOvDv9RAVZ0/Tjj_LFV2_wI/AAAAAAAAAIM/15ZAQjVE0Go/s1600/TK%2Btrio%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://1.bp.blogspot.com/-QOvDv9RAVZ0/Tjj_LFV2_wI/AAAAAAAAAIM/15ZAQjVE0Go/s320/TK%2Btrio%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5636535499531681538" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Bill Le Sage - vibes, piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Tony Kinsey - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Jump for Me (3:10)&lt;br /&gt;02 Can't We Be Friends (3:19)&lt;br /&gt;03 Raymond (3:17)&lt;br /&gt;04 Nice Work If You Can Get It (2:51)&lt;br /&gt;&lt;br /&gt;Recorded September 22 1954&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;"Four more titles from this group recorded for Esquire&lt;br /&gt;and previously issued on 78s and a long out-of-print&lt;br /&gt;Esquire re-issue lp. This really was a superb little&lt;br /&gt;group and I think we have now heard all their known&lt;br /&gt;recordings where they play together. Joe Harriott never disappoints."&lt;br /&gt;&lt;br /&gt;FLAC with 'cover picture' and track details. Pdf by Doc Sausage&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6337075041426013401?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6337075041426013401/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/08/0183-tony-kinsey-78s-flac-41237.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6337075041426013401'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6337075041426013401'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/08/0183-tony-kinsey-78s-flac-41237.html' title='0183 Tony Kinsey [The 78s] FLAC 4(12.37)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-QOvDv9RAVZ0/Tjj_LFV2_wI/AAAAAAAAAIM/15ZAQjVE0Go/s72-c/TK%2Btrio%2Bfront.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6038113565232801993</id><published>2011-07-31T17:10:00.007+01:00</published><updated>2011-10-11T14:12:20.648+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Don Rendell'/><title type='text'>0182 Don Rendell [Playtime] FLAC 10(43.38)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-lCFXU06Cs-A/TjV-u9n_FuI/AAAAAAAAAH8/usuL1Zzavxg/s1600/cover%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-lCFXU06Cs-A/TjV-u9n_FuI/AAAAAAAAAH8/usuL1Zzavxg/s320/cover%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5635549854005401314" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Bert Courtley - trumpet&lt;br /&gt;Eddie Harvey - valve trombone, piano&lt;br /&gt;Ronnie Ross - alto, baritone&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Pete Blannin - bass&lt;br /&gt;Andy White - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Hit the Road to Dreamland (Harold Arlen/Johnny Mercer) (4:44)&lt;br /&gt;02 Packet of Blues (Bert Courtley) (5:38)&lt;br /&gt;03 My Friend Tom (Don Rendell) (4:12)&lt;br /&gt;04 It's Playtime (Don Rendell) (3:51)&lt;br /&gt;05 Tickle Toe (Lester Young) (3:11)&lt;br /&gt;06 The Lady is a Tramp (Richard Rodgers/Lorenz Hart) (5:11)&lt;br /&gt;07 Dolly Mixture (Ronnie Ross) (4:24)&lt;br /&gt;08 This can't be Love (Richard Rodgers/Lorenz Hart) (3:40)&lt;br /&gt;09 By-pass (Eddie Harvey) (4:06)&lt;br /&gt;10 Johnny Come Lately (Billy Strayhorn) (3:49)&lt;br /&gt;&lt;br /&gt;Decca LK4265&lt;br /&gt;&lt;br /&gt;Recorded March 13, 14 1958 London&lt;br /&gt;&lt;br /&gt;Contributed by delmonico and yewsta&lt;br /&gt;&lt;br /&gt;The leader did most of the writing for this group but there is plenty of material by the sidemen too, both compositions and arrangements. The group cohesion is exceptional in the ensemble passages and the soloing is of a high standard throughout.&lt;br /&gt;&lt;br /&gt;Pdf is by Doc Sausage.&lt;br /&gt;&lt;br /&gt;BJ&lt;br /&gt;&lt;br /&gt;"This is the best record by the best of Don Rendell's bands. Unfortunately the group is no longer in existence and its absence from the local round of club dates has been regrettable in the extreme. If it is possible to produce an identifiably British style of jazz which is at once fresh, inventive, swinging and tasteful, then the music heard here is perhaps the best answer to the problem. Never vulgar or insincere, it is nevertheless virile and ideally suited to the performers. An important factor is that the arrangements were written by members of the band, each man being familiar with the capabilities and temperaments of his fellows. Bert Courtley's Packet Of Blues is a case in point, with the group providing an ideal setting for Bert's Clark Terry-like trumpet. (A beautifully played accelerando passage by the full ensemble is a particularly noteworthy part of the arrangement.) Don is his usual consistent self, his control exemplary and his use of dynamics always intelligently interpolated. Ronnie Ross plays excellent baritone on most of the tracks, but he takes a good alto solo on This Can't Be Love. Eddie Harvey performs on valve trombone and piano with equal facility. Bass player Pete Blannin and drummer Andy White (the most suitable drummer to have played with Rendell since the departure of Don Lawson) complete the personnel. The informative sleeve notes are by the leader."&lt;br /&gt;&lt;br /&gt;Gramophone October 1958&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6038113565232801993?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6038113565232801993/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/07/0180-don-rendell-playtime-flac-104338.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6038113565232801993'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6038113565232801993'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/07/0180-don-rendell-playtime-flac-104338.html' title='0182 Don Rendell [Playtime] FLAC 10(43.38)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-lCFXU06Cs-A/TjV-u9n_FuI/AAAAAAAAAH8/usuL1Zzavxg/s72-c/cover%2Bfront.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3764389030314237875</id><published>2011-07-27T08:45:00.003+01:00</published><updated>2011-10-11T14:11:55.419+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ronnie Scott'/><title type='text'>0181 Ronnie Scott [Ronnie Scott Orchestra Esquire EP 81] FLAC 4(11.00)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-ttHKvM3GOnQ/Ti_Cjyr07eI/AAAAAAAAAHs/Xmq0o4mkEUo/s1600/scott%2Bep%2B81%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://1.bp.blogspot.com/-ttHKvM3GOnQ/Ti_Cjyr07eI/AAAAAAAAAHs/Xmq0o4mkEUo/s320/scott%2Bep%2B81%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5633935579020586466" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Hank Shaw - trumpet&lt;br /&gt;Ken Wray - trombone&lt;br /&gt;Derek Humble - alto&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Pete King - tenor&lt;br /&gt;Benny Green - baritone&lt;br /&gt;Victor Feldman - vibes, piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 S'il Vous Plait&lt;br /&gt;02 Pearl&lt;br /&gt;03 This Heart of Mine&lt;br /&gt;04 Jordu&lt;br /&gt;&lt;br /&gt;Recorded April 13 1955&lt;br /&gt;&lt;br /&gt;This is posted in response to a request from a stalwart supporter of the blog who is particularly interested in the John Lewis composition "S'il Vous Plait". We hope he enjoys the rest of the session too.&lt;br /&gt;&lt;br /&gt;Another new contributor from whom we hope to post more such gems later. Let's hear a resounding welcome for her. BJ&lt;br /&gt;&lt;br /&gt;Contributed by bellawoods, who writes:&lt;br /&gt;&lt;br /&gt;"This is last recording session of the Ronnie Scott nine piece Orchestra from April 1955. By this time, Ronnie was moving away from his Lester Young sound and sounds very 'modern' here. A great band with few recordings and a nice version of John Lewis' 'Sil Vous Plait' which seems to be the only other recording of this tune since Lewis wrote and played it in the Miles Davis Nonet back in 1949.&lt;br /&gt;&lt;br /&gt;Phil Seamen, who seemed to be on everyone's recordings in the 1950s, drives the band along with his usual verve."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3764389030314237875?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3764389030314237875/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/07/0181-ronnie-scott-ronnie-scott.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3764389030314237875'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3764389030314237875'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/07/0181-ronnie-scott-ronnie-scott.html' title='0181 Ronnie Scott [Ronnie Scott Orchestra Esquire EP 81] FLAC 4(11.00)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-ttHKvM3GOnQ/Ti_Cjyr07eI/AAAAAAAAAHs/Xmq0o4mkEUo/s72-c/scott%2Bep%2B81%2Bfront.jpg' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4464790796028996341</id><published>2011-07-24T08:39:00.009+01:00</published><updated>2011-10-11T14:11:31.560+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ottilie Patterson'/><title type='text'>0180 Ottilie Patterson [With Chris Barber's Jazzband 1955-1958] FLAC 18(1.02.26)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-Jdmb-Bje9qU/TivMsYhnTyI/AAAAAAAAAHc/lR1QS7l9Uy0/s1600/front%2B001.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-Jdmb-Bje9qU/TivMsYhnTyI/AAAAAAAAAHc/lR1QS7l9Uy0/s320/front%2B001.jpg" alt="" id="BLOGGER_PHOTO_ID_5632820821826686754" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Pat Halcox - cornet&lt;br /&gt;Chris Barber - trombone&lt;br /&gt;Monty Sunshine - clarinet&lt;br /&gt;Johnny Duncun - guitar&lt;br /&gt;Lonnie |Donegan - banjo&lt;br /&gt;Dick Bishop - banjo&lt;br /&gt;Eddie Smith - banjo&lt;br /&gt;Jim Bray - bass&lt;br /&gt;Micky Ashman - bass&lt;br /&gt;Dick Smith - bass&lt;br /&gt;Graham Burbidge - drums&lt;br /&gt;Ron Bowden - drums&lt;br /&gt;Ottilie Patterson - vocal&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Poor Man's Blues&lt;br /&gt;02 Make Me a Pallet on the Floor&lt;br /&gt;03 Trouble in Mind&lt;br /&gt;04 Careless Love&lt;br /&gt;05 I Wish I Could Shimmy Like My Sister Kate&lt;br /&gt;06 Ugly Child&lt;br /&gt;07 I Can't Give You Anything But Love&lt;br /&gt;08 New St Louis Blues&lt;br /&gt;09 Beale St Blues&lt;br /&gt;10 'Taint No Sin&lt;br /&gt;11 Jailhouse Blues&lt;br /&gt;12 Shipwreck Blues&lt;br /&gt;13 Lowland Blues&lt;br /&gt;14 I Love My Baby&lt;br /&gt;15 Kay Cee Rider&lt;br /&gt;16 Just a Closer Walk with Thee&lt;br /&gt;17 Trombone Cholly&lt;br /&gt;18 Lawdy Lawdy Blues&lt;br /&gt;&lt;br /&gt;Recorded 1955 to 1958&lt;br /&gt;&lt;br /&gt;Contributed by Piers. We are posting this album here as a tribute to Ottilie Patterson who sadly passed away recently. A visitor reminded us that her passing had not been marked at this blog. The item has been posted on another blog and Piers has kindly given permission for it to be duplicated here.&lt;br /&gt;&lt;br /&gt;An excellent obituary can be read &lt;a href="http://www.independent.co.uk/news/obituaries/ottilie-patterson-singer-with-the-chris-barber-band-who-proved-that-britons-could-sing-the-blues-2306211.html"&gt;&lt;span style="text-decoration: underline;"&gt;here&lt;/span&gt;&lt;/a&gt;  BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4464790796028996341?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4464790796028996341/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/07/ottilie-patterson-with-chris-barbers.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4464790796028996341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4464790796028996341'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/07/ottilie-patterson-with-chris-barbers.html' title='0180 Ottilie Patterson [With Chris Barber&apos;s Jazzband 1955-1958] FLAC 18(1.02.26)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Jdmb-Bje9qU/TivMsYhnTyI/AAAAAAAAAHc/lR1QS7l9Uy0/s72-c/front%2B001.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1846406917501001412</id><published>2011-07-20T11:00:00.008+01:00</published><updated>2011-10-11T14:11:10.814+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Joe Harriott'/><title type='text'>0179 Joe Harriott [Joe Harriott With Strings] FLAC 2(9.00)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-6ExxnE-W5qU/Tiand2IqtaI/AAAAAAAAAHU/uRgZu1pKeRs/s1600/strings%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 256px; height: 256px;" src="http://2.bp.blogspot.com/-6ExxnE-W5qU/Tiand2IqtaI/AAAAAAAAAHU/uRgZu1pKeRs/s320/strings%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5631372515263296930" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Max Harris - piano&lt;br /&gt;Maria Korchinsky - harp&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;Dave McCullum - violin&lt;br /&gt;Sid Camine - violin&lt;br /&gt;David Katz - violin&lt;br /&gt;Louis Rosin - viola&lt;br /&gt;Fred Alexander - cello&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 I'll Remember April (3:53)&lt;br /&gt;02 Easy to Love (5:07)&lt;br /&gt;&lt;br /&gt;JTE 106 (ep)&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes&lt;br /&gt;&lt;br /&gt;"A two track ep featuring Joe's Quartet with strings from 1955. This seems to have been the badge of respectability back then - if you played with strings then you were a legitimate musician.&lt;br /&gt;The only person who pulled it off that I can recall was Stan Getz and Eddie Sauter with 'Focus'. Everybody else played nicely, stuck to the melody and nothing too exciting happened.&lt;br /&gt;Joe is no exception here - but Joe could play anything with anybody and still sound good."&lt;br /&gt;&lt;br /&gt;Recorded May 27 1955&lt;br /&gt;&lt;br /&gt;FLAC with cover picture, track details and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1846406917501001412?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1846406917501001412/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/07/0179-joe-harriott-joe-harriott-with.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1846406917501001412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1846406917501001412'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/07/0179-joe-harriott-joe-harriott-with.html' title='0179 Joe Harriott [Joe Harriott With Strings] FLAC 2(9.00)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-6ExxnE-W5qU/Tiand2IqtaI/AAAAAAAAAHU/uRgZu1pKeRs/s72-c/strings%2Bfront.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6260166176786578074</id><published>2011-07-17T08:16:00.007+01:00</published><updated>2011-10-11T14:10:52.720+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ted Heath'/><title type='text'>0178 Ted Heath [Ted Heath's 100th London Palladium Sunday Concert] FLAC 11(32.34)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-k6PDM3DsWKo/TiKMv64jfHI/AAAAAAAAAHE/xZ4kzuxeOEU/s1600/Ted-Heath-%2BLP100%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-k6PDM3DsWKo/TiKMv64jfHI/AAAAAAAAAHE/xZ4kzuxeOEU/s320/Ted-Heath-%2BLP100%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5630217239054744690" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ted Heath - leader&lt;br /&gt;Bobby Pratt - trumpet&lt;br /&gt;Duncan Campbell - trumpet&lt;br /&gt;Stan Reynolds - trumpet&lt;br /&gt;Ronnie Hughes - trumpet&lt;br /&gt;Don Lusher - trombone&lt;br /&gt;Jimmy Coombes - trombone&lt;br /&gt;Ric Kennedy - trombone&lt;br /&gt;Roy Willox - alto&lt;br /&gt;Les Gilbert - alto&lt;br /&gt;Danny Moss - tenor&lt;br /&gt;Henry MacKenzie - tenor, clarinet&lt;br /&gt;George Hunter - baritone&lt;br /&gt;Frank Horrox - piano&lt;br /&gt;Johnny Hawksworth - bass&lt;br /&gt;Ronnie Verrell - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Lush Slide (2:15)&lt;br /&gt;02 Birth of the Blues (2:27)&lt;br /&gt;03 Fascinating Rhythm (2:20)&lt;br /&gt;04 Our Waltz (2:53)&lt;br /&gt;05 Theme from Moulin Rouge (1:25)&lt;br /&gt;06 Viva Verrell ((3:32)&lt;br /&gt;07 Henry IX (2:07)&lt;br /&gt;08 Mood Indigo (2:53)&lt;br /&gt;09 Sheik of Araby (2:09)&lt;br /&gt;10 Holiday for Strings (1:42)&lt;br /&gt;11 How High the Moon (8:22)&lt;br /&gt;&lt;br /&gt;Recorded February 14 1954&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6260166176786578074?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6260166176786578074/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/07/0178-ted-heath-ted-heaths-100th-london.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6260166176786578074'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6260166176786578074'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/07/0178-ted-heath-ted-heaths-100th-london.html' title='0178 Ted Heath [Ted Heath&apos;s 100th London Palladium Sunday Concert] FLAC 11(32.34)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-k6PDM3DsWKo/TiKMv64jfHI/AAAAAAAAAHE/xZ4kzuxeOEU/s72-c/Ted-Heath-%2BLP100%2Bfront.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2401367607088753495</id><published>2011-07-13T09:36:00.004+01:00</published><updated>2011-10-11T14:10:32.043+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Alan Clare'/><title type='text'>0177 Alan Clare [The Improvisations of Alan Clare] FLAC 4(14.09)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-tQclQzXQKwk/Th1ZzS3q3tI/AAAAAAAAAG0/Fm1sg31OAE4/s1600/clare%2Bfront..JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://3.bp.blogspot.com/-tQclQzXQKwk/Th1ZzS3q3tI/AAAAAAAAAG0/Fm1sg31OAE4/s320/clare%2Bfront..JPG" alt="" id="BLOGGER_PHOTO_ID_5628753847056522962" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Alan Clare - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Duke's Joke (2:48)&lt;br /&gt;02 Autumn in New York (4:17)&lt;br /&gt;03 Love for Sale (3:54)&lt;br /&gt;04 Things Ain't What They Used to Be (3:11)&lt;br /&gt;&lt;br /&gt;Recorded August 23 1956&lt;br /&gt;&lt;br /&gt;Decca ep DFE 6368&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes:&lt;br /&gt;&lt;br /&gt;"What a lovely tone Alan Clare has. Here he is in a trio setting on one of the very few recordings made under his own name.&lt;br /&gt;&lt;br /&gt;The ep is not in the best of shape and whilst the sound has been restored to some extent there are background pops etc. remaining.&lt;br /&gt;&lt;br /&gt;Any further restoration would distort the original sound."&lt;br /&gt;&lt;br /&gt;FLAC with cover scans and pdf file by Doc Sausage.&lt;br /&gt;&lt;br /&gt;We're back in action at last, although still a bit shaky! BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2401367607088753495?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2401367607088753495/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/07/0177-alan-clare-improvisations-of-alan.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2401367607088753495'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2401367607088753495'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/07/0177-alan-clare-improvisations-of-alan.html' title='0177 Alan Clare [The Improvisations of Alan Clare] FLAC 4(14.09)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-tQclQzXQKwk/Th1ZzS3q3tI/AAAAAAAAAG0/Fm1sg31OAE4/s72-c/clare%2Bfront..JPG' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3214433654780664975</id><published>2011-06-26T07:18:00.004+01:00</published><updated>2011-10-11T14:10:08.104+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Don Rendell'/><title type='text'>0176 Don Rendell [Paris Session 1956] 320 8(35.52)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-_gct4qCZPsM/TgbPeCgz_9I/AAAAAAAAAGs/GNQPfQLlaX4/s1600/rendell-paris%2Bsession.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-_gct4qCZPsM/TgbPeCgz_9I/AAAAAAAAAGs/GNQPfQLlaX4/s320/rendell-paris%2Bsession.jpg" alt="" id="BLOGGER_PHOTO_ID_5622409299796164562" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dick Mills - trumpet&lt;br /&gt;Carl Fontana - trombone&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Henri Renaud - piano&lt;br /&gt;Curtis Counce - bass&lt;br /&gt;Wes Ilcken - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Daniel’s Blues (11:41)&lt;br /&gt;02 Scrapple from the Apple (6:52)&lt;br /&gt;03 Buhaina (7:56)&lt;br /&gt;04 Ballad Medley - These Foolish Things/You Go to My Head/Darn that Dream/I&lt;br /&gt;&lt;br /&gt;Cover the Waterfront (9:24)&lt;br /&gt;&lt;br /&gt;Club Des Amateurs Du Disque CAD 3003 Paris&lt;br /&gt;&lt;br /&gt;Recorded May 4 1956&lt;br /&gt;&lt;br /&gt;Contributed by Roboud56. Thanks to him and to bluebird who produced the cover.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3214433654780664975?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3214433654780664975/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/0176-don-rendell-paris-session-1956-320.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3214433654780664975'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3214433654780664975'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/0176-don-rendell-paris-session-1956-320.html' title='0176 Don Rendell [Paris Session 1956] 320 8(35.52)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-_gct4qCZPsM/TgbPeCgz_9I/AAAAAAAAAGs/GNQPfQLlaX4/s72-c/rendell-paris%2Bsession.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2371525022102152675</id><published>2011-06-22T09:11:00.004+01:00</published><updated>2011-10-11T13:59:31.174+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Dankworth'/><title type='text'>0175 Johnny Dankworth [The Criminal] FLAC 4(12.36)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-rChyoe-r5AY/TgGkITHSVzI/AAAAAAAAAGc/WPFDcYSrC6Q/s1600/criminal%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 306px;" src="http://3.bp.blogspot.com/-rChyoe-r5AY/TgGkITHSVzI/AAAAAAAAAGc/WPFDcYSrC6Q/s320/criminal%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5620954272411834162" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dickie Hawdon - trumpet&lt;br /&gt;Kenny Wheeler - trumpet&lt;br /&gt;Gus Galbraith - trumpet&lt;br /&gt;Bert Courtley - trumpet&lt;br /&gt;Tony Russell - trombone&lt;br /&gt;Eddie Harvey - trombone&lt;br /&gt;Ian McDougal - trombone&lt;br /&gt;Ron Snyder - tuba&lt;br /&gt;Johnny Dankworth - alto&lt;br /&gt;Peter King - alto&lt;br /&gt;Danny Moss - tenor&lt;br /&gt;Art Ellefson - tenor&lt;br /&gt;George Tyndale - baritone&lt;br /&gt;Dudley Moore - piano&lt;br /&gt;Spike Heatley - bass&lt;br /&gt;Kenny Clare - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Riverside Stomp (3:34)&lt;br /&gt;02 Freedom Walk (2:40)&lt;br /&gt;03 After the Party (3:35)&lt;br /&gt;04 Treasure Drive (2:46)&lt;br /&gt;&lt;br /&gt;Recorded July 5 1960&lt;br /&gt;&lt;br /&gt;Johnny Dankworth - Soundtrack Music From 'The Criminal' - Columbia SEG 8037 (ep)&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;Great film and great music by the Dankworth Big Band from July 1960. Some big names in this band including Dudley Moore on piano.&lt;br /&gt;&lt;br /&gt;Pity that Art Ellefson's name is misprinted as 'Ars' in the notes.&lt;br /&gt;&lt;br /&gt;FLAC with front cover scan and copy of original sleeve notes with personnel, plus pdf file by Doc Sausage.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2371525022102152675?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2371525022102152675/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/0175-johnny-dankworth-criminal-flac.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2371525022102152675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2371525022102152675'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/0175-johnny-dankworth-criminal-flac.html' title='0175 Johnny Dankworth [The Criminal] FLAC 4(12.36)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-rChyoe-r5AY/TgGkITHSVzI/AAAAAAAAAGc/WPFDcYSrC6Q/s72-c/criminal%2Bfront.JPG' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5125500158351154384</id><published>2011-06-19T12:32:00.005+01:00</published><updated>2011-10-11T13:59:06.617+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Harry Klein'/><category scheme='http://www.blogger.com/atom/ns#' term='Vic Ash'/><title type='text'>0174 Vic Ash Harry Klein [The Five of Us] FLAC 6(43.03)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-aDudX44sPHg/Tf3fFeQo1iI/AAAAAAAAAGE/NNYnE7dXzyY/s1600/five%2Bof%2Bus%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 306px; height: 320px;" src="http://1.bp.blogspot.com/-aDudX44sPHg/Tf3fFeQo1iI/AAAAAAAAAGE/NNYnE7dXzyY/s320/five%2Bof%2Bus%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5619893195143435810" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Vic Ash - tenor, clarinet&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Brian Dee - piano&lt;br /&gt;Malcolm Cecil - bass&lt;br /&gt;Bill Eyden - drums&lt;br /&gt;Tonny Mann - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 There it Is (7:01)&lt;br /&gt;02 The Five of Us (7:10)&lt;br /&gt;03 'Pon My Soul (7:44)&lt;br /&gt;04 Autumn Leaves (9:31)&lt;br /&gt;05 Hootin' (6:14)&lt;br /&gt;06 Still Life (5:23)&lt;br /&gt;&lt;br /&gt;Recorded October 23 and November 12 1960&lt;br /&gt;&lt;br /&gt;Tempo TAP 32 and Riverside (US) 361&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;If you've never heard Vic Ash on tenor during the early part of his career then this will be a treat for you. This was a working group jointly led by Vic and Harry Klein and here 5 of the 6 tunes are written by the band members. Vic is heard mainly on tenor, an instrument he had recently taken up, with just one clarinet outing but the whole groups swings in this very attractive programme recorded originally for Tempo.&lt;br /&gt;&lt;br /&gt;The Americans must obviously have been impressed because Riverside issued this on their label in the USA, it being their first imported music. For some reason they re-titled the lp 'The Hooter' and re-named the tune ' Hootin' also as 'The Hooter'.  They also referred to it as a 'Soul' album which probably amused Vic and Co.&lt;br /&gt;&lt;br /&gt;Tempo producer Tony Hall wrote a completely different set of sleeve notes but the music remained the same except for the track 'There It Is' being nearly half a minute shorter on the Riverside issue.&lt;br /&gt;&lt;br /&gt;But never mind the detail, just enjoy the music.&lt;br /&gt;&lt;br /&gt;FLAC with original Tempo front cover picture and original Riverside (US) front and back cover pictures and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5125500158351154384?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5125500158351154384/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/vic-ash-harry-klein-five-of-us-flac.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5125500158351154384'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5125500158351154384'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/vic-ash-harry-klein-five-of-us-flac.html' title='0174 Vic Ash Harry Klein [The Five of Us] FLAC 6(43.03)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-aDudX44sPHg/Tf3fFeQo1iI/AAAAAAAAAGE/NNYnE7dXzyY/s72-c/five%2Bof%2Bus%2Bfront.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5309304278203303719</id><published>2011-06-15T07:46:00.006+01:00</published><updated>2011-10-11T13:58:34.532+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Crombie'/><title type='text'>0173 Tony Crombie [Jazz At The Flamingo Vol 1] FLAC 2(15.42)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-hm6ZBMo9Pqk/TfhVkJJgOUI/AAAAAAAAAF8/qUEm3Qmn-LE/s1600/flamingo%2B1%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://3.bp.blogspot.com/-hm6ZBMo9Pqk/TfhVkJJgOUI/AAAAAAAAAF8/qUEm3Qmn-LE/s320/flamingo%2B1%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5618334614564124994" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Deuchar - trumpet&lt;br /&gt;Tommy Whittle - tenor&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Benny Green - baritone&lt;br /&gt;Bill Le Sage - piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Tres Gai  (7:18)&lt;br /&gt;02 Jump for Jeff (8:24)&lt;br /&gt;&lt;br /&gt;Note: Thanks to aroonie's alertness, the order of the tunes on the cover can be seen as incorrect. They should be as here, the other way round. If you want to be accurate, you need to reverse them.&lt;br /&gt;&lt;br /&gt;Decca ep - DFE 6253&lt;br /&gt;&lt;br /&gt;Recorded March 1953&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;A small band led by Tony Crombie who composed both tunes heard here. The first of three eps in this Flamingo series  and this one featuring the two tenors of Don Rendell and Tommy Whittle.&lt;br /&gt;&lt;br /&gt;Benny Green, who later enjoyed a successful career as jazz writer, reviewer and broadcaster is heard on baritone sax. He played with various Ronnie Scott groups between 1952 and 1956 but took few solos.&lt;br /&gt;&lt;br /&gt;One further title recorded at this session by this group, and also composed by Tony Crombie, has previously appeared on this blog as part of the 'Jazz At The Flamingo' lp.&lt;br /&gt;&lt;br /&gt;FLAC with front ep cover scan, track/personnel details and original sleeve notes. Includes pdf, prepared by Doc Sausage.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5309304278203303719?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5309304278203303719/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/tony-crombie-jazz-at-flamingo-vol-1.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5309304278203303719'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5309304278203303719'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/tony-crombie-jazz-at-flamingo-vol-1.html' title='0173 Tony Crombie [Jazz At The Flamingo Vol 1] FLAC 2(15.42)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-hm6ZBMo9Pqk/TfhVkJJgOUI/AAAAAAAAAF8/qUEm3Qmn-LE/s72-c/flamingo%2B1%2Bfront.jpg' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3890579322707698262</id><published>2011-06-12T10:04:00.005+01:00</published><updated>2011-10-11T13:58:15.298+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Bassettt'/><category scheme='http://www.blogger.com/atom/ns#' term='Richard Rodney Bennett'/><category scheme='http://www.blogger.com/atom/ns#' term='Dudley Moore'/><title type='text'>0172 Dudley Moore Richard Rodney Bennett John Bassett [The First Orchestrations] FLAC 11(36.01)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-KTe-_aYcTlA/TfSBjGZGAyI/AAAAAAAAAFs/ZQl8VntYL0I/s1600/dm%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 319px;" src="http://1.bp.blogspot.com/-KTe-_aYcTlA/TfSBjGZGAyI/AAAAAAAAAFs/ZQl8VntYL0I/s320/dm%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5617257075249120034" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;John Bassett - trumpet&lt;br /&gt;Leon Calvert - trumpet&lt;br /&gt;Kenny Wheeler - trumpet&lt;br /&gt;John Mumford -trombone&lt;br /&gt;Herman Wilson - trombone&lt;br /&gt;Ron Snyder - tuba&lt;br /&gt;Al Newman - alto&lt;br /&gt;Graham Bond - alto&lt;br /&gt;Gerry Skelton - alto&lt;br /&gt;Ray Warleigh - alto&lt;br /&gt;Dick Heckstall-Smith - tenor&lt;br /&gt;Duncan Lamont - tenor&lt;br /&gt;Art Ellefson - tenor&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Sebastion Freudenberg - baritone&lt;br /&gt;Graham Lyons - baritone&lt;br /&gt;Johnny Scott - flute&lt;br /&gt;Peter Shade - vibes&lt;br /&gt;Dudley Moore - piano&lt;br /&gt;Spike Heatley - bass&lt;br /&gt;Kenny Napper - bass&lt;br /&gt;Bryant Marriott - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Johnny is the Boy for Me (3:09)&lt;br /&gt;02 You'd Be So Nice to Come Home To (3:24)&lt;br /&gt;03 Long Ago (and Far Away) (3:58)&lt;br /&gt;04 Moore Please (4:03)&lt;br /&gt;05 Yesterdays (3:23)&lt;br /&gt;06 Fascinating Rhythm (2:18)&lt;br /&gt;07 Nobody's Heart (3:12)&lt;br /&gt;08 Pick Yourself Up (2:25)&lt;br /&gt;09 I'll Take Romance (3:04)&lt;br /&gt;10 You Make Me Feel So Young (2:27)&lt;br /&gt;11 Keeping Myself for You (4:38)&lt;br /&gt;&lt;br /&gt;Recorded in 1960&lt;br /&gt;&lt;br /&gt;Contributed by azule serape, who writes:&lt;br /&gt;&lt;br /&gt;Some early Dudley Moore and Richard Rodney Bennett arrangements for this little known band of John Bassett which recorded in 1960 with a host of big names in the ranks.&lt;br /&gt;&lt;br /&gt;FLAC with booklet scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3890579322707698262?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3890579322707698262/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/dudley-moore-richard-rodney-bennett.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3890579322707698262'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3890579322707698262'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/dudley-moore-richard-rodney-bennett.html' title='0172 Dudley Moore Richard Rodney Bennett John Bassett [The First Orchestrations] FLAC 11(36.01)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KTe-_aYcTlA/TfSBjGZGAyI/AAAAAAAAAFs/ZQl8VntYL0I/s72-c/dm%2Bfront.JPG' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4306144266115869072</id><published>2011-06-08T08:42:00.008+01:00</published><updated>2011-10-11T13:57:53.316+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wally Fawkes'/><title type='text'>0171 Wally Fawkes [Flook Digs Jazz] FLAC 4(13.30)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-WjW_p83bLi0/Te8oQu9sUDI/AAAAAAAAAFc/YVv3gHEZt-c/s1600/flook%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://4.bp.blogspot.com/-WjW_p83bLi0/Te8oQu9sUDI/AAAAAAAAAFc/YVv3gHEZt-c/s320/flook%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5615751528304103474" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Spike Mackintosh - trumpet&lt;br /&gt;Jeremy French - trombone&lt;br /&gt;Wally Fawkes- clarinet&lt;br /&gt;Colin Bates - piano&lt;br /&gt;Russ Allen - bass&lt;br /&gt;Dave Pearson - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Lucky Duck (3:54)&lt;br /&gt;02 Flook's Fancy (3:06)&lt;br /&gt;03 Just a Closer Walk with Thee (2:32)&lt;br /&gt;04 Talk of the Town (3:59)&lt;br /&gt;&lt;br /&gt;Recorded January 1959&lt;br /&gt;&lt;br /&gt;Decca DFE 6600 (ep)&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes:&lt;br /&gt;&lt;br /&gt;Canadian born clarinettist Wally Fawkes, who is as well know for his long running cartoons of Flook in the Daily Mail and other publications as his music, is heard here in a session with his 'Troglodytes' from 1959. His pen name is Trog which explains the name of his group. An example of his work is shown on this ep cover.&lt;br /&gt;&lt;br /&gt;Wally was a long time member of the Humphrey Lyttelton group and his brilliant satirical political cartoons were appreciated by many of those he portrayed. He never suffered fools gladly as this quote from him displays:&lt;br /&gt;&lt;br /&gt;"I've always had a problem of trying to demolish the superior. I remember when Lady Rothermere [wife of the Mail's owner] was introduced to me, the person who drew Flook, and she said: 'Oh how marvellous! How is your furry little curly thing?' Without thinking, I said: 'Fine thanks. How's yours?' I've never been able to stop doing things like that"&lt;br /&gt;&lt;br /&gt;Born in 1924, he is still alive, as far as is known, but no longer playing or drawing professionally.&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4306144266115869072?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4306144266115869072/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/wally-fawkes-flook-digs-jazz-flac-41330.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4306144266115869072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4306144266115869072'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/wally-fawkes-flook-digs-jazz-flac-41330.html' title='0171 Wally Fawkes [Flook Digs Jazz] FLAC 4(13.30)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-WjW_p83bLi0/Te8oQu9sUDI/AAAAAAAAAFc/YVv3gHEZt-c/s72-c/flook%2Bfront.JPG' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3560999962309922197</id><published>2011-06-05T08:02:00.009+01:00</published><updated>2011-10-11T13:57:27.886+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ronnie Scott'/><title type='text'>0170 Ronnie Scott [Battle Royal] FLAC 13(52.20)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-IW2gnSqX0VM/Tesqkqg5YrI/AAAAAAAAAFM/8JBxKYi-JQI/s1600/battle%2Broyal%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://1.bp.blogspot.com/-IW2gnSqX0VM/Tesqkqg5YrI/AAAAAAAAAFM/8JBxKYi-JQI/s320/battle%2Broyal%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5614628169823380146" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Kenny Graham - tenor&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Victor Feldman - piano&lt;br /&gt;Dill Jones - piano&lt;br /&gt;Norman Stenfalt - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;Tony Kinsey - drums, timbales&lt;br /&gt;Judy Johnson  maraccas&lt;br /&gt;Ginger Johnson - bongoes&lt;br /&gt;Bob Caxton - conga&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Not So Fast (3:16)&lt;br /&gt;02 Battle Royal (3:03)&lt;br /&gt;03 Fast (2:57)&lt;br /&gt;04 Twin Beds (2:47)&lt;br /&gt;05 Smoke Gets in Your Eyes (3:04)&lt;br /&gt;06 Scott's Expedition (3:24)&lt;br /&gt;07 Avalon (3:13)&lt;br /&gt;08 Love Me or Leave Me (2:55)&lt;br /&gt;09 Nemo (3:33)&lt;br /&gt;10 Troubled Air (3:02)&lt;br /&gt;11 Eureka (3:10)&lt;br /&gt;12 Seven Eleven (2:55)&lt;br /&gt;13 All the Things You Are (15:02)&lt;br /&gt;&lt;br /&gt;Recorded December 3 1951 September 16 1952 December 13 1952&lt;br /&gt;&lt;br /&gt;Esquire 311&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:&lt;br /&gt;&lt;br /&gt;"Various Ronnie Scott groups from the 1951/52 period&lt;br /&gt;including an interesting session with Kenny Graham and his&lt;br /&gt;Afro-Cubist rhythm section.&lt;br /&gt;&lt;br /&gt;The long track, 'All The Things You Are', was cut direct to&lt;br /&gt;disc at the end of a normal Esquire session and was one of&lt;br /&gt;the earliest so recorded. Coupled with another long track&lt;br /&gt;similarly recorded (not here but will be presented  in the&lt;br /&gt;future) they formed the whole of one 10" lp when originally&lt;br /&gt;issued.&lt;br /&gt;&lt;br /&gt;Sound, as usual from these Esquire re-issue lp recordings,&lt;br /&gt;is not the best but perhaps adds a certain period charm.&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans with pdf file."&lt;br /&gt;&lt;br /&gt;Dill Jones makes an appearance here so this is a good time to bring to notice an &lt;a href="http://undermilkwood.webs.com/"&gt;&lt;span style="text-decoration: underline;"&gt;interesting article &lt;/span&gt;&lt;/a&gt; on him located by Doc Sausage.&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;a href="http://undermilkwood.webs.com/" target="_blank"&gt;http://undermilkwood.webs.com/&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3560999962309922197?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3560999962309922197/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/ronnie-scott-battle-royal-flac-135220.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3560999962309922197'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3560999962309922197'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/ronnie-scott-battle-royal-flac-135220.html' title='0170 Ronnie Scott [Battle Royal] FLAC 13(52.20)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-IW2gnSqX0VM/Tesqkqg5YrI/AAAAAAAAAFM/8JBxKYi-JQI/s72-c/battle%2Broyal%2Bfront.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6456033845061463377</id><published>2011-06-01T07:58:00.005+01:00</published><updated>2011-10-11T13:57:05.456+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Crombie'/><title type='text'>0169 Tony Crombie [In Tel Aviv] FLAC 6(18.26)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-6aJm_9b-Nkc/TeXjfbkBP3I/AAAAAAAAAFA/VgMr9xRiFKQ/s1600/front%2Bcover.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 282px;" src="http://2.bp.blogspot.com/-6aJm_9b-Nkc/TeXjfbkBP3I/AAAAAAAAAFA/VgMr9xRiFKQ/s320/front%2Bcover.jpg" alt="" id="BLOGGER_PHOTO_ID_5613142639701475186" border="0" /&gt;&lt;/a&gt;Personnel (probable):&lt;br /&gt;Jimmy Deuchar - trumpet&lt;br /&gt;Les Condon - trumpet&lt;br /&gt;Ken Wray - trombone&lt;br /&gt;Derek Humble - alto&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Al Cornish - tenor&lt;br /&gt;Ronnie Ross - baritone&lt;br /&gt;Damian Robinson - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;Annie Ross - vocals&lt;br /&gt;Johnny Grant - vocals&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Short Stop (3:09)&lt;br /&gt;02 You Go to My Head (3:45)&lt;br /&gt;03 C'est Si Bon (2:59)&lt;br /&gt;04 I Can't Believe that You're in Love with Me (1:30)&lt;br /&gt;05 Compos Mentis (3:13)&lt;br /&gt;06 Don't Worry 'Bout Me (3:49)&lt;br /&gt;&lt;br /&gt;Radio Broadcast 1955&lt;br /&gt;&lt;br /&gt;Contributed by azule serape, who writes:&lt;br /&gt;&lt;br /&gt;Crombie took his band to Israel in late October 1955 for a series of concerts in that country and these tracks are taken from a Tel Aviv concert broadcast by Israeli State Radio.&lt;br /&gt;&lt;br /&gt;Vocalists Annie Ross and Johnny Grant are featured on 4 of the 6 tracks.&lt;br /&gt;&lt;br /&gt;Sound quality is not of the best but listenable.&lt;br /&gt;&lt;br /&gt;FLAC with 'cover picture', pdf and possible personnel details.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6456033845061463377?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6456033845061463377/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/06/tony-crombie-in-tel-aviv-flac-61826.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6456033845061463377'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6456033845061463377'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/06/tony-crombie-in-tel-aviv-flac-61826.html' title='0169 Tony Crombie [In Tel Aviv] FLAC 6(18.26)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-6aJm_9b-Nkc/TeXjfbkBP3I/AAAAAAAAAFA/VgMr9xRiFKQ/s72-c/front%2Bcover.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6544390107851142428</id><published>2011-05-29T07:01:00.007+01:00</published><updated>2011-10-11T13:56:45.131+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Eddie Thompson'/><title type='text'>0168 Eddie Thompson [Piano Moods] FLAC 10(41.20)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-ce3MVb-C-rQ/TeHlAgn2tvI/AAAAAAAAAEM/6m_st8Z-1hY/s1600/cover%2Bfront%2B3000.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 314px; height: 320px;" src="http://4.bp.blogspot.com/-ce3MVb-C-rQ/TeHlAgn2tvI/AAAAAAAAAEM/6m_st8Z-1hY/s320/cover%2Bfront%2B3000.jpg" alt="" id="BLOGGER_PHOTO_ID_5612018407600207602" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Eddie Thompson - piano&lt;br /&gt;Arthur Watts - bass&lt;br /&gt;Ken Sprang - bass&lt;br /&gt;Andy White - drums&lt;br /&gt;Jackie Dougan - drums&lt;br /&gt;&lt;br /&gt;01 Eddification (2:42)&lt;br /&gt;02 Three for 3/4 (3:49)&lt;br /&gt;03 Three Cuban Heels (2:11)&lt;br /&gt;04 Blue Whistle (3:42)&lt;br /&gt;05 Theme for Nica (5:18)&lt;br /&gt;06 Watch for the Light (2:28)&lt;br /&gt;07 Eddie Blows the Blues (3:44)&lt;br /&gt;08 After the Ball is Over (5:58)&lt;br /&gt;09 Thompson Bell (5:20)&lt;br /&gt;10 Contemplation (6:09)&lt;br /&gt;&lt;br /&gt;Recorded May and June 1958&lt;br /&gt;&lt;br /&gt;Contributed by Doc Sausage who writes&lt;br /&gt;&lt;br /&gt;I came across this record in a charity shop in Birmingham in 1991. I hadn't heard of Eddie Thompson at that time, but, as ever, was on the lookout for unusual/obscure gems, and this LP seemed to fit the bill very well. I fell in love with it immediately, and it has become one of my most-played jazz albums. It was only a couple of years ago, when I started to have a proper look on the web at what else of ET's was available, that I discovered that I was in possession of quite a rarity, and that most people have never heard it. I think that is a great shame.&lt;br /&gt;&lt;br /&gt;Four of the (many) things I love about this album: the tightly-focussed, urgent fluency of Thompson's fingering on such numbers as Eddification, Watch for the Light, and Eddie Blows the Blues; the expressive, genuinely tender passages featured in Three for 3-4 &amp;amp; Theme for Nica; the rhapsodic, darker tones of Contemplation, which I can't help feeling is a not-so-distant jazz relation of the Ballades of Chopin; and, lastly, the clanking of beer bottles at 0:41 on Three Cuban Heels — it just hits the spot every time!&lt;br /&gt;&lt;br /&gt;You can read more about Eddie, including an excellent assessment by Simon Spillett, here.&lt;br /&gt;http://www.jazzeddie.f2s.com/pianoUKpioneers.htm&lt;br /&gt;&lt;br /&gt;Scans and pdf file included.&lt;br /&gt;&lt;br /&gt;Please welcome our newest contributor Doc Sausage. A rare album, first class preparation. BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6544390107851142428?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6544390107851142428/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/eddie-thompson-piano-moods-flac-104120.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6544390107851142428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6544390107851142428'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/eddie-thompson-piano-moods-flac-104120.html' title='0168 Eddie Thompson [Piano Moods] FLAC 10(41.20)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ce3MVb-C-rQ/TeHlAgn2tvI/AAAAAAAAAEM/6m_st8Z-1hY/s72-c/cover%2Bfront%2B3000.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7708480394047597494</id><published>2011-05-25T08:51:00.004+01:00</published><updated>2011-10-11T13:56:23.541+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Don Savage'/><title type='text'>0167 Don Savage [Session With Savage] FLAC 4(12.06)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-RMBZbWb7fXY/Tdy1g3izfBI/AAAAAAAAAD8/TiS39E20inI/s1600/don%2Bsavage%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-RMBZbWb7fXY/Tdy1g3izfBI/AAAAAAAAAD8/TiS39E20inI/s320/don%2Bsavage%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5610558812067167250" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Bert Courtley - trumpet&lt;br /&gt;Don Savage - alto&lt;br /&gt;Art Ellefson - tenor&lt;br /&gt;Bernie George - baritone&lt;br /&gt;Bobby Heath - piano&lt;br /&gt;Bill Stark - bass&lt;br /&gt;Art Morgan - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Midnight Sun (3:37)&lt;br /&gt;02 All the Things You Are (3:16)&lt;br /&gt;03 There Will Never Be Another You (2:38)&lt;br /&gt;04 First Edition (2:35)&lt;br /&gt;&lt;br /&gt;Nixa NJE 1048 (ep)&lt;br /&gt;&lt;br /&gt;Recorded September 3 1957&lt;br /&gt;&lt;br /&gt;Contributed by bluebird who writes&lt;br /&gt;&lt;br /&gt;A little known alto player with a beautiful tone on his first and only recording as leader in 1957. Don played with the Frank Weir Orchestra, Tito Burns, Ted Heath and Ambrose and, like many other musicians at that time, was mainly buried away in the section of commercial dance bands to earn a living.&lt;br /&gt;&lt;br /&gt;He leads a fine group here and it would be good to hear some more from this musician. Does anyone recall him and are there solos, say, with Ted Heath during the few months he spent in that band?&lt;br /&gt;&lt;br /&gt;FLAC with cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7708480394047597494?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7708480394047597494/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/don-savage-session-with-savage-flac.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7708480394047597494'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7708480394047597494'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/don-savage-session-with-savage-flac.html' title='0167 Don Savage [Session With Savage] FLAC 4(12.06)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-RMBZbWb7fXY/Tdy1g3izfBI/AAAAAAAAAD8/TiS39E20inI/s72-c/don%2Bsavage%2Bfront.JPG' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7573710422905616731</id><published>2011-05-22T10:09:00.005+01:00</published><updated>2011-10-11T13:56:01.718+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ray Ellington'/><title type='text'>0166 Ray Ellington [The Ray Ellington Quartet 1948-1949] FLAC 8(26.07)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-CVqp7Z8NI64/TdjTA5iLMoI/AAAAAAAAADs/xoKZxXSVtGs/s1600/FRONT.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 309px;" src="http://1.bp.blogspot.com/-CVqp7Z8NI64/TdjTA5iLMoI/AAAAAAAAADs/xoKZxXSVtGs/s320/FRONT.jpg" alt="" id="BLOGGER_PHOTO_ID_5609465348287574658" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dick Katz - piano&lt;br /&gt;Lauderic Caton - guitar&lt;br /&gt;Laurie Deniz - guitar&lt;br /&gt;Coleridge Goode - bass&lt;br /&gt;Ray Ellington - drums, vocal&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Five Guys Named Moe (2:53)&lt;br /&gt;02 The Best Man (2:53)&lt;br /&gt;03 Dream for Percussion (2:57)&lt;br /&gt;04 Ooh Look-A There, Ain't She Pretty? (2:35)&lt;br /&gt;05 Dick's Boogie (3:02)&lt;br /&gt;06 Dream for Bass (3:00)&lt;br /&gt;07 Strip the Camshaft (2:43)&lt;br /&gt;08 Boppy Soxer (2:53)&lt;br /&gt;09 Swedish Pastry (3:12)&lt;br /&gt;&lt;br /&gt;Recorded January 23 1948, February 1 and 15, May 9, June 29 and November 3 1948&lt;br /&gt;&lt;br /&gt;Contributed by bluebird who writes&lt;br /&gt;&lt;br /&gt;More from the Ellington Quartet including some vocals by the leader and typical of what he performed on the long running 'Goon Show' on radio.&lt;br /&gt;&lt;br /&gt;The tunes 'Strip The Camshaft' and 'Boppy Soxer' are the same with different titles.&lt;br /&gt;&lt;br /&gt;FLAC with track details, 'cover picture' and pdf file&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7573710422905616731?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7573710422905616731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/ray-ellington-ray-ellington-quartet.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7573710422905616731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7573710422905616731'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/ray-ellington-ray-ellington-quartet.html' title='0166 Ray Ellington [The Ray Ellington Quartet 1948-1949] FLAC 8(26.07)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-CVqp7Z8NI64/TdjTA5iLMoI/AAAAAAAAADs/xoKZxXSVtGs/s72-c/FRONT.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8471802887466093252</id><published>2011-05-17T09:05:00.008+01:00</published><updated>2011-10-11T13:55:43.227+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vic Lewis'/><title type='text'>0165 Vic Lewis [And His Orchestra] FLAC 4(11.15)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-gcqpOqQlFvg/TdIsp6RqScI/AAAAAAAAADc/dTYNDiNpglE/s1600/lewis%2Bep%2B33%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 314px; height: 320px;" src="http://2.bp.blogspot.com/-gcqpOqQlFvg/TdIsp6RqScI/AAAAAAAAADc/dTYNDiNpglE/s320/lewis%2Bep%2B33%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5607593584559278530" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Vic Lewis - leader&lt;br /&gt;Dave Loban - trumpet&lt;br /&gt;Ronnie Baker - trumpet&lt;br /&gt;Johnny Brown - trumpet&lt;br /&gt;Trevor Lanigan - trumpet&lt;br /&gt;Johnny Watson - trombone&lt;br /&gt;Alec Gould - trombone&lt;br /&gt;Rusty Hurren - trombone&lt;br /&gt;Johnny Keating - trombone&lt;br /&gt;Ronnie Chamberlain - alto&lt;br /&gt;Bernard Allen - alto&lt;br /&gt;Brian Gray - tenor&lt;br /&gt;Howard Morgan - tenor&lt;br /&gt;Brian Rogerson - baritone&lt;br /&gt;Red Mitchell - piano&lt;br /&gt;Stan Wasser - bass&lt;br /&gt;Andy White - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 The Opener&lt;br /&gt;02 Arual&lt;br /&gt;03 Begin the Beguine&lt;br /&gt;04 Short Stop&lt;br /&gt;&lt;br /&gt;Recorded November 18 1954&lt;br /&gt;&lt;br /&gt;Esquire ep 33&lt;br /&gt;&lt;br /&gt;Contributed by bluebird (with cornelius), who writes&lt;br /&gt;&lt;br /&gt;This is Vic's band from late 1954. The West Coast influence is heavy here with echoes of Shorty Rogers and Stan Kenton. The Bill Holman tune 'The Opener' had  just been recorded a year earlier by Kenton so it is surprising to hear it here so soon.&lt;br /&gt;&lt;br /&gt;Some nice alto solos from, we think, Ronnie Chamberlain.&lt;br /&gt;&lt;br /&gt;Listeners should be warned that despite the best efforts of the BritJazz technical team the recordings on side 1 are far from perfect with residual noise in places. As these recordings have only ever appeared on 78s prior to this scarce 1954 ep release it was felt that the posting was justified.&lt;br /&gt;&lt;br /&gt;FLAC with cover scans and pdf file.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8471802887466093252?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8471802887466093252/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/vic-lewis-and-his-orchestra-flac-41115.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8471802887466093252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8471802887466093252'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/vic-lewis-and-his-orchestra-flac-41115.html' title='0165 Vic Lewis [And His Orchestra] FLAC 4(11.15)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-gcqpOqQlFvg/TdIsp6RqScI/AAAAAAAAADc/dTYNDiNpglE/s72-c/lewis%2Bep%2B33%2Bfront.JPG' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8359709734052680648</id><published>2011-05-15T07:33:00.011+01:00</published><updated>2011-10-11T13:55:22.090+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jimmy Deuchar'/><title type='text'>0164 Jimmy Deuchar [Pal Jimmy] FLAC 8(40.10)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-R3F3R_FGDJ0/Tc90dnpdJjI/AAAAAAAAADU/kQ2PYfZvGmc/s1600/pj%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 319px; height: 320px;" src="http://1.bp.blogspot.com/-R3F3R_FGDJ0/Tc90dnpdJjI/AAAAAAAAADU/kQ2PYfZvGmc/s320/pj%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5606828113307444786" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Deuchar - trumpet&lt;br /&gt;Ken Wray - valve trombone&lt;br /&gt;Derek Humble - alto&lt;br /&gt;Tubby Hayes - tenor, baritone&lt;br /&gt;Harry South - piano&lt;br /&gt;Kenny Napper - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Heather Mist&lt;br /&gt;02 Jak-Jak&lt;br /&gt;03 Pal Jimmy&lt;br /&gt;04 Split Second&lt;br /&gt;05 My Funny Valentine&lt;br /&gt;06 I Didn't Know What Time it Was&lt;br /&gt;07 Bewitched Bothered and Bewildered&lt;br /&gt;08 I Could Write a Book&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes&lt;br /&gt;&lt;br /&gt;Two sessions from March 1958 with two different Deuchar led groups. Deuchar, Humble and Wray were working with the Kurt Edelhagen Big Band in Germany at the time and were on a flying visit home when these sessions were made.&lt;br /&gt;&lt;br /&gt;The March 4 date gives the opportunity to hear  Derek Humble at some length - what a shame that he never got to record an album under his own name and that he had to spend most of his later career playing outside the UK. He was seriously injured when mugged in Cologne in 1968 and whilst he played with the Clarke-Boland Band for the following two years his health was badly affected. He returned to the UK in the summer of 1970 and died whilst visiting his mother in February 1971. He was 41 years old at the time.&lt;br /&gt;&lt;br /&gt;The 7 March date has tunes from the musical 'Pal Joey' from which the album title is based and has Tubby Hayes playing some baritone sax.&lt;br /&gt;&lt;br /&gt;FLAC with cover scans and pdf file by DaveB.&lt;br /&gt;&lt;br /&gt;Recorded 4 and 7 March 1958&lt;br /&gt;&lt;br /&gt;Tempo TAP 20&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8359709734052680648?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8359709734052680648/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/jimmy-deuchar-pal-jimmy-flac-84010.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8359709734052680648'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8359709734052680648'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/jimmy-deuchar-pal-jimmy-flac-84010.html' title='0164 Jimmy Deuchar [Pal Jimmy] FLAC 8(40.10)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-R3F3R_FGDJ0/Tc90dnpdJjI/AAAAAAAAADU/kQ2PYfZvGmc/s72-c/pj%2Bfront.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1625418371265999946</id><published>2011-05-11T11:17:00.006+01:00</published><updated>2011-10-11T13:54:56.220+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ronnie Scott'/><title type='text'>0163 Ronnie Scott [Ronnie Scott Orchestra] FLAC 2(11.39)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-nDi3BFSac6U/Tcpin0PXK9I/AAAAAAAAADE/Hh8XWOi4no8/s1600/scott%2Bep31%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://3.bp.blogspot.com/-nDi3BFSac6U/Tcpin0PXK9I/AAAAAAAAADE/Hh8XWOi4no8/s320/scott%2Bep31%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5605401122393500626" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Hank Shaw - trumpet&lt;br /&gt;Ken Wray - trombone&lt;br /&gt;Derek Humble - alto, clarinet&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Pete King - tenor&lt;br /&gt;Benny Green - baritone&lt;br /&gt;Victor Feldman - piano, drums&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Lester Leaps In&lt;br /&gt;02 Seamen's Mission&lt;br /&gt;&lt;br /&gt;Esquire ep 31&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes&lt;br /&gt;&lt;br /&gt;This one's for the drummers amongst us.&lt;br /&gt;A 'battle' between Victor Feldman, who usually played piano&lt;br /&gt;and vibes with this group, and Phil Seamen with the band&lt;br /&gt;providing backing only.&lt;br /&gt;&lt;br /&gt;FLAC with cover pictures.&lt;br /&gt;&lt;br /&gt;Recorded November 2 1954&lt;br /&gt;&lt;br /&gt;Pdf by DaveB&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1625418371265999946?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1625418371265999946/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/ronnie-scott-ronnie-scott-orchestra.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1625418371265999946'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1625418371265999946'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/ronnie-scott-ronnie-scott-orchestra.html' title='0163 Ronnie Scott [Ronnie Scott Orchestra] FLAC 2(11.39)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-nDi3BFSac6U/Tcpin0PXK9I/AAAAAAAAADE/Hh8XWOi4no8/s72-c/scott%2Bep31%2Bfront.JPG' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3804091443178377121</id><published>2011-05-08T06:13:00.014+01:00</published><updated>2011-10-11T13:54:28.899+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Dave Lee'/><category scheme='http://www.blogger.com/atom/ns#' term='Lennie Felix'/><title type='text'>0162 [Dave Lee Trio Lennie Felix Trio] FLAC 7(24.55)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-KVKhiHEwCXw/TcYm1qIG11I/AAAAAAAAAC0/AhryU97aKyA/s1600/lee-felix%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 316px;" src="http://1.bp.blogspot.com/-KVKhiHEwCXw/TcYm1qIG11I/AAAAAAAAAC0/AhryU97aKyA/s320/lee-felix%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5604209489592375122" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dave Lee - piano&lt;br /&gt;Lennie Felix - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Brian Brocklehurst - bass&lt;br /&gt;Allan Ganley - drums&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 I Must Have That Man&lt;br /&gt;02 Salt Air&lt;br /&gt;03 Excuse for the Blues&lt;br /&gt;04 On the Alamo&lt;br /&gt;05 Sweet Lorraine&lt;br /&gt;06 Jada&lt;br /&gt;07 Two Views of the Blues&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape, who writes&lt;br /&gt;&lt;br /&gt;One side each on this 10" lp for these two very different pianists. Dave Lee is perhaps the better known of the two and we may have heard some of these tracks earlier.&lt;br /&gt;&lt;br /&gt;Lennie's recorded output is quite small but well worth searching out.  He died in 1980 aged 60 as a result of a road accident.&lt;br /&gt;&lt;br /&gt;'Two Views of the Blues' is the standout track here for me.&lt;br /&gt;&lt;br /&gt;Recorded May 29 and July 8 1957&lt;br /&gt;&lt;br /&gt;Nixa NLP 1027 (10" lp)&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans.&lt;br /&gt;&lt;br /&gt;DaveB prepared the pdf file - thanks to him.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3804091443178377121?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3804091443178377121/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/dave-lee-and-lennie-felix-dave-lee-trio.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3804091443178377121'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3804091443178377121'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/dave-lee-and-lennie-felix-dave-lee-trio.html' title='0162 [Dave Lee Trio Lennie Felix Trio] FLAC 7(24.55)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KVKhiHEwCXw/TcYm1qIG11I/AAAAAAAAAC0/AhryU97aKyA/s72-c/lee-felix%2Bfront.JPG' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5071308027461529037</id><published>2011-05-04T09:28:00.001+01:00</published><updated>2011-06-22T09:28:54.535+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Johnny Weed'/><title type='text'>0161 Johnny Weed [The UK Recordings] FLAC 9(34.42)</title><content type='html'>Personnel:&lt;br /&gt;Amy Tweed - trumpet&lt;br /&gt;Dizzy Reece - trumpet&lt;br /&gt;Ken Wray - bass trumpet&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Don Savage - alto&lt;br /&gt;Norman Gondall - tenor&lt;br /&gt;Johnny Weed - piano&lt;br /&gt;Tito Burns - accordion&lt;br /&gt;Dave Goldberg - guitar&lt;br /&gt;Major Holley - bass&lt;br /&gt;Stan Wasser - bass&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;Dougie Cooper - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Blues Original&lt;br /&gt;02 My Heart Belongs to Daddy&lt;br /&gt;03 Riff Concoction&lt;br /&gt;04 Midnight Sun&lt;br /&gt;05 Pinky&lt;br /&gt;06 Budo&lt;br /&gt;07 Chorous&lt;br /&gt;08 Basie Line&lt;br /&gt;09 Manteca Suite&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes&lt;br /&gt;&lt;br /&gt;Pianist, arranger and composer Johnny Weed was born in London on 15 May, 1931. He worked, briefly, with Basil Kirchin in 1952, also with Vic Lewis before joining Tito Burns in 1954/5. He replaced Ken Moule in the successful Ken Moule Seven when Ken became disenchanted with band leading and the group was led by bass player Arthur Watts. In the period 1955 to 1956 he worked with groups led by a number of top jazz men including Vic Ash, Tubby Hayes, Dizzy Reece, Joe Harriott and Phil Seamen. Some tracks with some of these musicians are included here.&lt;br /&gt;&lt;br /&gt;He emigrated to the USA in 1957 and worked with a number of big bands including Buddy Morrow, Charlie Barnet, Woody Herman and Tex Beneke as well as running a successful arranging business with Ronnie Roullier until 1971. He played at President Kennedy's 1961 inaugural ball and in the '70s was Musical Director on a TV show called "Someone New". He moved to Florida in 1993 and continued to play regular gigs and until his death from cancer in November, 2002.&lt;br /&gt;&lt;br /&gt;These are all the known UK commercial recordings made by Johnny - there is a private recording of him with Joe Harriott, Major Holley and Phil Seamen made in 1956 and which has just been issued on vinyl by Gearbox Records but it is not included here or listed.  There may be other privately recorded sessions which have not yet surfaced. Nothing is known about any recordings he made (if any) in the USA after he emigrated there in 1957.&lt;br /&gt;&lt;br /&gt;FLAC with cover pictures of the various lps and a short discography.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5071308027461529037?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5071308027461529037/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/johnny-weed-uk-recordings-flac-93442.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5071308027461529037'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5071308027461529037'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/johnny-weed-uk-recordings-flac-93442.html' title='0161 Johnny Weed [The UK Recordings] FLAC 9(34.42)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-126402700765241111</id><published>2011-05-01T10:40:00.001+01:00</published><updated>2011-10-11T13:53:45.287+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tommy Whittle'/><title type='text'>0160 Tommy Whittle [New Horizons] 320 9(40.55)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-kr0kjqCerjM/Tb0UpinVeEI/AAAAAAAAACc/L1PyllrSS3Y/s1600/new%2Bhorizons-original%2Bfront.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 317px; height: 320px;" src="http://3.bp.blogspot.com/-kr0kjqCerjM/Tb0UpinVeEI/AAAAAAAAACc/L1PyllrSS3Y/s320/new%2Bhorizons-original%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5601656215417747522" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Tommy Whittle - tenor&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Eddie Thompson - piano&lt;br /&gt;Ken Sprang - bass&lt;br /&gt;Jackie Dougan - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Lady Bee&lt;br /&gt;02 Howl&lt;br /&gt;03 Lullabye&lt;br /&gt;04 Mine Still&lt;br /&gt;05 12 by 5&lt;br /&gt;06 New Horizons&lt;br /&gt;07 Blues in the Dark&lt;br /&gt;08 Loving Man&lt;br /&gt;09 Heard and Seen&lt;br /&gt;&lt;br /&gt;Recorded May 1959&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape&lt;br /&gt;&lt;br /&gt;May 3 2011 - Our thanks to Gonzo who has kindly (although he tells me he enjoyed the exercise!) carried out some remedial work on this post. There is a link in the comments if anyone would like to try the result.  BJ&lt;br /&gt;&lt;br /&gt;September 20 2011 - Brought to the fore today because a new rip acquired by Azule Serape. It is FLAC and may be an improvement even on Gonzo's. Subjective though so link here for you to try if you wish.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-126402700765241111?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/126402700765241111/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/05/tommy-whittle-new-horizons-320-94055.html#comment-form' title='15 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/126402700765241111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/126402700765241111'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/05/tommy-whittle-new-horizons-320-94055.html' title='0160 Tommy Whittle [New Horizons] 320 9(40.55)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-kr0kjqCerjM/Tb0UpinVeEI/AAAAAAAAACc/L1PyllrSS3Y/s72-c/new%2Bhorizons-original%2Bfront.jpg' height='72' width='72'/><thr:total>15</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8589352797173776131</id><published>2011-04-27T10:09:00.005+01:00</published><updated>2011-10-11T13:53:24.908+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Don Rendell'/><title type='text'>0159 Don Rendell [The Jazz Committee] FLAC 3(14.35)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-bJkHH8pxXEE/Tbfdh6NK0TI/AAAAAAAAACU/_s-m4aR2Iq8/s1600/jazz%2Bcommittee%2Bfront.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 316px;" src="http://3.bp.blogspot.com/-bJkHH8pxXEE/Tbfdh6NK0TI/AAAAAAAAACU/_s-m4aR2Iq8/s320/jazz%2Bcommittee%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5600188236288414002" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Bert Courtley - trumpet&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Eddie Harvey - piano&lt;br /&gt;Pete Blannin - bass&lt;br /&gt;Jackie Dougan - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 The Minutes&lt;br /&gt;02 Founder Member&lt;br /&gt;03 Board Meeting&lt;br /&gt;&lt;br /&gt;Decca ep DFE 6587&lt;br /&gt;&lt;br /&gt;Contributed by bluebird, who writes:-&lt;br /&gt;&lt;br /&gt;The Don Rendell Quintet meets as the Jazz Committee complete&lt;br /&gt;&lt;br /&gt;with spoof 'minutes' written by Kitty Grime who should have&lt;br /&gt;&lt;br /&gt;known better.&lt;br /&gt;&lt;br /&gt;Just ignore those and enjoy the music.&lt;br /&gt;&lt;br /&gt;FLAC with cover picture and track details.&lt;br /&gt;&lt;br /&gt;Recorded March 24 1959&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8589352797173776131?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8589352797173776131/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/don-rendell-jazz-committee-flac-31435.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8589352797173776131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8589352797173776131'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/don-rendell-jazz-committee-flac-31435.html' title='0159 Don Rendell [The Jazz Committee] FLAC 3(14.35)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-bJkHH8pxXEE/Tbfdh6NK0TI/AAAAAAAAACU/_s-m4aR2Iq8/s72-c/jazz%2Bcommittee%2Bfront.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7415167167512108886</id><published>2011-04-24T10:43:00.007+01:00</published><updated>2011-10-11T13:53:04.044+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ronnie Scott'/><category scheme='http://www.blogger.com/atom/ns#' term='Tubby Hayes'/><title type='text'>0158 The Jazz Couriers [The Jazz Couriers] FLAC 8(45.01)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-N6gvo7e0iTE/TbPyN0bpFWI/AAAAAAAAACE/ej0-gq_vi1I/s1600/couriers%2Bfront.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 317px;" src="http://2.bp.blogspot.com/-N6gvo7e0iTE/TbPyN0bpFWI/AAAAAAAAACE/ej0-gq_vi1I/s320/couriers%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5599085080978462050" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Tubby Hayes - tenor&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Terry Shannon - piano&lt;br /&gt;Phil Bates - bass&lt;br /&gt;Bill Eyden - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Oh My!&lt;br /&gt;02 Plebus&lt;br /&gt;03 Reunion&lt;br /&gt;04 A Foggy Day&lt;br /&gt;05 Through the Night Roared the Overland Express (a Broken Bridge Ahead, a Madman at the Throttle)&lt;br /&gt;06 Royal Ascot&lt;br /&gt;07 On a Misty Night&lt;br /&gt;08 Cheek to Cheek&lt;br /&gt;&lt;br /&gt;Recorded August 8 1957&lt;br /&gt;Tempo TAP 15&lt;br /&gt;&lt;br /&gt;Contributed by delmonico, who writes:&lt;br /&gt;A fine Couriers session from August 1957.&lt;br /&gt;An alternate take of 'On A Misty Night' not on the original lp was issued on a Tempo compilation album - 'Speak Low' - and previously posted on this blog.&lt;br /&gt;FLAC with cover scans.&lt;br /&gt;&lt;br /&gt;BJ says:&lt;br /&gt;The download also includes a pdf file to make for easier reading, prepared by DaveB. We hope you find it useful.&lt;br /&gt;We are just trying it out and this stage but thanks to Dave for his suggestion and work on this.&lt;br /&gt;Please comment if you feel the urge - some views already received.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7415167167512108886?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7415167167512108886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/jazz-couriers-jazz-couriers-flac-84501.html#comment-form' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7415167167512108886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7415167167512108886'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/jazz-couriers-jazz-couriers-flac-84501.html' title='0158 The Jazz Couriers [The Jazz Couriers] FLAC 8(45.01)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-N6gvo7e0iTE/TbPyN0bpFWI/AAAAAAAAACE/ej0-gq_vi1I/s72-c/couriers%2Bfront.JPG' height='72' width='72'/><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-9188184661452739546</id><published>2011-04-20T09:44:00.005+01:00</published><updated>2011-10-11T13:52:41.764+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='The Saints Jazz Band'/><title type='text'>0157 The Saints Jazz Band [Session with the Saints] FLAC 4(11.26)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-mo1iMHfmBN4/Ta6da5sMkZI/AAAAAAAAAB0/GyyQvALmiZg/s1600/TMP401.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 311px;" src="http://4.bp.blogspot.com/-mo1iMHfmBN4/Ta6da5sMkZI/AAAAAAAAAB0/GyyQvALmiZg/s320/TMP401.JPG" alt="" id="BLOGGER_PHOTO_ID_5597584472356458898" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Mike McNama – trumpet&lt;br /&gt;Fred Fydler – trombone&lt;br /&gt;Alan Radcliffe – clarinet&lt;br /&gt;John Fish – piano&lt;br /&gt;Nigel Sinclair (Nevil Scrimshire) – guitar&lt;br /&gt;Reg Kenworthy – bass&lt;br /&gt;John Mills – drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Mahogany Hall Blues Stomp&lt;br /&gt;02 Blue Turning Grey Over You&lt;br /&gt;03 How Come You Do Me Like You Do&lt;br /&gt;04 Willie the Weeper&lt;br /&gt;&lt;br /&gt;Recorded September 15 1956&lt;br /&gt;&lt;br /&gt;Parlophone GEP 8624&lt;br /&gt;&lt;br /&gt;FLAC and scans&lt;br /&gt;&lt;br /&gt;Contributed by Roboud56. This one is also on his blog Think Too Much Jazz which most are probably familiar with. Thanks to Rob for offering it here too. BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-9188184661452739546?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/9188184661452739546/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/saints-jazz-band-session-with-saints.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/9188184661452739546'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/9188184661452739546'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/saints-jazz-band-session-with-saints.html' title='0157 The Saints Jazz Band [Session with the Saints] FLAC 4(11.26)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-mo1iMHfmBN4/Ta6da5sMkZI/AAAAAAAAAB0/GyyQvALmiZg/s72-c/TMP401.JPG' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4105877608846712665</id><published>2011-04-17T10:54:00.011+01:00</published><updated>2011-10-11T13:52:15.768+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Dankworth'/><title type='text'>0156 John Dankworth [Journey Into Jazz] FLAC 5(32.24)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-QnGV0Ab4k4I/Taq5Tvp7emI/AAAAAAAAABk/3REoVL8tp9Q/s1600/journey%2Binto%2Bjazz%2Bfront.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 315px; height: 320px;" src="http://2.bp.blogspot.com/-QnGV0Ab4k4I/Taq5Tvp7emI/AAAAAAAAABk/3REoVL8tp9Q/s320/journey%2Binto%2Bjazz%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5596489235822246498" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;John Dankworth - leader, alto, clarinet, tympani. narration&lt;br /&gt;Derrick Abbott - trumpet&lt;br /&gt;Bill Metcalf - trumpet&lt;br /&gt;Stan Palmer - trumpet&lt;br /&gt;Colin Wright - trumpet&lt;br /&gt;Dougie Roberts - trumpet&lt;br /&gt;Charlie Evans - trumpet&lt;br /&gt;Frank Donlan - trumpet&lt;br /&gt;Garry Brown - trombone&lt;br /&gt;Harry Buckles - trombone&lt;br /&gt;Danny Elwood - trombone&lt;br /&gt;Bill Geldard - trombone&lt;br /&gt;Laurie Monk - trombone&lt;br /&gt;Ronnie Fenwick - alto&lt;br /&gt;Peter Warner - tenor&lt;br /&gt;John Xerri - tenor&lt;br /&gt;Alex Leslie - baritone&lt;br /&gt;Dave Lee - piano&lt;br /&gt;Eric Dawson - bass&lt;br /&gt;Bill Sutcliffe - bass&lt;br /&gt;Kenny Clare - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Adios&lt;br /&gt;02 Jersey Bounce&lt;br /&gt;03 Take the A Train&lt;br /&gt;04 Explanation of Itinerary&lt;br /&gt;05 Itinerary of an Orchestra&lt;br /&gt;&lt;br /&gt;Recorded January 20 and August 9 1956&lt;br /&gt;&lt;br /&gt;Contrbuted by Azule Serape&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4105877608846712665?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4105877608846712665/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/john-dankworth-journey-into-jazz-flac.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4105877608846712665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4105877608846712665'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/john-dankworth-journey-into-jazz-flac.html' title='0156 John Dankworth [Journey Into Jazz] FLAC 5(32.24)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-QnGV0Ab4k4I/Taq5Tvp7emI/AAAAAAAAABk/3REoVL8tp9Q/s72-c/journey%2Binto%2Bjazz%2Bfront.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5059155290010614886</id><published>2011-04-13T08:46:00.004+01:00</published><updated>2011-10-11T13:51:42.372+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Geoff Taylor'/><title type='text'>0155 Geoff Taylor [Sweet Suite] FLAC 2(10.39)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-VMU21lNgPw4/TaVVL_CGUSI/AAAAAAAAABU/ae-F8hkjxhI/s1600/taylor%2Bfront.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 319px;" src="http://1.bp.blogspot.com/-VMU21lNgPw4/TaVVL_CGUSI/AAAAAAAAABU/ae-F8hkjxhI/s320/taylor%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5594971776464867618" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Geoff Taylor - alto&lt;br /&gt;Martin Slavin - vibes&lt;br /&gt;Dave Lee = piano&lt;br /&gt;Jimmy Currie - guitar&lt;br /&gt;Bill Sutcliffe - bass&lt;br /&gt;Kenny Clare - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Sweet Sue&lt;br /&gt;02 Sweet Lorraine&lt;br /&gt;&lt;br /&gt;Esquire ep 105&lt;br /&gt;&lt;br /&gt;A little known alto saxophonist who led his own Earl Bostic styled group in the 1950s and 1960s. He freelanced in the 1970s then left music only to resume regular playing and freelancing in the London area in the 1990s.&lt;br /&gt;Here he is heard on what was one half of a 10" lp with a&lt;br /&gt;'Sweet' theme which is perhaps generously described as 'pleasant'.&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans.&lt;br /&gt;&lt;br /&gt;Recorded October 24 1955&lt;br /&gt;&lt;br /&gt;Contributed by delmonico&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5059155290010614886?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5059155290010614886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/geoff-taylor-sweet-suite-flac-21039.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5059155290010614886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5059155290010614886'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/geoff-taylor-sweet-suite-flac-21039.html' title='0155 Geoff Taylor [Sweet Suite] FLAC 2(10.39)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-VMU21lNgPw4/TaVVL_CGUSI/AAAAAAAAABU/ae-F8hkjxhI/s72-c/taylor%2Bfront.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-6971942868239322499</id><published>2011-04-10T09:34:00.005+01:00</published><updated>2011-10-11T13:50:40.540+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tubby Hayes'/><category scheme='http://www.blogger.com/atom/ns#' term='Vic Ash'/><title type='text'>0154 Various [Modern Jazz Scene 1956] FLAC 15(1.01.52)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-j6xLEDzkQDQ/TaFr2gZH_SI/AAAAAAAAABE/jGDxZ6UfjBo/s1600/modern%2Bjazz%2Bscene%2Bfront.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-j6xLEDzkQDQ/TaFr2gZH_SI/AAAAAAAAABE/jGDxZ6UfjBo/s320/modern%2Bjazz%2Bscene%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5593870796323290402" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;01-07&lt;br /&gt;Ian Hamer - trumpet&lt;br /&gt;Dickie Hawdon - trumpet&lt;br /&gt;Mike Senn - alto&lt;br /&gt;Tubby Hayes - tenor&lt;br /&gt;Jackie Sharpe - baritone&lt;br /&gt;Harry South - piano&lt;br /&gt;Pete Blannin - bass&lt;br /&gt;Bill Eyden - drums&lt;br /&gt;Bobby Breen - conga, vocal&lt;br /&gt;&lt;br /&gt;08-11&lt;br /&gt;Vic Ash - clarinet&lt;br /&gt;Terry Shannon - piano&lt;br /&gt;Pete Elderfield - bass&lt;br /&gt;Benny Goodman - drums&lt;br /&gt;&lt;br /&gt;12-15&lt;br /&gt;Dizzy Reece - trumpet&lt;br /&gt;Derek Smith - piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Allan Ganley - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Orient Line&lt;br /&gt;02 Plymouth Rock&lt;br /&gt;03 Room 608&lt;br /&gt;04 Sophisticated Lady&lt;br /&gt;05 Mambo Tittoro&lt;br /&gt;06 I'll Remember April&lt;br /&gt;07 Doggin' Around&lt;br /&gt;08 Early Morning&lt;br /&gt;09 Doxy&lt;br /&gt;10 Blue Lou&lt;br /&gt;11 Just One of Those Things&lt;br /&gt;12 Any Questions&lt;br /&gt;13 These Foolish Things&lt;br /&gt;14 UMF&lt;br /&gt;15 Diz the Wiz&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-6971942868239322499?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/6971942868239322499/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/various-modern-jazz-scene-1956-flac.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6971942868239322499'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/6971942868239322499'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/various-modern-jazz-scene-1956-flac.html' title='0154 Various [Modern Jazz Scene 1956] FLAC 15(1.01.52)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-j6xLEDzkQDQ/TaFr2gZH_SI/AAAAAAAAABE/jGDxZ6UfjBo/s72-c/modern%2Bjazz%2Bscene%2Bfront.JPG' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4301208156470551220</id><published>2011-04-06T07:05:00.006+01:00</published><updated>2011-10-11T13:50:16.836+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ronnie Scott'/><title type='text'>0153 Ronnie Scott [Ronnie Scott Quintet] FLAC 2(28.01)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-7JwZmghbWFU/TZwC4W6DrVI/AAAAAAAAAAk/TT_LoRi4_eE/s1600/scott%2Bfront.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 314px;" src="http://3.bp.blogspot.com/-7JwZmghbWFU/TZwC4W6DrVI/AAAAAAAAAAk/TT_LoRi4_eE/s320/scott%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5592348004532333906" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Norman Stenfalt - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Great Scott&lt;br /&gt;02 All the Things You Are&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4301208156470551220?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4301208156470551220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/ronnie-scott-ronnie-scott-quintet-flac.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4301208156470551220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4301208156470551220'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/ronnie-scott-ronnie-scott-quintet-flac.html' title='0153 Ronnie Scott [Ronnie Scott Quintet] FLAC 2(28.01)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-7JwZmghbWFU/TZwC4W6DrVI/AAAAAAAAAAk/TT_LoRi4_eE/s72-c/scott%2Bfront.jpg' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5209921153495662686</id><published>2011-04-03T09:29:00.005+01:00</published><updated>2011-10-11T13:49:55.542+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Crombie'/><title type='text'>0152 Tony Crombie [Jazz Inc] FLAC 8(40.22)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-CGKKrUJtwgA/TZgwdtgGNbI/AAAAAAAAAAU/_MZ6Sx2cW3A/s1600/jazz%2Binc%2Bfront.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 316px;" src="http://3.bp.blogspot.com/-CGKKrUJtwgA/TZgwdtgGNbI/AAAAAAAAAAU/_MZ6Sx2cW3A/s320/jazz%2Binc%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5591272224369030578" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Leon Clavert- trumpet&lt;br /&gt;Les Condon - trumpet&lt;br /&gt;Al Newman - alto, clarinet&lt;br /&gt;Bobby Wellins - tenor&lt;br /&gt;Harry Klein - baritone&lt;br /&gt;Stan Tracey - piano&lt;br /&gt;Kenny Napper - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Caravan&lt;br /&gt;02 Boo-Bah&lt;br /&gt;03 Lullaby&lt;br /&gt;04 Reelin'&lt;br /&gt;05 Li'l Ol' Pottsville&lt;br /&gt;06 Jamba&lt;br /&gt;07 I Let a Song Go Out of My Heart&lt;br /&gt;08 Summertime&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5209921153495662686?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5209921153495662686/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/04/tony-crombie-jazz-inc-flac-84022.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5209921153495662686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5209921153495662686'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/04/tony-crombie-jazz-inc-flac-84022.html' title='0152 Tony Crombie [Jazz Inc] FLAC 8(40.22)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/01404789866173190798</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-CGKKrUJtwgA/TZgwdtgGNbI/AAAAAAAAAAU/_MZ6Sx2cW3A/s72-c/jazz%2Binc%2Bfront.JPG' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5507647710639084874</id><published>2011-03-30T09:37:00.007+01:00</published><updated>2011-10-11T13:49:37.115+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Johnny Grant'/><title type='text'>0151 Johnny Grant [Introducing Johnny Grant] FLAC 4(10.35)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-RdqHKl16I5U/TZLsBqTlkLI/AAAAAAAAApc/txvzdVxquIw/s1600/grant%2Bfront.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 319px; height: 320px;" src="http://4.bp.blogspot.com/-RdqHKl16I5U/TZLsBqTlkLI/AAAAAAAAApc/txvzdVxquIw/s320/grant%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5589789600800673970" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jimmy Watson - trumpet (?)&lt;br /&gt;Ken Wray - trombone&lt;br /&gt;Derek Humble - alto&lt;br /&gt;Tubby Hayes - tenor, vibes&lt;br /&gt;Unknown - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 You'd Better Know It&lt;br /&gt;02 Darn That Dream&lt;br /&gt;03 Zing Went the Strings of My Heart&lt;br /&gt;04 Then I'll Be Tired of You&lt;br /&gt;&lt;br /&gt;Vocalist Johnny Grant sang with the Ronnie Scott Band in 1953, later with Tony Crombie's Big Band and The Kirchin Band (previously featured on this blog). And then he seemed to disappear. I can find no trace of him in later years.&lt;br /&gt;&lt;br /&gt;The arrangements here are by pianist Norman Stenfalt but the sleeve notes are coy about who else played on the date. The Tubby Hayes discography suggests that the musicians are Tubby Hayes, Derek Humble, Jimmy Deuchar, Ken Wray, Stan Tracey, Lennie Bush and Tony Crombie but this has not been confirmed.&lt;br /&gt;&lt;br /&gt;I suppose that Grant sang in the style of the day with a wide vibrato but this sound now seems dated. It's pleasant enough but I guess that this not often seen ep from the late 1950s (1957/1958?) is a bit of a collector's item rather than being music of any significance. There are no band solos.&lt;br /&gt;&lt;br /&gt;Does anyone know what happened to Johnny Grant?&lt;br /&gt;&lt;br /&gt;FLAC with cover scans.&lt;br /&gt;&lt;br /&gt;Saga ESAG 7004&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5507647710639084874?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5507647710639084874/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/johnny-grant-introducing-johnny-grant.html#comment-form' title='19 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5507647710639084874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5507647710639084874'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/johnny-grant-introducing-johnny-grant.html' title='0151 Johnny Grant [Introducing Johnny Grant] FLAC 4(10.35)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-RdqHKl16I5U/TZLsBqTlkLI/AAAAAAAAApc/txvzdVxquIw/s72-c/grant%2Bfront.jpg' height='72' width='72'/><thr:total>19</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5713198066528874483</id><published>2011-03-27T12:48:00.005+01:00</published><updated>2011-10-11T13:49:16.583+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ted Heath'/><title type='text'>0150 Ted Heath [Ted Heath's 89th London Palladium Concert] FLAC 12(37.34)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-Nq2Gr50OAZM/TY8lIsYf-RI/AAAAAAAAApM/RgUV5McnjOE/s1600/Ted-Heath%2BLP89%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-Nq2Gr50OAZM/TY8lIsYf-RI/AAAAAAAAApM/RgUV5McnjOE/s320/Ted-Heath%2BLP89%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5588726493873174802" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ted Heath - leader&lt;br /&gt;Bobby Pratt - trumpet&lt;br /&gt;Duncan Campbell - trumpet&lt;br /&gt;Stan Reynolds - trumpet&lt;br /&gt;Ronnie Hughes - trumpet&lt;br /&gt;Don Lusher - trombone&lt;br /&gt;Jack Bentley - trombone&lt;br /&gt;Wally Smith - trombone&lt;br /&gt;Jackie Armstrong - trombone&lt;br /&gt;Roy Willox - alto&lt;br /&gt;Les Gilbert - alto&lt;br /&gt;Danny Moss - tenor&lt;br /&gt;Tommy Whittle - tenor&lt;br /&gt;George Hunter - baritone&lt;br /&gt;Frank Horrox - piano&lt;br /&gt;Johnny Hawksworth - bass&lt;br /&gt;Ronnie Verrell - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 The Champ&lt;br /&gt;02 Eloquence&lt;br /&gt;03 Do Nothin' Till You Hear from Me&lt;br /&gt;04 Pick Yourself Up&lt;br /&gt;05 Blues for Moderns&lt;br /&gt;06 Fourth Dimension&lt;br /&gt;07 Etrospect&lt;br /&gt;08 Dark Eyes&lt;br /&gt;09 Solitude&lt;br /&gt;10 The Hawk Talks&lt;br /&gt;11 I Got It Bad&lt;br /&gt;12 Rhapsody for Drums&lt;br /&gt;&lt;br /&gt;Recorded April 12 1953&lt;br /&gt;&lt;br /&gt;It was around the time of this recording that, as schoolboys, my best friend &amp;amp; I attended several of the Sunday night sessions. We cycled the 13 miles or so from our homes, parking our bikes in a nearby underground car park. Those were the days! Brufan.&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5713198066528874483?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5713198066528874483/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/ted-heath-ted-heaths-89th-london.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5713198066528874483'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5713198066528874483'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/ted-heath-ted-heaths-89th-london.html' title='0150 Ted Heath [Ted Heath&apos;s 89th London Palladium Concert] FLAC 12(37.34)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Nq2Gr50OAZM/TY8lIsYf-RI/AAAAAAAAApM/RgUV5McnjOE/s72-c/Ted-Heath%2BLP89%2Bfront.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3037004780288785498</id><published>2011-03-23T08:49:00.006Z</published><updated>2011-10-11T13:48:52.212+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Al Fairweather'/><title type='text'>0149 Al Fairweather [Fairweather Friends Part One] FLAC 2(11.10)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-cuGWgMOFe2g/TYm0U4YwSvI/AAAAAAAAAo8/JrNtBI6YNDQ/s1600/FairFriends_Front.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-cuGWgMOFe2g/TYm0U4YwSvI/AAAAAAAAAo8/JrNtBI6YNDQ/s320/FairFriends_Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5587195083556408050" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Al Fairweather - trumpet&lt;br /&gt;Tony Milliner - bass trumpet, trombone&lt;br /&gt;Tony Coe - alto&lt;br /&gt;Red Price - tenor&lt;br /&gt;Stan Greig - piano&lt;br /&gt;Al McPake - guitar&lt;br /&gt;Tim Mahn - bass&lt;br /&gt;Graham Burbidge - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 I Can't Give You Anything but Love&lt;br /&gt;02 September in the Rain&lt;br /&gt;&lt;br /&gt;Recorded November 14 1957&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3037004780288785498?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3037004780288785498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/al-fairweather-fairweather-friends-part.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3037004780288785498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3037004780288785498'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/al-fairweather-fairweather-friends-part.html' title='0149 Al Fairweather [Fairweather Friends Part One] FLAC 2(11.10)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-cuGWgMOFe2g/TYm0U4YwSvI/AAAAAAAAAo8/JrNtBI6YNDQ/s72-c/FairFriends_Front.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8441835698147015068</id><published>2011-03-16T08:30:00.006Z</published><updated>2011-10-11T13:48:10.064+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Allan Ganley'/><title type='text'>0147 Allan Ganley [The High Priest] FLAC 4(14.46)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-kO5wC-TIkm4/TYB1cKxIo7I/AAAAAAAAAoM/cLCIOd6T7WI/s1600/high%2Bpriest%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 315px; height: 320px;" src="http://3.bp.blogspot.com/-kO5wC-TIkm4/TYB1cKxIo7I/AAAAAAAAAoM/cLCIOd6T7WI/s320/high%2Bpriest%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5584592664726643634" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Art Ellefson - tenor&lt;br /&gt;Stan Jones - piano&lt;br /&gt;Stan Wasser - bass&lt;br /&gt;Allan Ganley - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Open Country&lt;br /&gt;02 Beaulieu&lt;br /&gt;03 The High Priest&lt;br /&gt;04 Blue Skies&lt;br /&gt;&lt;br /&gt;Tracks 01 and 02 have inadvertently been reversed&lt;br /&gt;&lt;br /&gt;Recorded August 1958&lt;br /&gt;&lt;br /&gt;Contributed by Azule Serape&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8441835698147015068?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8441835698147015068/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/allan-ganley-high-priest-flac-41446.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8441835698147015068'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8441835698147015068'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/allan-ganley-high-priest-flac-41446.html' title='0147 Allan Ganley [The High Priest] FLAC 4(14.46)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-kO5wC-TIkm4/TYB1cKxIo7I/AAAAAAAAAoM/cLCIOd6T7WI/s72-c/high%2Bpriest%2Bfront.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7063815311870732650</id><published>2011-03-12T12:38:00.013Z</published><updated>2011-10-11T13:47:50.532+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Eric Delaney'/><title type='text'>0146 Eric Delaney [Mainly Delaney] 320 12(40.56)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-H32cK3nUzQE/TXtpxMYijPI/AAAAAAAAAn8/J6o35LUr-QA/s1600/delaney%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 306px; height: 320px;" src="http://4.bp.blogspot.com/-H32cK3nUzQE/TXtpxMYijPI/AAAAAAAAAn8/J6o35LUr-QA/s320/delaney%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5583172456914521330" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Albert Hall - trumpet&lt;br /&gt;Bert Courtley - trumpet&lt;br /&gt;Jimmy Skidmore - tenor&lt;br /&gt;Alan Nesbitt&lt;br /&gt;Eric Delaney - drums, tympanis&lt;br /&gt;others unknown&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Oranges And Lemons&lt;br /&gt;02 Cockles and Mussels&lt;br /&gt;03 Roamin' In The Gloamin'&lt;br /&gt;04 Say Si Si&lt;br /&gt;05 Mainly Delaney&lt;br /&gt;06 Rock An' Roll King Cole&lt;br /&gt;07 Ain't She Sweet&lt;br /&gt;08 Hornpipe Boogie&lt;br /&gt;09 Truckin'&lt;br /&gt;10 Rockin' The Tymps&lt;br /&gt;11 One O'Clock Jump&lt;br /&gt;12 Ripe Cherry Rock&lt;br /&gt;&lt;br /&gt;Recorded 1954 1955 1956&lt;br /&gt;&lt;br /&gt;Mercury MG 20258&lt;br /&gt;&lt;br /&gt;Eric Delaney (born 22 May 1924, Acton, west London) is an English drummer and bandleader, popular in the 1950s and early 1960s.Aged 16 he won the Best Swing Drummer award and later joined the Bert Ambrose Octet which featured George Shearing on piano. During 1947-54 he appeared with the Geraldo Orchestra and filled his time with regular session work in recording studios and on film, TV and radio. In 1954 he formed his own band and later signed with the new Pye Records label. He made three Royal Variety Show appearances, the first in 1956.&lt;br /&gt;&lt;br /&gt;Delaney specialised in up-tempo dance hall music, often carrying a rock n' roll label but closer in spirit to that of Geraldo and Joe Loss. As with many similar artists, the music Delaney performed moved out of vogue after The Beatles. Nonetheless, Delaney remained active touring in the UK, notably in holiday resorts.&lt;br /&gt;&lt;br /&gt;Fuller details of Delaney's life – he's still touring – along with photographs and comments from Kenny Ball, Elkie Brooks, Terry Lightfoot, Humphrey Lyttelton and others - are in Eddie Sammons' biography.[2]&lt;br /&gt;&lt;br /&gt;Eric's grandson, Jake Delaney, is also a talented drummer. He will probably inherit Eric's drum kit.&lt;br /&gt;&lt;br /&gt;Although best known as a jazz drummer, Eric is a talented multi-percussionist. As well as the drums he plays xylophone, glockenspiel, timpani, military side drum, tubular bells, a variety of Chinese gongs and tam tams and has incorporated many everyday items such as brushes and whistles into his shows over the years.&lt;br /&gt;&lt;br /&gt;This American 12" LP "Mainly Delaney" sold very well and was an extended version of his 10" Nixa LP in UK.Freshly ripped vinyl , enjoy!!&lt;br /&gt;&lt;br /&gt;Contributed by tyronetieclip&lt;br /&gt;&lt;br /&gt;Another new contributor so please leave thanks for him in comments.&lt;br /&gt;&lt;br /&gt;We have had some discussion about the appropriateness of this album to the blog. There are tracks which almost no-one would say are jazz but others which indubitably do qualify. Anyway, as was mentioned, it is "fun" so here it is. BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7063815311870732650?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7063815311870732650/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/eric-delaney-mainly-delaney-320-124056.html#comment-form' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7063815311870732650'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7063815311870732650'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/eric-delaney-mainly-delaney-320-124056.html' title='0146 Eric Delaney [Mainly Delaney] 320 12(40.56)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-H32cK3nUzQE/TXtpxMYijPI/AAAAAAAAAn8/J6o35LUr-QA/s72-c/delaney%2Bfront.jpg' height='72' width='72'/><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8440481023644259017</id><published>2011-03-09T08:47:00.007Z</published><updated>2011-10-11T13:47:25.911+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Johnny Keating'/><title type='text'>0145 Johnny Keating [Spotlight on European Jazz Vol 1 British] FLAC 4(12.03)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-eaNt47eR8EM/TXc-9_zohyI/AAAAAAAAAnU/NKsWlyZyCL0/s1600/Keating_Front.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-eaNt47eR8EM/TXc-9_zohyI/AAAAAAAAAnU/NKsWlyZyCL0/s320/Keating_Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5581999497969960738" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Johnny Keating - leader&lt;br /&gt;Eddie Blair - trumpet&lt;br /&gt;Bobby Pratt - trumpet&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Maurice Pratt - trombone&lt;br /&gt;Don Lusher - trombone&lt;br /&gt;Keith Christie - trombone&lt;br /&gt;Jimmy Wilson - trombone&lt;br /&gt;Ian Powell - tuba&lt;br /&gt;Ronnie Chamberlain - alto&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Bob Efford - tenor&lt;br /&gt;Tommy Whittle  - tenor&lt;br /&gt;Ronnie Ross - baritone&lt;br /&gt;Bill Le Sage - vibes, piano&lt;br /&gt;Damian Robinson - piano&lt;br /&gt;Johnny Hawksworth - bass&lt;br /&gt;Ronnie Verrill - drums&lt;br /&gt;Dizzy Reece - bongoes&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Lazy&lt;br /&gt;02 Ultraviolet&lt;br /&gt;03 Piccadilly Jumps&lt;br /&gt;04 Good Life&lt;br /&gt;&lt;br /&gt;Recorded March 19 and 20 1956&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;br /&gt;&lt;br /&gt;And here are some alternative images not included in the download, with thanks to an anonymous contributor:-&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-9ofO8hr4OTk/TXeAu22XMoI/AAAAAAAAAnk/NFQMrBw4PW8/s1600/jkeating%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-9ofO8hr4OTk/TXeAu22XMoI/AAAAAAAAAnk/NFQMrBw4PW8/s320/jkeating%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5582071805634884226" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-VPJE0BKxO-M/TXeAuslgYHI/AAAAAAAAAnc/us8wQ25lgJM/s1600/jkeating%2Bback.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-VPJE0BKxO-M/TXeAuslgYHI/AAAAAAAAAnc/us8wQ25lgJM/s320/jkeating%2Bback.JPG" alt="" id="BLOGGER_PHOTO_ID_5582071802879828082" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8440481023644259017?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8440481023644259017/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/johnny-keating-spotlight-on-european.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8440481023644259017'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8440481023644259017'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/johnny-keating-spotlight-on-european.html' title='0145 Johnny Keating [Spotlight on European Jazz Vol 1 British] FLAC 4(12.03)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-eaNt47eR8EM/TXc-9_zohyI/AAAAAAAAAnU/NKsWlyZyCL0/s72-c/Keating_Front.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8785779185045073057</id><published>2011-03-06T07:28:00.008Z</published><updated>2011-10-11T13:46:48.690+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Chris Barber'/><title type='text'>0144 Chris Barber [In Concert Volume Three] FLAC 9(47.44)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-UmoAeqQV078/TXM32EHEQ0I/AAAAAAAAAnE/uTyoJ5Eui2M/s1600/Chris%2BBarber%2BBand%2B-%2BIn%2BConcert%2B%2528Dome%2BBrighton%2B1958%2529%2B-%2BLP%2BNJL17%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-UmoAeqQV078/TXM32EHEQ0I/AAAAAAAAAnE/uTyoJ5Eui2M/s320/Chris%2BBarber%2BBand%2B-%2BIn%2BConcert%2B%2528Dome%2BBrighton%2B1958%2529%2B-%2BLP%2BNJL17%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5580865765198021442" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Pat Halcox - trumpet&lt;br /&gt;Chris Barber - trombone&lt;br /&gt;Monty Sunshine - clarinet&lt;br /&gt;Eddie Smith - banjo&lt;br /&gt;Dick smith - bass&lt;br /&gt;Graham Burbidge - drums&lt;br /&gt;Ottilie Patterson - vocal&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Bugle Boy March&lt;br /&gt;02 Pretty Baby&lt;br /&gt;03 Majorca&lt;br /&gt;04 Georgie Grind&lt;br /&gt;05 Rockin' in Rhythm&lt;br /&gt;06 My Old Kentucky Home&lt;br /&gt;07 Careless Love&lt;br /&gt;08 Strange Things Happen Every Day&lt;br /&gt;09 Mama Don't Allow&lt;br /&gt;&lt;br /&gt;Recorded March 1 1958&lt;br /&gt;&lt;br /&gt;Contributed by Gonzo&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8785779185045073057?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8785779185045073057/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/chris-barber-in-concert-volume-three.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8785779185045073057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8785779185045073057'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/chris-barber-in-concert-volume-three.html' title='0144 Chris Barber [In Concert Volume Three] FLAC 9(47.44)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-UmoAeqQV078/TXM32EHEQ0I/AAAAAAAAAnE/uTyoJ5Eui2M/s72-c/Chris%2BBarber%2BBand%2B-%2BIn%2BConcert%2B%2528Dome%2BBrighton%2B1958%2529%2B-%2BLP%2BNJL17%2Bfront.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5228307239755106143</id><published>2011-03-02T06:54:00.006Z</published><updated>2011-10-11T13:46:26.939+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Elaine Delmar'/><category scheme='http://www.blogger.com/atom/ns#' term='Victor Feldman'/><category scheme='http://www.blogger.com/atom/ns#' term='Dill Jones'/><title type='text'>0143 Elaine Delmar [A Swingin' Chick] FLAC 4(12.12)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-uZrI1tkmVCw/TW3p8HpjZzI/AAAAAAAAAm0/dO68mG4uZ5Y/s1600/delmar%2Bchick%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://3.bp.blogspot.com/-uZrI1tkmVCw/TW3p8HpjZzI/AAAAAAAAAm0/dO68mG4uZ5Y/s320/delmar%2Bchick%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5579372732436670258" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Victor Feldman - vibes&lt;br /&gt;Dill Jones - piano&lt;br /&gt;Bill Sutcliffe - bass&lt;br /&gt;Benny Goodman - drums&lt;br /&gt;Elaine Delmar - vocals&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Am I Blue?&lt;br /&gt;02 Why Can't I?&lt;br /&gt;03 Wonderful Guy&lt;br /&gt;04 Blue Turning Grey Over You&lt;br /&gt;&lt;br /&gt;Elaine's first recordings with a jazz group dating from August 1960 with&lt;br /&gt;&lt;br /&gt;Victor Feldman and the Dill Jones Trio.&lt;br /&gt;&lt;br /&gt;No, it's not THE Benny Goodman on drums, only one of the local London lads&lt;br /&gt;&lt;br /&gt;who was very active around this period.&lt;br /&gt;&lt;br /&gt;FLAC with ep cover scans.&lt;br /&gt;&lt;br /&gt;Metronome MEP 1786&lt;br /&gt;&lt;br /&gt;Recorded August 23 1960&lt;br /&gt;&lt;br /&gt;Contributed by delmonico&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5228307239755106143?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5228307239755106143/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/03/elaine-delmar-swingin-chick-flac-41212.html#comment-form' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5228307239755106143'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5228307239755106143'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/03/elaine-delmar-swingin-chick-flac-41212.html' title='0143 Elaine Delmar [A Swingin&apos; Chick] FLAC 4(12.12)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-uZrI1tkmVCw/TW3p8HpjZzI/AAAAAAAAAm0/dO68mG4uZ5Y/s72-c/delmar%2Bchick%2Bfront.JPG' height='72' width='72'/><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4878895416146096644</id><published>2011-02-27T10:11:00.008Z</published><updated>2011-10-11T13:46:05.721+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bertie King'/><category scheme='http://www.blogger.com/atom/ns#' term='Jimmy Skidmore'/><title type='text'>0142 Jimmy Skidmore and Bertie King [Mainstream at Nixa Volume Two] FLAC 6(26.03)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-gnlJhIJ8_GY/TWomoRH1h1I/AAAAAAAAAmk/fMmteweFn6o/s1600/MnstrmNixaFront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-gnlJhIJ8_GY/TWomoRH1h1I/AAAAAAAAAmk/fMmteweFn6o/s320/MnstrmNixaFront.jpg" alt="" id="BLOGGER_PHOTO_ID_5578313561684674386" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Leslie Jiver Hutchinson - trumpet&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Bertie King - alto&lt;br /&gt;Jimmy Skidmore - tenor&lt;br /&gt;Kenny Graham - tenor&lt;br /&gt;Cliff Townsend - baritone&lt;br /&gt;Max Harris - piano&lt;br /&gt;Derek Smith - piano&lt;br /&gt;Cedric West - guitar&lt;br /&gt;Major Holley - bass&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Between the Devil and the Deep Blue Sea&lt;br /&gt;02 You Took Advantage of Me&lt;br /&gt;03 Coquette&lt;br /&gt;04 Blue Interlude&lt;br /&gt;05 Skip It&lt;br /&gt;06 Lazy Afternoon&lt;br /&gt;&lt;br /&gt;Recorded September 20 and October 12 1956&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4878895416146096644?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4878895416146096644/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/jimmy-skidmore-and-bertie-king.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4878895416146096644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4878895416146096644'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/jimmy-skidmore-and-bertie-king.html' title='0142 Jimmy Skidmore and Bertie King [Mainstream at Nixa Volume Two] FLAC 6(26.03)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-gnlJhIJ8_GY/TWomoRH1h1I/AAAAAAAAAmk/fMmteweFn6o/s72-c/MnstrmNixaFront.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4146876121752696520</id><published>2011-02-23T08:58:00.004Z</published><updated>2011-10-11T13:45:37.310+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Joe Harriott'/><title type='text'>0141 Joe Harriott [A Guy Called Joe] FLAC 2(11.09)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-pbA6tfTbBK8/TWTMmqgCsHI/AAAAAAAAAmE/7kzrm8U-ZJY/s1600/AGCJ_Front.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-pbA6tfTbBK8/TWTMmqgCsHI/AAAAAAAAAmE/7kzrm8U-ZJY/s320/AGCJ_Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5576807203207295090" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Shake Keane - trumpet, flugelhorn&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Harry South - piano&lt;br /&gt;Coleridge Goode - bass&lt;br /&gt;Bobby Orr - drums&lt;br /&gt;Frank Holder - bongoes&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Liggin'&lt;br /&gt;02 Caravan&lt;br /&gt;&lt;br /&gt;Recorded April 8 and 21 1960&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4146876121752696520?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4146876121752696520/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/joe-harriott-guy-called-joe-flac-21109.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4146876121752696520'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4146876121752696520'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/joe-harriott-guy-called-joe-flac-21109.html' title='0141 Joe Harriott [A Guy Called Joe] FLAC 2(11.09)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-pbA6tfTbBK8/TWTMmqgCsHI/AAAAAAAAAmE/7kzrm8U-ZJY/s72-c/AGCJ_Front.jpg' height='72' width='72'/><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-8692745925948533480</id><published>2011-02-15T09:38:00.006Z</published><updated>2011-10-11T13:44:55.151+01:00</updated><title type='text'>0139 Sir George Shearing O.B.E. [Tribute Selection] FLAC MP3 9(27.41)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-HfdCzzt0vN4/TVpJsV9AVWI/AAAAAAAAAlk/x0sdcBfXaX0/s1600/George%2BShearing%2B-%2Bpic.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 256px; height: 320px;" src="http://2.bp.blogspot.com/-HfdCzzt0vN4/TVpJsV9AVWI/AAAAAAAAAlk/x0sdcBfXaX0/s320/George%2BShearing%2B-%2Bpic.jpg" alt="" id="BLOGGER_PHOTO_ID_5573848514980500834" border="0" /&gt;&lt;/a&gt;13 August 1919 - 14 February 2011&lt;br /&gt;&lt;br /&gt;Personnel:&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;Harry Hayes - alto&lt;br /&gt;Aubrey Franks - tenor&lt;br /&gt;Harry Parry - clarinet&lt;br /&gt;Roy Marsh - vibes&lt;br /&gt;Joe Roland - vibes&lt;br /&gt;George Shearing - piano, accordion&lt;br /&gt;Leonard Feather - piano&lt;br /&gt;Frank Deniz - guitar&lt;br /&gt;Alan Mindel - guitar&lt;br /&gt;Dennis Wright - guitar&lt;br /&gt;Chuck Wayne - guitar&lt;br /&gt;Sam Molyneaux - bass&lt;br /&gt;Tommy Bromley - bass&lt;br /&gt;Arthur O'Neill - bass&lt;br /&gt;Al McKibbon - bass&lt;br /&gt;Carlo Krahmer - drums&lt;br /&gt;Ben Edwards - drums&lt;br /&gt;Dave Fullerton - drums&lt;br /&gt;Denzil Best - drums&lt;br /&gt;Stephane Grappelli - violin&lt;br /&gt;Beryl Davis - vocal&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 How Come You Do Me Like You Do&lt;br /&gt;02 Stomp in F&lt;br /&gt;03 Squeezin' the Blues&lt;br /&gt;04 Dim Blues&lt;br /&gt;05 Champagne&lt;br /&gt;06 Riff Up Them Stairs&lt;br /&gt;07 Five Flat Flurry&lt;br /&gt;08 Don't You Know That I Care&lt;br /&gt;09 Lullaby of Birdland&lt;br /&gt;&lt;br /&gt;British born pianist Sir George Shearing died at his home in New York on 14 February from heart failure.&lt;br /&gt;&lt;br /&gt;There will be many obituaries written by others so BritJazz has decided to be brief and, instead, offer a selection of George's  pre USA music for you to enjoy.&lt;br /&gt;&lt;br /&gt;Born blind, George never seemed to have a problem finding work in the UK and at one time, aged just 17,  was a member of Claude Bampton's Band of blind musicians. Their signature tune was aptly 'I'll See You In My Dreams' which was actually suggested by one of the band members.&lt;br /&gt;&lt;br /&gt;Imagine the organisation required to transport a group of 20 blind musicians around the country to their various engagements.&lt;br /&gt;&lt;br /&gt;The band parts were first copied out in Braille and each musician had to 'read' and memorize his own part and then play it.&lt;br /&gt;&lt;br /&gt;George emigrated to the USA in 1947 where he enjoyed a long and illustrious career firstly in jazz and then branching out into the wider entertainment world.&lt;br /&gt;&lt;br /&gt;He retained his affection for his country of birth, visiting and playing here often, receiving the OBE in 1996 and being knighted by the Queen in 2007 for services to music.&lt;br /&gt;&lt;br /&gt;George will be remembered for the vast library of music of all styles he left behind for others to enjoy in the future. The 'Shearing Sound' started a whole new trend in small group jazz music and his composition 'Lullaby of Birdland' has become a jazz classic.&lt;br /&gt;&lt;br /&gt;In keeping with BritJazz policy the music, with one special exception, was all recorded before 1947 in the UK and full recording details are provided.&lt;br /&gt;&lt;br /&gt;The special exception is, of course, 'Lullaby of Birdland' recorded by the classic Shearing Quintet in 1952 in New York.&lt;br /&gt;&lt;br /&gt;How could we omit that?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-8692745925948533480?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/8692745925948533480/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/sir-george-shearing-obe-tribute.html#comment-form' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8692745925948533480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/8692745925948533480'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/sir-george-shearing-obe-tribute.html' title='0139 Sir George Shearing O.B.E. [Tribute Selection] FLAC MP3 9(27.41)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-HfdCzzt0vN4/TVpJsV9AVWI/AAAAAAAAAlk/x0sdcBfXaX0/s72-c/George%2BShearing%2B-%2Bpic.jpg' height='72' width='72'/><thr:total>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2430691423280994709</id><published>2011-02-13T09:47:00.005Z</published><updated>2011-10-11T13:44:21.660+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pat Dodd'/><title type='text'>0138 Pat Dodd [Piano Magic] FLAC 12(29.49)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-FiQzRLRWGBk/TVeo74HwwYI/AAAAAAAAAlc/i_dgkdYfh2Q/s1600/Pat%2BDodd%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-FiQzRLRWGBk/TVeo74HwwYI/AAAAAAAAAlc/i_dgkdYfh2Q/s320/Pat%2BDodd%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5573108810524967298" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Pat Dodd - piano&lt;br /&gt;Joe Muddel - bass&lt;br /&gt;George Fierstone - drums&lt;br /&gt;&lt;br /&gt;01 Wrap Your Troubles in Dreams&lt;br /&gt;02 The Very Thought of You&lt;br /&gt;03 My Melancholy Baby&lt;br /&gt;04 I Surrender Dear&lt;br /&gt;05 As Time Goes By&lt;br /&gt;06 Once in a While&lt;br /&gt;07 Stars Fell on Alabama&lt;br /&gt;08 Body and Soul&lt;br /&gt;09 A Lovely Way to Spend an Evening&lt;br /&gt;10 You Go to My Head&lt;br /&gt;11 You are Too Beautiful&lt;br /&gt;12 Someone to Watch Over Me&lt;br /&gt;&lt;br /&gt;Recorded c.1955&lt;br /&gt;&lt;br /&gt;Pat Dodd (1909-1991), is another virtually unknown pianist.&lt;br /&gt;&lt;br /&gt;He played piano from the age of 6, accompanied silent movies at the age of 14 and then spent the next part of his musical career in many of the  Dance Bands of the 1930s in the London area where there was unlimited work for excellent sight readers such as Pat.  His first recordings were in 1930 with Percival Mackey and he later recorded with Freddy Gardner, Joe Daniels, Stephane Grappelli and Benny Carter in 1936.&lt;br /&gt;&lt;br /&gt;He was the pianist with the Skyrockets (who recorded extensively) during the War  and continued with them afterwards in their long residency at the London Palladium starting in 1947 right through until 1955 when they disbanded.  He continued to work at the Palladium (he was the only Skyrockets band member to be retained) but was increasingly active in television and became a musical associate for ATV at Elstree Studios until retiring in 1975.&lt;br /&gt;&lt;br /&gt;These trio recordings from the late 1950s, with Joe Muddel on bass and George Fierstone on drums, are all good tunes, nicely played but lacking that certain 'sparkle' to make them stand out.  The original source is unknown.&lt;br /&gt;&lt;br /&gt;Jazz or just easy listening?&lt;br /&gt;&lt;br /&gt;FLAC with personnel/track details.&lt;br /&gt;&lt;br /&gt;Contributed by delmonico.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2430691423280994709?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2430691423280994709/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/pat-dodd-piano-magic-flac-122949.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2430691423280994709'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2430691423280994709'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/pat-dodd-piano-magic-flac-122949.html' title='0138 Pat Dodd [Piano Magic] FLAC 12(29.49)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-FiQzRLRWGBk/TVeo74HwwYI/AAAAAAAAAlc/i_dgkdYfh2Q/s72-c/Pat%2BDodd%2Bfront.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3825998139837103688</id><published>2011-02-09T08:55:00.005Z</published><updated>2011-10-11T13:44:00.454+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Humphrey Lyttelton'/><title type='text'>0137 Humphrey Lyttelton [Lightly and Politely] FLAC 4(14.10)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_cpZj-P6q3E0/TVJW8B1iNAI/AAAAAAAAAlU/lCKRDM3GPwU/s1600/LAP_HLF_EP%2BFront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_cpZj-P6q3E0/TVJW8B1iNAI/AAAAAAAAAlU/lCKRDM3GPwU/s320/LAP_HLF_EP%2BFront.jpg" alt="" id="BLOGGER_PHOTO_ID_5571611278295839746" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Humphrey Lyttelton - trumpet&lt;br /&gt;Bruce Turner - alto&lt;br /&gt;Johnny Parker - piano&lt;br /&gt;Jim Bray - bass&lt;br /&gt;Stan Greig - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Squeeze Me&lt;br /&gt;02 Handful of Keys&lt;br /&gt;03 Lightly and Politely&lt;br /&gt;04 It's a Thing&lt;br /&gt;&lt;br /&gt;Recorded September 29 1955&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3825998139837103688?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3825998139837103688/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/humphrey-lyttelton-lightly-and-politely.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3825998139837103688'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3825998139837103688'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/humphrey-lyttelton-lightly-and-politely.html' title='0137 Humphrey Lyttelton [Lightly and Politely] FLAC 4(14.10)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_cpZj-P6q3E0/TVJW8B1iNAI/AAAAAAAAAlU/lCKRDM3GPwU/s72-c/LAP_HLF_EP%2BFront.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3823092756701063682</id><published>2011-02-06T09:22:00.004Z</published><updated>2011-10-11T13:43:40.863+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Chris Barber'/><title type='text'>0136 Chris Barber [In Concert Volume Two] FLAC (44.26)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cpZj-P6q3E0/TU5o7IUUVCI/AAAAAAAAAlE/6gHMht_bBVA/s1600/Chris%2BBarber%2BBand%2B-%2BIn%2BConcert%2B%2528BTH%2B1958%2529%2B-%2BLP%2BNJL15%2B-%2BFront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_cpZj-P6q3E0/TU5o7IUUVCI/AAAAAAAAAlE/6gHMht_bBVA/s320/Chris%2BBarber%2BBand%2B-%2BIn%2BConcert%2B%2528BTH%2B1958%2529%2B-%2BLP%2BNJL15%2B-%2BFront.jpg" alt="" id="BLOGGER_PHOTO_ID_5570505154158154786" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Pat Halcox - trumpet&lt;br /&gt;Chris Barber - trombone&lt;br /&gt;Mony Sunshine - clarinet&lt;br /&gt;Eddie Smith - banjo&lt;br /&gt;Dick smith - bass&lt;br /&gt;Graham Burbidge - drums&lt;br /&gt;Ottilie Patterson - vocal&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Bourbon Street Parade&lt;br /&gt;02 Savoy Blues&lt;br /&gt;03 Lonesome Road&lt;br /&gt;04 Sheik of Araby&lt;br /&gt;05 Bill Bailey&lt;br /&gt;06 You Took Advantage of Me&lt;br /&gt;07 Sweet Sue&lt;br /&gt;08 Moonshine Man&lt;br /&gt;09 You Rascal You&lt;br /&gt;&lt;br /&gt;Contributed by Gonzo&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3823092756701063682?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3823092756701063682/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/chris-barber-in-concert-volume-two-flac.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3823092756701063682'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3823092756701063682'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/chris-barber-in-concert-volume-two-flac.html' title='0136 Chris Barber [In Concert Volume Two] FLAC (44.26)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_cpZj-P6q3E0/TU5o7IUUVCI/AAAAAAAAAlE/6gHMht_bBVA/s72-c/Chris%2BBarber%2BBand%2B-%2BIn%2BConcert%2B%2528BTH%2B1958%2529%2B-%2BLP%2BNJL15%2B-%2BFront.jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-936696097688463221</id><published>2011-02-02T13:07:00.009Z</published><updated>2011-10-11T13:43:19.910+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stephane Grappelli'/><category scheme='http://www.blogger.com/atom/ns#' term='George Shearing'/><category scheme='http://www.blogger.com/atom/ns#' term='Django Reinhardt'/><category scheme='http://www.blogger.com/atom/ns#' term='Beryl Davis'/><title type='text'>0135 Beryl Davis [Quintette du Hot Club de France] [Stephane Grappelly Quartet] Var MP3 4(12.00)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cpZj-P6q3E0/TUlXUPosZqI/AAAAAAAAAko/Q0RjRQKMlRo/s1600/beryl%2Bdavis.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 204px; height: 212px;" src="http://4.bp.blogspot.com/_cpZj-P6q3E0/TUlXUPosZqI/AAAAAAAAAko/Q0RjRQKMlRo/s320/beryl%2Bdavis.jpg" alt="" id="BLOGGER_PHOTO_ID_5569078419526543010" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;George Shearing - piano&lt;br /&gt;Django Reinhardt - guitar&lt;br /&gt;Joseph Reinhardt - guitar&lt;br /&gt;Eugene Vees - guitar&lt;br /&gt;Joe Nussbaum - bass&lt;br /&gt;Emmanuel Soudieus - bass&lt;br /&gt;Dave Fullerton - drums&lt;br /&gt;Stephane Grappelli - violin&lt;br /&gt;Beryl Davis - vocals&lt;br /&gt;&lt;br /&gt;01 Undecided&lt;br /&gt;02 Don't Worry 'Bout Me&lt;br /&gt;03 Star Eyes&lt;br /&gt;04 Heavenly Music&lt;br /&gt;&lt;br /&gt;A small selection from recordings made in London to illustrate the early work of Beryl Davis.&lt;br /&gt;The last track was also searched out separately and comes from a 78 so is quite scratchy.&lt;br /&gt;&lt;br /&gt;No images.&lt;br /&gt;&lt;br /&gt;Recorded August 25 1939 and October 6 1943&lt;br /&gt;&lt;br /&gt;DECCA 180.024 and F8375&lt;br /&gt;&lt;br /&gt;Contributed by Chauncy - always good to welcome a new contributor!&lt;br /&gt;&lt;br /&gt;PS A couple of nice songs sent in later by Chauncy - see lower down in the comments - MP3s. Thanks again, Chauncy.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-936696097688463221?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/936696097688463221/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/02/beryl-davis-quintette-du-hot-club-de.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/936696097688463221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/936696097688463221'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/02/beryl-davis-quintette-du-hot-club-de.html' title='0135 Beryl Davis [Quintette du Hot Club de France] [Stephane Grappelly Quartet] Var MP3 4(12.00)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_cpZj-P6q3E0/TUlXUPosZqI/AAAAAAAAAko/Q0RjRQKMlRo/s72-c/beryl%2Bdavis.jpg' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7925993585827584759</id><published>2011-01-30T11:07:00.011Z</published><updated>2011-10-11T13:42:55.027+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Dankworth'/><category scheme='http://www.blogger.com/atom/ns#' term='Eric Delaney'/><title type='text'>0134 Melody Maker Stars [Waxing the Winners] FLAC 11(54.14)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_cpZj-P6q3E0/TUVG0YlhMGI/AAAAAAAAAkg/zVE3FUQDl0k/s1600/waxing%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 316px;" src="http://2.bp.blogspot.com/_cpZj-P6q3E0/TUVG0YlhMGI/AAAAAAAAAkg/zVE3FUQDl0k/s320/waxing%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5567934380080443490" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;John Dankworth - leader, alto&lt;br /&gt;Eric Delaney - leader, drums, tympani&lt;br /&gt;Kenny Baker - trumpet&lt;br /&gt;Don Lusher - trombone&lt;br /&gt;Keith Christie - trombone&lt;br /&gt;Ronnie Chamberlain - soprano, alto, tenor&lt;br /&gt;Harry Klein - alto, baritone&lt;br /&gt;Vic Ash - alto, clarinet&lt;br /&gt;Ronnie Scott - tenor&lt;br /&gt;Tommy Whittle - tenor&lt;br /&gt;Victor Feldman - vibes&lt;br /&gt;Bill McGuffie - piano&lt;br /&gt;Tito Burns - accordion&lt;br /&gt;Ivor Mairants - guitar&lt;br /&gt;Bert Weedon - guitar&lt;br /&gt;Johnny Hawksworth - bass&lt;br /&gt;Joe Muddel - bass&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 For Voters Only (#1)&lt;br /&gt;02 For Voters Only (#2)&lt;br /&gt;03 Gallop Poll (#2)&lt;br /&gt;04 Gallop Poll (#3)&lt;br /&gt;05 Swingdido&lt;br /&gt;06 The Gershwin Ballad Medley-Summertime;Someone to Watch Over Me;Love Walked In;Embraceable You&lt;br /&gt;07 Waxing the Winners&lt;br /&gt;08 Searchlight&lt;br /&gt;09 The Fifth Man&lt;br /&gt;10 Mike's Choice&lt;br /&gt;11 St Maurice&lt;br /&gt;&lt;br /&gt;Recorded May 8 1952, March 7 1954 and March 7 1955&lt;br /&gt;&lt;br /&gt;Esquire 325&lt;br /&gt;&lt;br /&gt;Another fine compilation of the MM Poll Winners for 1954-55 as chosen by the readers and, in contrast, 4 tracks by musicians chosen by the critics/music columnists in 1952 and originally released on 2 x 78 rpm records.  Again, there are alternate takes in some cases.&lt;br /&gt;&lt;br /&gt;All were recorded by Esquire, the champion for British jazz in this period, and this compilation is from the re-issue lp.&lt;br /&gt;&lt;br /&gt;Quality is variable as is the case with many of these Esquire Treasure Chest re-issue lps.&lt;br /&gt;&lt;br /&gt;FLAC with lp cover scans.&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;br /&gt;&lt;br /&gt;Yet another premier album from one of our star contributors. We hope to receive lots of comments about this one - don't let us down.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7925993585827584759?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7925993585827584759/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/melody-maker-stars-waxing-winners-flac.html#comment-form' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7925993585827584759'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7925993585827584759'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/melody-maker-stars-waxing-winners-flac.html' title='0134 Melody Maker Stars [Waxing the Winners] FLAC 11(54.14)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_cpZj-P6q3E0/TUVG0YlhMGI/AAAAAAAAAkg/zVE3FUQDl0k/s72-c/waxing%2Bfront.JPG' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-2581961053681687991</id><published>2011-01-26T09:03:00.006Z</published><updated>2011-10-11T13:42:32.247+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Al Fairweather'/><title type='text'>0133 Al Fairweather [Al Fairweather's Jazz Band] FLAC 4(10.03)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_cpZj-P6q3E0/TT_kHnhb66I/AAAAAAAAAkQ/5v3iKzvJ8To/s1600/Alfajb_Front.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_cpZj-P6q3E0/TT_kHnhb66I/AAAAAAAAAkQ/5v3iKzvJ8To/s320/Alfajb_Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5566418483972664226" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Al Fairweather - trumpet&lt;br /&gt;Sandy Brown - clarinet&lt;br /&gt;Frederick West - guitar&lt;br /&gt;Frank Clarke - bass&lt;br /&gt;Stan Greig - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 You're Driving Me Crazy&lt;br /&gt;02 'Bye 'Bye Blackbird&lt;br /&gt;03 Johnny is the Boy for Me&lt;br /&gt;04 Blues Slide&lt;br /&gt;&lt;br /&gt;Recorded July 21 1955&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-2581961053681687991?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/2581961053681687991/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/al-fairweather-al-fairweathers-jazz.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2581961053681687991'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/2581961053681687991'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/al-fairweather-al-fairweathers-jazz.html' title='0133 Al Fairweather [Al Fairweather&apos;s Jazz Band] FLAC 4(10.03)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_cpZj-P6q3E0/TT_kHnhb66I/AAAAAAAAAkQ/5v3iKzvJ8To/s72-c/Alfajb_Front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5826490438481692012</id><published>2011-01-23T09:19:00.005Z</published><updated>2011-10-11T13:42:11.630+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ray Premru'/><category scheme='http://www.blogger.com/atom/ns#' term='Cleo Laine'/><title type='text'>0132 Cleo Laine [Cleo Sings Elizabethan] FLAC 4(10.49)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cpZj-P6q3E0/TTvzlJAC88I/AAAAAAAAAkA/7cDy_JqqfAU/s1600/Cleo%2Beliz%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://4.bp.blogspot.com/_cpZj-P6q3E0/TTvzlJAC88I/AAAAAAAAAkA/7cDy_JqqfAU/s320/Cleo%2Beliz%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5565309583943201730" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Cleo Laine - vocals&lt;br /&gt;Ray Premru - leader&lt;br /&gt;Jim Brown - french horn&lt;br /&gt;Johnny Scott - alto, flute, bass flute&lt;br /&gt;Bob Burns - alto, bass clarinet&lt;br /&gt;Ivor Slaney - oboe, cor anglais&lt;br /&gt;Vic Ash - clarinet&lt;br /&gt;Bill Le Sage - vibes, piano&lt;br /&gt;Jack Fallon - bass&lt;br /&gt;Jackie Dougan - drums&lt;br /&gt;&lt;br /&gt;Columbia ep SEG7938&lt;br /&gt;&lt;br /&gt;The title says it all.  William Shakespeare finally has a musical&lt;br /&gt;&lt;br /&gt;hit in 1959.  Was Cleo the only modern jazz singer in the 1950s?&lt;br /&gt;&lt;br /&gt;She later went on to record a whole album of Bill's.&lt;br /&gt;&lt;br /&gt;Interesting selection of tunes with some fine backing from the&lt;br /&gt;&lt;br /&gt;likes of Vic Ash, Bob Burns and Bill Le Sage.&lt;br /&gt;&lt;br /&gt;FLAC with cover scans.&lt;br /&gt;&lt;br /&gt;Contributed by bluebird.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5826490438481692012?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5826490438481692012/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/cleo-laine-cleo-sings-elizabethan-flac.html#comment-form' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5826490438481692012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5826490438481692012'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/cleo-laine-cleo-sings-elizabethan-flac.html' title='0132 Cleo Laine [Cleo Sings Elizabethan] FLAC 4(10.49)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_cpZj-P6q3E0/TTvzlJAC88I/AAAAAAAAAkA/7cDy_JqqfAU/s72-c/Cleo%2Beliz%2Bfront.JPG' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4238798943811975414</id><published>2011-01-16T10:36:00.010Z</published><updated>2011-10-11T13:41:53.325+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kenny Graham'/><title type='text'>0131 Kenny Graham [Presenting Kenny Graham] FLAC 11(37.49)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_cpZj-P6q3E0/TTLKUUEgwNI/AAAAAAAAAjw/MaBLGlLZS5E/s1600/kg%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 280px; height: 279px;" src="http://2.bp.blogspot.com/_cpZj-P6q3E0/TTLKUUEgwNI/AAAAAAAAAjw/MaBLGlLZS5E/s320/kg%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5562730940089811154" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Jo Hunter - trumpet&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Laddy Busby - trombone&lt;br /&gt;Jackie Armstrong - trombone&lt;br /&gt;Kenny Graham - tenor&lt;br /&gt;Cliff Townsend - baritone&lt;br /&gt;Stan Tracey - vibes, piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Phil Seamen - drums&lt;br /&gt;Jack McHardie - conga drum&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Tuxedo Junction&lt;br /&gt;02 Cuban Fantasy&lt;br /&gt;03 Swallowin' the Blues&lt;br /&gt;04 Olwen's Dream&lt;br /&gt;05 Don't Get Around Much Anymore&lt;br /&gt;06 Rockin' in Rhythm&lt;br /&gt;07 I'll Get By (as Long as I Have You)&lt;br /&gt;08 Monkey Business&lt;br /&gt;09 Tim's A-Wasting&lt;br /&gt;10 Bongo Chant&lt;br /&gt;11 I Dreamt I Dwelt in Harlem&lt;br /&gt;&lt;br /&gt;Nixa NJL 12&lt;br /&gt;&lt;br /&gt;These are the last recordings of Kenny Graham as leader and of his group, the Afro-Cubists. It was also the last time he was recorded commercially as a musician.&lt;br /&gt;&lt;br /&gt;Thereafter he concentrated on his writing and arranging for others including Humphrey Lyttleton and Ted Heath.&lt;br /&gt;&lt;br /&gt;The music here is heavily influenced by the music of Duke Ellington and there are some fine solos by trumpeter Jo Hunter, which is short for Jolyon, (not Joe as listed) .  Jo is believed to be still playing somewhere in the South Coast area of the UK at the age of 84.  He was 30 when these recordings were made.&lt;br /&gt;&lt;br /&gt;Phil Seamen, who shows up all over the place during this period of the late 1950s, drives the whole proceedings along in his customary style.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;FLAC with track/personnel details and front cover picture.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Contributed by delmonico.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4238798943811975414?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4238798943811975414/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/kenny-graham-presenting-kenny-graham.html#comment-form' title='13 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4238798943811975414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4238798943811975414'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/kenny-graham-presenting-kenny-graham.html' title='0131 Kenny Graham [Presenting Kenny Graham] FLAC 11(37.49)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_cpZj-P6q3E0/TTLKUUEgwNI/AAAAAAAAAjw/MaBLGlLZS5E/s72-c/kg%2Bfront.jpg' height='72' width='72'/><thr:total>13</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4006154371027448574</id><published>2011-01-10T09:59:00.006Z</published><updated>2011-10-11T13:41:26.853+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sandy Brown'/><title type='text'>0130 Sandy Brown [Sandy Brown's Jazz Band] FLAC 4(12.11)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_cpZj-P6q3E0/TSrY7qxgF4I/AAAAAAAAAjg/X-m7_180eLE/s1600/exa%2B33%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 318px;" src="http://3.bp.blogspot.com/_cpZj-P6q3E0/TSrY7qxgF4I/AAAAAAAAAjg/X-m7_180eLE/s320/exa%2B33%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5560495209548093314" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Al Fairweather - trumpet&lt;br /&gt;John R T Davies - trombone&lt;br /&gt;Sandy Brown - clarinet, vocal&lt;br /&gt;Alan Thomas - piano&lt;br /&gt;Mo Umansky - banjo&lt;br /&gt;Brian Parker - bass&lt;br /&gt;Graham Burbidge - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 African Queen&lt;br /&gt;02 Special Delivery&lt;br /&gt;03 Nothing Blues&lt;br /&gt;04 Africa Blues&lt;br /&gt;&lt;br /&gt;Tempo ep EXA 33&lt;br /&gt;&lt;br /&gt;Sandy Brown had one of the better 'traditional' bands and at times he sounded very modern in outlook and approach.&lt;br /&gt;&lt;br /&gt;The music, most of which was written by him, was fresh, original and full of interest.  Here he is at his very best in 1955 and the African influence to his writing during this period is evident on this Tempo recording.&lt;br /&gt;&lt;br /&gt;FLAC with cover scans.&lt;br /&gt;&lt;br /&gt;Contributed by azule serape&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4006154371027448574?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4006154371027448574/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/sandy-brown-sandy-browns-jazz-band-flac.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4006154371027448574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4006154371027448574'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/sandy-brown-sandy-browns-jazz-band-flac.html' title='0130 Sandy Brown [Sandy Brown&apos;s Jazz Band] FLAC 4(12.11)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_cpZj-P6q3E0/TSrY7qxgF4I/AAAAAAAAAjg/X-m7_180eLE/s72-c/exa%2B33%2Bfront.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5901163335655960316</id><published>2011-01-07T09:00:00.006Z</published><updated>2011-10-11T13:41:07.104+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tony Crombie'/><category scheme='http://www.blogger.com/atom/ns#' term='Ken Moule'/><category scheme='http://www.blogger.com/atom/ns#' term='Don Rendell'/><title type='text'>0129 Various [Modern Jazz at the Royal Festival Hall] FLAC 11(43.49)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cpZj-P6q3E0/TSbWbfxfLfI/AAAAAAAAAjQ/eKKqXsusx7c/s1600/RFH%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 318px; height: 320px;" src="http://1.bp.blogspot.com/_cpZj-P6q3E0/TSbWbfxfLfI/AAAAAAAAAjQ/eKKqXsusx7c/s320/RFH%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5559366557909331442" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Dickie Hawdon - trumpet&lt;br /&gt;Dave Usden - trumpet&lt;br /&gt;Dizzy Reece - trumpet&lt;br /&gt;Les Condon - trumpet&lt;br /&gt;Don Rendell - tenor&lt;br /&gt;Keith Barr - tenor&lt;br /&gt;Roy Sidwell - tenor&lt;br /&gt;Joe Temperley - tenor&lt;br /&gt;Sammy Walker - tenor&lt;br /&gt;Ronnie Ross - baritone&lt;br /&gt;Don Cooper - baritone&lt;br /&gt;Lennie Dawes - baritone&lt;br /&gt;Damian Robinson - piano&lt;br /&gt;Ken Moule - piano&lt;br /&gt;Harry South - piano&lt;br /&gt;Pete Elderfield - bass&lt;br /&gt;Arthur Watts - bass&lt;br /&gt;Ashley Kovak - bass&lt;br /&gt;Benny Goodman - drums&lt;br /&gt;Lennie Breslow - drums&lt;br /&gt;Tony Crombie - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 My Honey's Lovin' Arms&lt;br /&gt;02 Give Me the Simple Life&lt;br /&gt;03 Chelsea Bridge&lt;br /&gt;04 Roomin' with Moomin&lt;br /&gt;05 Hallelujah&lt;br /&gt;06 I'm Beginning to See the Light&lt;br /&gt;07 Waterloo Bridge&lt;br /&gt;08 Good Bait&lt;br /&gt;09 Ahmed&lt;br /&gt;10 Compos Mentis&lt;br /&gt;11 Down Under&lt;br /&gt;&lt;br /&gt;Decca LP LK 4087&lt;br /&gt;&lt;br /&gt;Recorded October 30 1954&lt;br /&gt;&lt;br /&gt;This is part of a Modern Jazz Concert recorded on 30 October 1954 at the Royal Festival Hall, London with three different groups being featured.  This was the afternoon session of the concert, the evening being devoted to traditional jazz.&lt;br /&gt;&lt;br /&gt;Don Rendell's Sextet (track 3 previous appeared on a Tempo ep and was not on the original Decca lp) is first up followed by the Ken Moule Seven and finally the newly formed Tony Crombie Orchestra for their first recording session.&lt;br /&gt;&lt;br /&gt;The Swedish baritone sax player, Lars Gullin,  made a guest appearance at this concert but due to MU rules was not allowed to be recorded.&lt;br /&gt;&lt;br /&gt;FLAC with lp cover picture and track/personnel details.&lt;br /&gt;&lt;br /&gt;Contributed by delmonico&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5901163335655960316?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5901163335655960316/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/various-modern-jazz-at-royal-festival.html#comment-form' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5901163335655960316'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5901163335655960316'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/various-modern-jazz-at-royal-festival.html' title='0129 Various [Modern Jazz at the Royal Festival Hall] FLAC 11(43.49)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_cpZj-P6q3E0/TSbWbfxfLfI/AAAAAAAAAjQ/eKKqXsusx7c/s72-c/RFH%2Bfront.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-430070462273839836</id><published>2011-01-04T11:46:00.005Z</published><updated>2011-10-11T13:40:40.420+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ken Colyer'/><title type='text'>0128 Ken Colyer [This is Jazz Volume One Part One] FLAC 4(13.20)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_cpZj-P6q3E0/TSMI8k8i9zI/AAAAAAAAAjA/QbyIyjanGiI/s1600/Colyer_v1p1_Front.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_cpZj-P6q3E0/TSMI8k8i9zI/AAAAAAAAAjA/QbyIyjanGiI/s320/Colyer_v1p1_Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5558296201908123442" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ken Colyer - trumpet&lt;br /&gt;Mac Duncan - trombone&lt;br /&gt;Ian Wheeler - clarinet&lt;br /&gt;Ray Foxley - piano&lt;br /&gt;Johnny Bastable - banjo&lt;br /&gt;Ron Ward - bass&lt;br /&gt;Colin Bowden - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Sweet Fields&lt;br /&gt;02 Salutation March&lt;br /&gt;03 Riverside Blues&lt;br /&gt;04 Dusty Rag&lt;br /&gt;&lt;br /&gt;Recorded September 1959&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-430070462273839836?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/430070462273839836/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/ken-colyer-this-is-jazz-volume-one-part.html#comment-form' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/430070462273839836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/430070462273839836'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/ken-colyer-this-is-jazz-volume-one-part.html' title='0128 Ken Colyer [This is Jazz Volume One Part One] FLAC 4(13.20)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_cpZj-P6q3E0/TSMI8k8i9zI/AAAAAAAAAjA/QbyIyjanGiI/s72-c/Colyer_v1p1_Front.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-1482809474015630761</id><published>2011-01-01T09:45:00.017Z</published><updated>2011-10-11T13:40:12.382+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bill Le Sage'/><title type='text'>0127 Bill Le Sage [Bill's Recipes] FLAC 12(42.35)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_cpZj-P6q3E0/TR74DRkA6XI/AAAAAAAAAio/o7h0ColyzSc/s1600/recipes%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 319px; height: 320px;" src="http://2.bp.blogspot.com/_cpZj-P6q3E0/TR74DRkA6XI/AAAAAAAAAio/o7h0ColyzSc/s320/recipes%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5557151725359524210" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Eddie Blair - trumpet&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Laddie Busby - trombone&lt;br /&gt;Ken Goldie - trombone&lt;br /&gt;Jack Armstrong - trombone&lt;br /&gt;Tommy Whittle - tenor&lt;br /&gt;Henry Mackenzie - clarinet&lt;br /&gt;Bill Le Sage - vibes, piano, accordion&lt;br /&gt;Derek Smith - piano&lt;br /&gt;Lennie Bush - bass&lt;br /&gt;Pete Blannin - bass&lt;br /&gt;Tony Kinsey - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 First Night&lt;br /&gt;02 Blues&lt;br /&gt;03 Finders Keepers&lt;br /&gt;04 Pict's Lament&lt;br /&gt;05 Snow Face&lt;br /&gt;06 Little Bop Poose&lt;br /&gt;07 Shade of Spring&lt;br /&gt;08 Lazy&lt;br /&gt;09 Cloud Frolic&lt;br /&gt;10 Cambridge Blue&lt;br /&gt;11 Rain on the Seine&lt;br /&gt;12 Chirra Cahaua&lt;br /&gt;&lt;br /&gt;Saga STM 6019&lt;br /&gt;&lt;br /&gt;This is not often seen and this lp is the only issue.&lt;br /&gt;&lt;br /&gt;The Tom Lord discography is a bit vague about the recording date but opinion has it that it was late 1956 or early 1957. The pianist Derek Smith who appears here emigrated to the USA and actually recorded there in June 1957 so it must have been before then.&lt;br /&gt;&lt;br /&gt;Bill Le Sage (pianist, vibes player, composer, arranger) was one of Britain's Bebop pioneers and has played with almost everyone worth mentioning in the UK. He formed his own band at the age of 18 and played with many now long forgotten groups before becoming a founder member of the Dankworth Seven in March 1950.&lt;br /&gt;&lt;br /&gt;He had a long association with Tony Kinsey (who appears here) and later, Ronnie Ross.&lt;br /&gt;&lt;br /&gt;I saw Bill sometime around 1985 when he was playing one nighters around the country with local rhythm sections.  He was the perfect gentleman and a great entertainer, very professional, introducing his musicians and announcing the tune titles with a touch of humour. He was immaculately dressed with sharply creased trousers, sports jacket, tie and highly polished shoes - a far cry from some of today's younger musicians.&lt;br /&gt;&lt;br /&gt;And the music was great too. After the gig I got him to sign this album and for the next twenty minutes he told me about the tunes (eight of which are his on this lp), when and where they were written, about the musicians on the record and about life in general. He was still so enthusiastic about his music and said he would continue to play as long as he could draw breath.&lt;br /&gt;&lt;br /&gt;Well,  Bill drew breath for a long time after that one night in a small Nottinghamshire town and died in 2001. He made two fine albums with just guitar and bass a few months before his death but never got to hear the last one in it's published form.  They are worth seeking out (The Right Vibes 1 and 2).&lt;br /&gt;&lt;br /&gt;The cover picture is the icing on this very tasty BritJazz 1st Birthday Cake.&lt;br /&gt;&lt;br /&gt;FLAC with front and back lp cover scans.&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-1482809474015630761?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/1482809474015630761/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2011/01/bill-le-sage-bills-recipes-flac-124235.html#comment-form' title='14 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1482809474015630761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/1482809474015630761'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2011/01/bill-le-sage-bills-recipes-flac-124235.html' title='0127 Bill Le Sage [Bill&apos;s Recipes] FLAC 12(42.35)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_cpZj-P6q3E0/TR74DRkA6XI/AAAAAAAAAio/o7h0ColyzSc/s72-c/recipes%2Bfront.JPG' height='72' width='72'/><thr:total>14</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-4706053731520644012</id><published>2010-12-27T09:54:00.007Z</published><updated>2011-10-11T13:38:36.011+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vic Lewis'/><title type='text'>0126 Vic Lewis [Jazz From Two Sides] FLAC 6(16.34)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cpZj-P6q3E0/TRhioXIZNcI/AAAAAAAAAiY/ZfEasGkZbMs/s1600/two%2Bsides%2Bfront.JPG"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 317px; height: 320px;" src="http://1.bp.blogspot.com/_cpZj-P6q3E0/TRhioXIZNcI/AAAAAAAAAiY/ZfEasGkZbMs/s320/two%2Bsides%2Bfront.JPG" alt="" id="BLOGGER_PHOTO_ID_5555298585905018306" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Eddie Blair - trumpet&lt;br /&gt;Les Condon - trumpet&lt;br /&gt;George Chisholm - trombone&lt;br /&gt;Roy East - alto&lt;br /&gt;Ronnie Ross - baritone&lt;br /&gt;Alan Branscombe - piano&lt;br /&gt;Bill Sutcliffe - bass&lt;br /&gt;Dave Pearson - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 I Never Knew a Love Like This&lt;br /&gt;02 Salt Peanuts&lt;br /&gt;03 Mound Bayou&lt;br /&gt;04 Little Girl&lt;br /&gt;05 Pennsylvania Turnpike&lt;br /&gt;06 Stanhope Place&lt;br /&gt;&lt;br /&gt;Concept VL 5&lt;br /&gt;&lt;br /&gt;Recorded June 24 1959&lt;br /&gt;&lt;br /&gt;In 1959, Leonard Feather and Vic Lewis decided to record some jazz sides which reflected the then current trends both in the USA and the UK but it was not until 1987 that this album was released for the first time.  By then, some of the musicians involved had died and these sides are dedicated by Feather to their memory&lt;br /&gt;&lt;br /&gt;For BritJazz, only the Vic Lewis tracks (one side of the lp) are presented but you can see the details of the US group and read the track notes on the lp sleeve.&lt;br /&gt;&lt;br /&gt;FLAC with front and back lp cover scans.&lt;br /&gt;&lt;br /&gt;Contributed by bluebird.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-4706053731520644012?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/4706053731520644012/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2010/12/vic-lewis-jazz-from-two-sides-flac.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4706053731520644012'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/4706053731520644012'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2010/12/vic-lewis-jazz-from-two-sides-flac.html' title='0126 Vic Lewis [Jazz From Two Sides] FLAC 6(16.34)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_cpZj-P6q3E0/TRhioXIZNcI/AAAAAAAAAiY/ZfEasGkZbMs/s72-c/two%2Bsides%2Bfront.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-3384453076385355687</id><published>2010-12-24T13:40:00.003Z</published><updated>2011-10-11T13:38:10.687+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ken Colyer'/><title type='text'>0125 Ken Colyer [Crane River Jazz Band 1950-52] 320 22(1.12.43)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cpZj-P6q3E0/TRSjLu8EW4I/AAAAAAAAAiE/Zjr8VGGmmSs/s1600/001.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_cpZj-P6q3E0/TRSjLu8EW4I/AAAAAAAAAiE/Zjr8VGGmmSs/s320/001.jpg" alt="" id="BLOGGER_PHOTO_ID_5554243662428527490" border="0" /&gt;&lt;/a&gt;This LP filled me with nostalgia for the days before British 'traditional' jazz was murdered by the Top Twenty. Most of the tracks are pretty badly recorded, but then so are the classic King Olivers, Bixes, N.O.R.K.'s and Jelly Roll Mortons of forty years or so ago. Some of the tunes are the old war-horses which have been ridden to death during the past few years, yet in amongst the dross there are some specks of sheer gold. I'm thinking particularly of After Dark, a rich, melancholy blues of great melodic beauty, featuring its composer, John R. T. Davies, on trombone. (He was also the recording engineer.) Mr. Davies now plays trombone, trumpet, alto sax and the part of Sheik Haroun of Wadi el Yadounir with the Temperance Seven; on this disc, recorded for the most part in 1950, he plays guitar on Muddy Old River and American organ on Ja Da, as well as trombone on the remainder of the first side and the opening track of the second. From personal experience I also know that he can play all the reeds, plus banjo, drums and ophicleide. Also involved in this gloriously experimental group, lacking polish but with plenty of feeling, are such latter-day luminaries as Ken Colyer, cornet and vocals (he sounds like the late Jimmie Rodgers on Muddy Old River), and Monty Sunshine. The weird tonecontrast of Colyer's cornet and the American organ on Ja Da recalls Bubber Miley and Arthur Ray in the Texas Blues Destroyers recordings of 1924. Uptown Bump (helped by better recording quality) is just another title for I'm Busy And You Can't Come In. I'd also like to comment on the splendid climax of Do Wha Ory Say, where Colyer and Sonny Morris, both playing comets, produce breaks worthy of the Oliver-Armstrong team. Had the Revivalist Movement continued along the Creative lines promised by such lovely items as After Dark, who knows what might have been achieved?&lt;br /&gt;B.R.&lt;br /&gt;&lt;br /&gt;Personnel:&lt;br /&gt;Ken Colyer - trumpet, cornet, guitar, vocals&lt;br /&gt;Sonny Morris - cornet&lt;br /&gt;John R T Davies - trombone, organ, guitar&lt;br /&gt;Monty Sunshine - clarinet&lt;br /&gt;Pat Hawes - piano&lt;br /&gt;Ben Marshall - banjo&lt;br /&gt;Julian Davies - bass&lt;br /&gt;Ron Bowden - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Muddy Old River&lt;br /&gt;02 Ja-da&lt;br /&gt;03 Lowdown Blues&lt;br /&gt;04 After Dark&lt;br /&gt;05 Just A Little While To Stay Here&lt;br /&gt;06 My Old Kentucky Home&lt;br /&gt;07 Moose March&lt;br /&gt;08 If I Ever Cease To Love&lt;br /&gt;09 Gypsy Lament&lt;br /&gt;10 Winin' Boy Blues&lt;br /&gt;11 Down By The Riverside&lt;br /&gt;12 Eh La Bas!&lt;br /&gt;13 Dauphin Street Blues&lt;br /&gt;14 Just A Closer Walk With Thee&lt;br /&gt;15 Blance Touquatoux&lt;br /&gt;16 Just A Little While To Stay Here (alt)&lt;br /&gt;17 A Miner's Dream Of Home&lt;br /&gt;18 Do What Ory Says&lt;br /&gt;19 Dusty Rag&lt;br /&gt;20 Uptown Bumps&lt;br /&gt;21 Maryland My Maryland&lt;br /&gt;22 Creole Song&lt;br /&gt;&lt;br /&gt;Recorded at Cranford Jazz Club and The Cook's Ferry Inn Club London&lt;br /&gt;&lt;br /&gt;MP3 - 320&lt;br /&gt;&lt;br /&gt;Contributed by beezer&lt;br /&gt;&lt;br /&gt;Beezer's first item here - we hope to see more in a like vein. BJ&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-3384453076385355687?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/3384453076385355687/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2010/12/ken-colyer-crane-river-jazz-band-1950.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3384453076385355687'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/3384453076385355687'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2010/12/ken-colyer-crane-river-jazz-band-1950.html' title='0125 Ken Colyer [Crane River Jazz Band 1950-52] 320 22(1.12.43)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_cpZj-P6q3E0/TRSjLu8EW4I/AAAAAAAAAiE/Zjr8VGGmmSs/s72-c/001.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-5310096063820465106</id><published>2010-12-20T09:38:00.003Z</published><updated>2011-10-11T13:37:48.349+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Joe Harriott'/><category scheme='http://www.blogger.com/atom/ns#' term='Tony Kinsey'/><title type='text'>0124 Tony Kinsey [Tony Kinsey with Joe Harriott] FLAC 2(12.37)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cpZj-P6q3E0/TQ8kg_8oLZI/AAAAAAAAAh8/Hura0uLjulQ/s1600/TKTJH_Front.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_cpZj-P6q3E0/TQ8kg_8oLZI/AAAAAAAAAh8/Hura0uLjulQ/s320/TKTJH_Front.jpg" alt="" id="BLOGGER_PHOTO_ID_5552697014911249810" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Joe Harriott - alto&lt;br /&gt;Bill Le Sage - piano&lt;br /&gt;Sammy Stokes - bass&lt;br /&gt;Tony Kinsey - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 The Song is You&lt;br /&gt;02 It Don't Mean a Thing if it Ain't Got That Swing&lt;br /&gt;&lt;br /&gt;Recorded December 9 1954&lt;br /&gt;&lt;br /&gt;Contributed by Brufan&lt;br /&gt;&lt;br /&gt;A warm welcome from everyone here to our newest contributor Brufan,&lt;br /&gt;and appreciation for this fine addition to our library.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-5310096063820465106?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/5310096063820465106/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2010/12/tony-kinsey-tony-kinsey-with-joe.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5310096063820465106'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/5310096063820465106'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2010/12/tony-kinsey-tony-kinsey-with-joe.html' title='0124 Tony Kinsey [Tony Kinsey with Joe Harriott] FLAC 2(12.37)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_cpZj-P6q3E0/TQ8kg_8oLZI/AAAAAAAAAh8/Hura0uLjulQ/s72-c/TKTJH_Front.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7283238197178054612</id><published>2010-12-17T09:11:00.003Z</published><updated>2011-10-11T13:37:25.236+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pat Hawes'/><title type='text'>0123 Pat Hawes [Doug Dobell Presents Pat Hawes And His Band] FLAC 7(27.08)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cpZj-P6q3E0/TQspe3Nb5RI/AAAAAAAAAhs/y2SulVazHuM/s1600/lp%2Bfront%2Bcover.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 315px; height: 320px;" src="http://4.bp.blogspot.com/_cpZj-P6q3E0/TQspe3Nb5RI/AAAAAAAAAhs/y2SulVazHuM/s320/lp%2Bfront%2Bcover.jpg" alt="" id="BLOGGER_PHOTO_ID_5551576575857386770" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Ken Reece - trumpet&lt;br /&gt;Pete Webb - trombone&lt;br /&gt;Harry Salisbury - tenor, clarinet&lt;br /&gt;Pat Hawes - piano&lt;br /&gt;Brian Parker - bass&lt;br /&gt;Tony Ward - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Wabash Blues&lt;br /&gt;02 Bluesbeck&lt;br /&gt;03 Happy and Satisfied&lt;br /&gt;04 Taps Miller&lt;br /&gt;05 A Smooth One&lt;br /&gt;06 Lullaby of the Leaves&lt;br /&gt;07 Blues for Midgets&lt;br /&gt;&lt;br /&gt;"77" Records LP 6&lt;br /&gt;&lt;br /&gt;Recorded July 24 1957&lt;br /&gt;&lt;br /&gt;This is the Pat Hawes Band from 1957 and I must confess that I'd never heard of any of the musicians here except Pat. He recorded little as a leader but recorded prolifically with the likes of Humphrey Lyttleton, The Crane River Jazz band, the Christie Brothers and Cy Laurie.&lt;br /&gt;&lt;br /&gt;He was, for many years a contributor to, and reviewer for,  'Jazz Journal' during the 1990s whilst continuing to play piano with a number of Dixieland style groups. He was a great champion for the American pianist Jessica Williams and was responsible, through his support and record reviews, for her recognition in the UK.&lt;br /&gt;&lt;br /&gt;On these sides however Pat plays in a more mainstream style.&lt;br /&gt;&lt;br /&gt;This one's for grumpy.&lt;br /&gt;&lt;br /&gt;FLAC with cover scan and track/personnel details.  A better cover picture would be appreciated.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Contributed by bluebird&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7283238197178054612?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7283238197178054612/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2010/12/pat-hawes-doug-dobell-presents-pat.html#comment-form' title='9 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7283238197178054612'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7283238197178054612'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2010/12/pat-hawes-doug-dobell-presents-pat.html' title='0123 Pat Hawes [Doug Dobell Presents Pat Hawes And His Band] FLAC 7(27.08)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_cpZj-P6q3E0/TQspe3Nb5RI/AAAAAAAAAhs/y2SulVazHuM/s72-c/lp%2Bfront%2Bcover.jpg' height='72' width='72'/><thr:total>9</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8067819006962850174.post-7749101662722354925</id><published>2010-12-13T10:16:00.004Z</published><updated>2011-10-11T13:37:04.985+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vic Ash'/><title type='text'>0122 Vic Ash [Clarinet Virtuoso] FLAC 4(12.45)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cpZj-P6q3E0/TQXysWFLw9I/AAAAAAAAAhk/hYfEQbhrKrg/s1600/virtuoso%2Bfront.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 254px; height: 254px;" src="http://4.bp.blogspot.com/_cpZj-P6q3E0/TQXysWFLw9I/AAAAAAAAAhk/hYfEQbhrKrg/s320/virtuoso%2Bfront.jpg" alt="" id="BLOGGER_PHOTO_ID_5550108959459492818" border="0" /&gt;&lt;/a&gt;Personnel:&lt;br /&gt;Vic Ash - clarinet&lt;br /&gt;Eddie Thompson - piano&lt;br /&gt;Bill Sutcliffe - bass&lt;br /&gt;Barry Hamilton - bass&lt;br /&gt;Allan Ganley - drums&lt;br /&gt;Benny Goodman - drums&lt;br /&gt;&lt;br /&gt;Tracks:&lt;br /&gt;01 Good Bait&lt;br /&gt;02 Dream a Little Dream of Me&lt;br /&gt;03 I've Got it Bad&lt;br /&gt;04 Love Me or Leave Me&lt;br /&gt;&lt;br /&gt;Columbia SEG 734&lt;br /&gt;&lt;br /&gt;Another rare chance to hear Vic Ash as leader with these 1955 quartet recordings. Eddie Thompson is the pianist again.&lt;br /&gt;&lt;br /&gt;FLAC with track/personnel details and front cover picture.&lt;br /&gt;&lt;br /&gt;Contributed by delmonico&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8067819006962850174-7749101662722354925?l=britjazz.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://britjazz.blogspot.com/feeds/7749101662722354925/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://britjazz.blogspot.com/2010/12/vic-ash-clarinet-virtuoso-flac-41245.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7749101662722354925'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8067819006962850174/posts/default/7749101662722354925'/><link rel='alternate' type='text/html' href='http://britjazz.blogspot.com/2010/12/vic-ash-clarinet-virtuoso-flac-41245.html' title='0122 Vic Ash [Clarinet Virtuoso] FLAC 4(12.45)'/><author><name>BritJazz</name><uri>http://www.blogger.com/profile/04006922608648651603</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_cpZj-P6q3E0/TQXysWFLw9I/AAAAAAAAAhk/hYfEQbhrKrg/s72-c/virtuoso%2Bfront.jpg' height='72' width='72'/><thr:total>3</thr:total></entry></feed>
